Wayne_Shorter-Live_At_The_Detroit_Jazz_Festival-2022-MTD

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MP3/FLAC

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MTD

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96,37 MB

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10

Date

2022-11-03

NFO

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    [Info]

    Artist       : Wayne Shorter, Terri Lyne Carrington, Leo Genovese &
    Album        : Live At The Detroit Jazz Festival
    Label        : Candid Records
    Genre        : Jazz
    Street Date  : 2022-09-09
    Quality      : 238 kbps / 44.1kHz / Joint Stereo
    Encoder      : Lame 3.100 -V0
    Size         : 99.32 MB
    Time         : 55:36 min
    Url          : http://allmusic.com/album/release/live-at-the-detroit-jazz-fe
                   stival-mr0005729935
    [Tracks]

    1.  Someplace Called "Where"                                          14:20
    2.  Endangered Species                                                21:43
    3.  Encontros e Despedidas                                             8:37
    4.  Drummers Song                                                      4:41
    5.  Midnight In Carlotta's Hair                                        6:15


    [Notes]

    In 2017, Wayne Shorter was artist-in-residence at the Detroit Jazz Festival.
    He was scheduled to perform three times during the weekend: Once with his
    longstanding quartet -- pianist Danilo Perez, drummer Brian Blade, and
    bassist John Patitucci -- the second was the quartet performance documented
    here. The third set was to be a live performance of Emanon, the score for
    his graphic novel with an orchestra; it was cancelled due to inclement
    weather. This group comprised bassist/vocalist Esperanza Spalding, drummer
    Teri Lyne Carrington, and pianist Leo Genovese (he replaced Detroit pianist
    Geri Allen, who died in June). The group met that day to rehearse a few
    themes, but no more. Live at the Detroit Jazz Festival showcases a band
    carrying on an eventful, musically advanced conversation.

    Opener "Someplace Called 'Where'" was composed by Shorter. Spalding, and
    Genovese, and Carrington's ride cymbal introduces it haltingly. Shorter's
    tenor enters at 1:30 and the band begins framing his questioning notes.
    Spalding starts singing at two minutes. Her long, open notes in the lyric
    flower within the quartet's accompaniment. and emerge, slowly yet fully
    formed as a clarion call to explore. Solos by Genovese and Shorter are
    reaching and resonant. Carrington's dancing rhythms anchor, push, and
    underscore their unconventional harmonic invention. More than 21 minutes
    long, "Endangered Species," was co-composed by Shorter and Spalding (they
    later collaborated on the staged opera Iphigenia). It emerges subtly:
    Soprano sax punctuates the chordal statements by Genovese and the percussive
    vamping of Spalding with Carrington's stretched beats melding post-bop and
    funky breaks. At five minutes, soprano sax and piano deliver a forceful
    call-and-response modal interaction. The music strips to a hush halfway
    through as Spalding's voice offers solace and assurance with crystalline
    accuracy while elastically shifting pitches. A glorious reading of Milton
    Nascimento's "Encontros e Despedidas" follows (Shorter cut 1975's Native
    Dancer in collaboration with him). Spalding is exceptional with the
    Portuguese lyric, allowing her voice freedom amid Carrington's shifting
    polyrhythms as Shorter's tenor offers an alternate lyricism framed by
    Genovese's cascading arpeggios and lush chords. Allen's "Drummer's Song"
    commences with Afro-Latin drumming and Genovese's syncopated chord voicings.
    Spalding's bass enters halfway into a circular vamp that the pianist
    transforms into mutant salsa as Shorter's soprano punctuates with sweeping,
    jagged lines in an intoxicating, swirling dance. The saxophonist's "Midnight
    in Carlotta's Hair" is the set closer. The empathic union of singer and
    soprano horn reaches deep into Shorter's complex, canny lyricism. Carrington
    and Genovese add depth, color, dimension, and constant fluid motion. The
    band gels as Shorter solos before the quartet reunites in a gradual fade.
    This group's individual and collective abilities reflect a more seasoned
    quartet. Live at the Detroit Jazz Festival is a compelling exercise in
    kinetic, deeply emotional music making (mostly) in the moment . Given
    Shorter's retirement from performing (he is 89 with health issues) this
    amounts to a gift as well as a historical document.

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