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▓█▀▄▄ Artist : Miles Davis ▄▄▀█▓
▐▓▌▐█▌ Album : The Bootleg Series, Vol. 7: That's What Happened ▐█▌▓▌
▐▀▄██ Label : Sony Music ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2022-09-16 ██▀▄▌
▐▓▌▐█▌ Quality : 749 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 1190.93 MB ███▓
▀ ▀█▌ Time : 206:20min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/the-bootleg-ser ███▄▓
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▄██▀ ▀██▄
██▌ Disc 1/3 ▐██
██▌ ▐██
██▌ 1. Santana 13:05 ▐██
██▌ 2. Minor Ninths (Part 1) 3:12 ▐██
██▌ 3. Minor Ninths (Part 2) 4:31 ▐██
██▌ 4. Celestial Blues (Part 1) 8:03 ▐██
██▌ 5. Celestial Blues (Part 2) 4:00 ▐██
██▌ 6. Celestial Blues (Part 3) 5:56 ▐██
██▌ 7. Remake of DBX Ballad 4:57 ▐██
██▌ 8. Remake of DBX Ballad (Full Studio Session) 7:15 ▐██
██▌ 9. Freak Deaky (Part 1) 9:49 ▐██
██▌ 10. Freak Deaky (Part 2) 5:25 ▐██
██▌ 11. Time After Time (Alternate) 5:53 ▐██
██▌ ▐██
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██▌ Disc 2/3 ▐██
██▌ ▐██
██▌ 1. Time After Time (Full Studio Session) 8:56 ▐██
██▌ 2. Theme From Jack Johnson (Right Off) / Intro 8:30 ▐██
██▌ 3. Never Loved Like This (Studio Session Demo) 5:00 ▐██
██▌ 4. Hopscotch (Slow) 5:34 ▐██
██▌ 5. Hopscotch (Fast) 7:00 ▐██
██▌ 6. What's Love Got To Do With It 4:21 ▐██
██▌ 7. Human Nature (Alternate) 6:00 ▐██
██▌ 8. Katia (Full Studio Session) 10:23 ▐██
██▌ ▐██
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██▌ Disc 3/3 ▐██
██▌ ▐██
██▌ 1. Speak (That's What Happened) 11:34 ▐██
██▌ 2. Star People 9:23 ▐██
██▌ 3. What It Is 5:54 ▐██
██▌ 4. It Gets Better 11:51 ▐██
██▌ 5. Hopscotch 7:18 ▐██
██▌ 6. Star On Cicely 9:11 ▐██
██▌ 7. Jean-Pierre 4:50 ▐██
██▌ 8. Code 3 9:27 ▐██
██▌ 9. Creepin' In 9:02 ▐██
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▄███▌ ▐███▄
████ The seventh volume in Miles Davis' award-winning Bootleg Series ████
████ is comprised of unreleased material from the sessions for his ████
████ final Columbia studio albums -- Star People, Decoy, and You're ████
████ Under Arrest -- that appeared annually from 1983 to 1985. They ████
████ reveal the profound influence that era's pop music and MTV had on ████
████ the trumpeter. The three-disc box assembles 19 alternates and ████
████ outtakes, alongside the live What It Is: Montreal 7/7/83, issued ████
████ for Record Store Day. The booklet includes interviews with the ████
████ musicians and producer. ████
████ ████
████ Eight of disc one's ten tracks are drawn from 1983's Star People ████
████ sessions, the last Davis recording, produced by Teo Macero. It ████
████ opens with his bleating synth intro to the 13-minute "Santana." A ████
████ rumbling Marcus Miller bassline is framed by Al Foster's drums, ████
████ Mino Cinelu's urgent percussion, and the funky, dissonant ████
████ electric guitars of Mike Stern and John Scofield. The interplay ████
████ between Davis' muted horn and keyboards introduces Bill Evans' ████
████ fluid soprano sax halfway through. The choppy, repetitive horn ████
████ vamps amid the jagged group interplay recall Ornette Coleman & ████
████ Prime Time in places. The other highlight on disc one is the ████
████ three-part "Celestial Blues." It's lithe and funky, bathed in ████
████ steamy grooves. Davis -- with and without mute -- freely engages ████
████ the guitarists as the rhythm section lays a deep cut. Evans' ████
████ tenor solo in part one is saturated in the influence of Ben ████
████ Webster. It closes with two unremarkable alternates of Decoy's ████
████ "Freaky Deaky." Disc's two's highlights include two wonderful ████
████ alternates of Cyndi Lauper's "Time After Time" (from 1985's ████
████ You're Under Arrest). The first is uptempo and funky; the latter ████
████ is three minutes longer with a slow, dubby, reggae processional. ████
████ A jagged, muscular read of "Theme from Jack Johnson (Right ████
████ Off)/Intro" offers a killer break from Scofield and punchy, ████
████ athletic bass from Darryl Jones. In addition to an emotionally ████
████ poignant version of Michael Jackson's "Human Nature," the disc ████
████ includes a warm, lyrical, moving read of Tina Turner's "What's ████
████ Love Got to Do with It" that never made the album. The disc ████
████ closes with a smoking version of "Katia" featuring an incendiary ████
████ performance by guitarist John McLaughlin. Both discs are peppered ████
████ with Davis' studio banter. The live disc is riveting. The band -- ████
████ Davis, Scofield, Jones, Evans, Foster, and Cinelu -- open with a ████
████ ramped-up, driving, 13-minute "Speak (That's What Happened)" that ████
████ sometimes recalls, the unruly voodoo funk on Agharta, albeit in ████
████ more polished form. Here, "Star People" is loose and airy, ████
████ offering great solos by guitarist, trumpeter, and saxophonist. ████
████ "What It Is" offers fiery, interlocking funk as Scofield, Foster, ████
████ and Jones go head to head. Closer "Code 3" is an excellent ████
████ showcase for Evans and Cinelu. ████
████ ████
████ There is no question that The Bootleg Series, Vol. 7: That's What ████
████ Happened 1982-1985 will cause controversy among jazz fans. But it ████
████ isn't for them. It's for Miles Davis fans and presents an ████
████ unvarnished taste of him -- from the cutting room floor no less ████
████ -- attempting to reinvent himself one last time. ████
████ ████
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