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▓█▀▄▄ Artist : The Jimi Hendrix Experience ▄▄▀█▓
▐▓▌▐█▌ Album : Live at the L.A. Forum, April 26, 1969 ▐█▌▓▌
▐▀▄██ Label : Legacy / Legacy Recordings / Sony Music ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2022-11-18 ██▀▄▌
▐▓▌▐█▌ Quality : 882 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 527.67 MB ███▓
▀ ▀█▌ Time : 79:29 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/live-at-the-la- ███▄▓
▐▓████▌ forum-april-26-1969-mr0005785074 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Introduction 2:27 ▐██
██▌ 2. Tax Free 15:34 ▐██
██▌ 3. Foxey Lady 5:12 ▐██
██▌ 4. Red House 11:09 ▐██
██▌ 5. Spanish Castle Magic 11:58 ▐██
██▌ 6. The Star-Spangled Banner 2:31 ▐██
██▌ 7. Purple Haze 6:44 ▐██
██▌ 8. I Don't Live Today 7:07 ▐██
██▌ 9. Voodoo Child (Slight Return) 9:13 ▐██
██▌ 10. Sunshine Of Your Love 4:16 ▐██
██▌ 11. Voodoo Child (Slight Return) 3:18 ▐██
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▄███▌ ▐███▄
████ 1969 was a period of upheaval and transition for Jimi Hendrix. ████
████ While 1968's Electric Ladyland was a strikingly ambitious ████
████ masterpiece, efforts to record a follow-up had stalled, and ████
████ tensions were growing between Hendrix and the members of his ████
████ backing group, the Experience, particularly bassist Noel Redding, ████
████ who had grown tired of Hendrix's unpredictability (and was ████
████ perhaps overestimating the public's desire to hear his new band, ████
████ Fat Mattress). The Jimi Hendrix Experience would play their last ████
████ show at the end of June 1969, and 2022's Live at the L.A. Forum, ████
████ April 26, 1969 documents a somewhat chaotic gig two months before ████
████ the trio imploded. Hendrix and his band were playing for an ████
████ overzealous capacity crowd who were eager to get as close to the ████
████ stage as they could, while a similarly determined group of ████
████ policemen working as security at the show were doing all they ████
████ could to hold them back. In the midst of it all, the Experience ████
████ were trying to play a show, and the result is a performance where ████
████ Hendrix has to occasionally urge the crowd to cool out in the ████
████ midst of a set full of extended jamming. If this isn't the most ████
████ tightly focused Jimi Hendrix Experience performance of all, it ████
████ shows the group was still capable of delivering exciting, ████
████ remarkable music even under difficult circumstances. The feel of ████
████ the show is loose, beginning with a 15-minute jam on "Tax Free," ████
████ a little-known number by the Swedish combo Hansson & Karlsson, ████
████ and ending with a 17-minute exploration of "Voodoo Child (Slight ████
████ Return)" that takes a detour through Cream's "Sunshine of Your ████
████ Love" about nine minutes in. (The set also includes a short ████
████ preview of the version of "The Star Spangled Banner" that would ████
████ become an iconic part of Hendrix's set at the Woodstock Music and ████
████ Art Fair that August.) As always, the interaction between Hendrix ████
████ and drummer Mitch Mitchell is at the heart of this music; the ████
████ bursts of jazzy fury from Mitchell's kit mesh well with the noisy ████
████ sonic wanderlust of Hendrix's guitar, and both were in an ████
████ inspired fashion this evening, while Redding's bass gives the ████
████ music a simple but steady foundation. Though the evening might ████
████ have been something of a challenge in terms of crowd control, ████
████ Hendrix's between-song banter finds him in impressively good ████
████ humor, and the imagination and daring in his songwriting and ████
████ guitar work is still dazzling 53 years later. The original ████
████ recordings of the L.A. Forum show were engineered by Wally Heider ████
████ and Bill Halverson and remixed by Eddie Kramer for this, the ████
████ first authorized release of the full concert, and the depth, ████
████ detail, and sense of space in the audio serves this performance ████
████ well. It sometimes seems like every note Hendrix played that was ████
████ documented by recording equipment will eventually see authorized ████
████ release, but Live at the L.A. Forum, April 26, 1969 is a superb ████
████ reminder that most of that music is still vital, rewarding, and ████
████ well worth hearing. ████
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