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▓▄██ ██▄▓
▓█▀▄▄ Artist : Wayne Shorter, Terri Lyne Carrington, Leo Genovese ▄▄▀█▓
▐▓▌▐█▌ Album : Live At The Detroit Jazz Festival ▐█▌▓▌
▐▀▄██ Label : Candid Records ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2022-09-09 ██▀▄▌
▐▓▌▐█▌ Quality : 697 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 290.06 MB ███▓
▀ ▀█▌ Time : 55:35 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/live-at-the-det ███▄▓
▐▓████▌ roit-jazz-festival-mr0005729935 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Someplace Called "Where" 14:19 ▐██
██▌ 2. Endangered Species 21:43 ▐██
██▌ 3. Encontros e Despedidas 8:37 ▐██
██▌ 4. Drummers Song 4:41 ▐██
██▌ 5. Midnight In Carlott's Hair 6:15 ▐██
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▄███▌ ▐███▄
████ In 2017, Wayne Shorter was artist-in-residence at the Detroit ████
████ Jazz Festival. He was scheduled to perform three times during the ████
████ weekend: Once with his longstanding quartet -- pianist Danilo ████
████ Perez, drummer Brian Blade, and bassist John Patitucci -- the ████
████ second was the quartet performance documented here. The third set ████
████ was to be a live performance of Emanon, the score for his graphic ████
████ novel with an orchestra; it was cancelled due to inclement ████
████ weather. This group comprised bassist/vocalist Esperanza ████
████ Spalding, drummer Teri Lyne Carrington, and pianist Leo Genovese ████
████ (he replaced Detroit pianist Geri Allen, who died in June). The ████
████ group met that day to rehearse a few themes, but no more. Live at ████
████ the Detroit Jazz Festival showcases a band carrying on an ████
████ eventful, musically advanced conversation. ████
████ ████
████ Opener "Someplace Called 'Where'" was composed by Shorter. ████
████ Spalding, and Genovese, and Carrington's ride cymbal introduces ████
████ it haltingly. Shorter's tenor enters at 1:30 and the band begins ████
████ framing his questioning notes. Spalding starts singing at two ████
████ minutes. Her long, open notes in the lyric flower within the ████
████ quartet's accompaniment. and emerge, slowly yet fully formed as a ████
████ clarion call to explore. Solos by Genovese and Shorter are ████
████ reaching and resonant. Carrington's dancing rhythms anchor, push, ████
████ and underscore their unconventional harmonic invention. More than ████
████ 21 minutes long, "Endangered Species," was co-composed by Shorter ████
████ and Spalding (they later collaborated on the staged opera ████
████ Iphigenia). It emerges subtly: Soprano sax punctuates the chordal ████
████ statements by Genovese and the percussive vamping of Spalding ████
████ with Carrington's stretched beats melding post-bop and funky ████
████ breaks. At five minutes, soprano sax and piano deliver a forceful ████
████ call-and-response modal interaction. The music strips to a hush ████
████ halfway through as Spalding's voice offers solace and assurance ████
████ with crystalline accuracy while elastically shifting pitches. A ████
████ glorious reading of Milton Nascimento's "Encontros e Despedidas" ████
████ follows (Shorter cut 1975's Native Dancer in collaboration with ████
████ him). Spalding is exceptional with the Portuguese lyric, allowing ████
████ her voice freedom amid Carrington's shifting polyrhythms as ████
████ Shorter's tenor offers an alternate lyricism framed by Genovese's ████
████ cascading arpeggios and lush chords. Allen's "Drummer's Song" ████
████ commences with Afro-Latin drumming and Genovese's syncopated ████
████ chord voicings. Spalding's bass enters halfway into a circular ████
████ vamp that the pianist transforms into mutant salsa as Shorter's ████
████ soprano punctuates with sweeping, jagged lines in an ████
████ intoxicating, swirling dance. The saxophonist's "Midnight in ████
████ Carlotta's Hair" is the set closer. The empathic union of singer ████
████ and soprano horn reaches deep into Shorter's complex, canny ████
████ lyricism. Carrington and Genovese add depth, color, dimension, ████
████ and constant fluid motion. The band gels as Shorter solos before ████
████ the quartet reunites in a gradual fade. This group's individual ████
████ and collective abilities reflect a more seasoned quartet. Live at ████
████ the Detroit Jazz Festival is a compelling exercise in kinetic, ████
████ deeply emotional music making (mostly) in the moment . Given ████
████ Shorter's retirement from performing (he is 89 with health ████
████ issues) this amounts to a gift as well as a historical document. ████
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