Ride-4_EPs-(WEBB574CD)-Remastered-CD-FLAC-2022-SHGZ

Section
MP3/FLAC
Group
SHGZ
Size
508,38 MB
Files
33
Date
2022-11-23

NFO


                                  -=- SHGZ -=-


   * Shoegaze * Indie * Post-Rock * Grunge * Dream Pop * Psych-Rock * Ethereal *


         ARTIST..: Ride
         ALBUM...: 4 EPs

         GENRE...: Indie
         STYLE...: Indie Rock, Shoegaze, Shoegaze, Dream Pop
         STYLE...: Alternative Rock, Britpop, Noise Pop, Neo-Psychedelia

         YEAR....: 2022
         LABEL...: Wichita

         COUNTRY.: United Kingdom
         PLACE...: 1988, Oxford, Oxfordshire

         ENCODER.: FLAC 1.3.1 -8 -V
         BITRATE.: 1004kbps avg
         QUALITY.: 44.1kHz / 2 channels

         SOURCE..: CD
         TRACKS..: 16
         SIZE....: 502.33 MB


         URL..: http://www.facebook.com/RideOX4


         - TRACKLIST


       * Ride EP *  
   1   Chelsea Girl                            2:58
   2   Drive Blind                             4:44
   3   All I Can See                           3:23
   4   Close My Eyes                           5:26

       * Play EP *
   5   Like A Daydream                         3:04
   6   Silver                                  4:10
   7   Furthest Sense                          3:23
   8   Perfect Time                            3:53

       * Fall EP *
   9   Dreams Burn Down                        6:02
   10  Taste                                   3:16
   11  Here And Now                            4:23
   12  Nowhere                                 5:23

       * Today Forever EP *
   13  Unfamiliar                              5:02
   14  Sennen                                  4:21
   15  Beneath                                 4:05
   16  Today                                   6:27



                                     Total Playtime: 70:00



   Released on November 4th 2022 and entitled '4 EPs', the first four Ride EPs
   are compiled onto one record for the first time ever featuring remastered
   audio (all the original audio has been reworked and refined), This is
   accompanied by a 16 page booklet featuring archive photos and an essay by
   Sonic Cathedral's Nathaniel Cramp.

   *

   Disappointingly, the package lacks credits for and information on the
   mastering or audio sources. It is likely that in the period these 16 tracks
   were recorded, the contemporaneous master source was digital Betamax tape - a
   music industry standard. The sound here is great yet different to the
   original records. It's been opened out without losing the core sonic cohesion
   or any of the power. It would be interesting to know the background on this.

   https://www.theartsdesk.com/new-music/music-reissues-weekly-ride-4-eps

   *

   Ahead of their 'Nowhere' 30th anniversary UK tour starting 20th April,
   shoegaze legends Ride have announced the details of the reissues of their
   early classic albums via Wichita Recordings. These will be released on the
   4th November and will include the first four EPs ('Ride, 'Play', 'Fall', and
   'Today Forever'), plus their seminal 1990 debut 'Nowhere', and feted 1992
   album 'Going Blank Again' from their days on Creation Records.

   Ride's co-frontman, guitarist and songwriter Andy Bell had the following to
   say about the imminent Nowhere 30 tour and reissues:

   "We were really looking forward to getting out and touring the 30th
   anniversary of 'Nowhere' back in 2020. Then the pandemic hit and delayed our
   plans, but here we are in 2022 and we are still buzzing about getting out on
   the road, if anything, more so than before. We feel that 'Nowhere' is a debut
   album worth celebrating and as well as the tour we also have decided to start
   pressing new editions of the vinyl from the original Ride era, the first
   batch of which not only includes 'Nowhere' but also' Going Blank Again' and
   an album we've created out of the first 4 EPs. This new album has given us a
   chance to create some new (but old school) Ride artwork, in conjunction with
   the team at Wichita, which we are pretty pleased with. To get this Nowhere
   themed period up and running, we have also created a live film of us
   performing the entire album, in as close a location as we could to the site
   of the original recording session at Blackwing studios."

   "These are my favourite pressings ever of these albums. Creation was an
   amazing record label but they didn't press on the greatest vinyl. I'd rather
   have one of these new ones than an original any day."

   *

   In their earliest phases, Oxford band Ride were evolving at a rate almost too
   fast to document. The group broke into what was still a relatively new
   shoegaze scene in 1990, using high-volume guitars and chaotic, noisy
   production as the jumping-off point for their songs, but set apart from their
   peers by their distinctive psychedelic songwriting style, disarming jangly
   pop elements, and vocal harmonies that cut through the haze to drive home the
   band's ample hooks. Ride solidified all of these elements on their canonical
   debut LP, Nowhere, released in October 1990, but they had found their way
   with a series of three EPs released before the arrival of Nowhere, and
   expanded on it with a fourth shortly after the album. In the course of a
   little more than a single calendar year, the band's sound grew exponentially,
   and in the process helped set the parameters for shoegaze on the whole. 4 EPs
   collects the 16 songs that made up Ride's non-album output as they barreled
   through the creatively unstoppable years of 1990 and 1991, presenting tracks
   from Ride, Fall, Play, and Today Forever in chronological order and in one
   place for the first time.

   Youthful excitement crackles through upbeat songs like "Chelsea Girl" and
   "Furthest Sense," with dizzy guitar swirls and twinkling tambourine grounding
   the band's otherworldly shoegaze with hints of paisley underground
   psychedelia. Sludgier tracks like "Drive Blind" or "Nowhere" highlight the
   group's moody side, slowing things down and getting lost in the layers of
   guitar and tight vocal harmonies. Having this material laid out in
   long-playing album format offers a sense of just how quickly Ride were
   progressing. The combination of feedback squalls and blissed-out, melancholic
   melody on "Close My Eyes" from the first EP quickly sharpens into propulsive
   bass lines and fast-paced but ethereal song construction on "Taste," or the
   glistening dreaminess of set closer "Today," all recorded within a few months
   of each other. Ride's unparalleled hot streak wasn't limited to their early
   EPs, with both Nowhere and 1992 sophomore effort Going Blank Again becoming
   instant shoegaze classics and setting the pace for generations of dream pop,
   space rock, and other forms of liminal space indie sounds that followed. As a
   counterpart to these more fleshed-out statements, 4 EPs showcases the band at
   their most raw, uncharted, and wide-eyed, capturing a type of sonic euphoria
   that was brand new as they created it, and still feels invigorating decades
   later. - Allmusic

   *

   The British band Ride were planning on taking a brief break from their usual
   album/tour cycle so that they could commemorate the 30th anniversary of their
   noteworthy debut album Nowhere with its own special tour. But everyone's
   plans got derailed in 2020, forcing Ride to put the whole idea on the back
   burner. By 2022, Ride decided to let the reissue floodgates truly open by
   remastering not only Nowhere but also their sophomore album Going Blank Again
   and the four EPs that Ride released right around the same time. It's quite a
   trove of stuff, and it all still sounds quite fresh and spry for being over
   30 years old.

   What the band decides to do with Carnival of Light and Tarantula in terms of
   reissues, we'll have to wait and see. If you've ever wondered what the big
   deal was with these guys, this is the perfect opportunity to take a one-shot
   dive into their early work, a drop that represents a great deal of what the
   band and psychedelia Britannia were able to accomplish in such a short time.

   By 1990, noisy frequencies were finding their way into rock bands in the US
   and the UK. Dinosaur Jr. had been active for about six years at this point,
   demonstrating to an unsuspecting audience that there was more to racket than
   just punk. Seattle bands took the template and ran in one direction while
   British lads like Kevin Shields took the same template and ran in a different
   direction.

   If you were an aspiring shoegaze band in the early '90s UK, everyone compared
   you to My Bloody Valentine, whether you liked it or not. Andy Bell, Mark
   Gardener, Steve Queralt and Laurence Colbert certainly had to deal with it.
   And despite the odds, during the gap between My Bloody Valentine's
   widely-acclaimed debut Isn't Anything and their immortal sophomore classic
   Loveless, Ride slipped out a classic of their own with Nowhere. Not only were
   reviews very enthusiastic back in 1990, but plenty of ink has been spilled in
   retrospection over Nowhere's brilliance. The way Ride was able to straddle
   the line between hypnotically swirling noise and the mellifluous melodicism
   of what would later be known as Britpop appeared to be something that people
   must have been craving at the time.

   If you are a newcomer to Ride's catalog, these early releases may require a
   bit of explaining. Prior to Nowhere, the band released three EPs; Ride, Play
   and Fall. Ride and Play were later combined into a twofer named Smile while
   Fall began with a song that later turned up on the Nowhere album named
   "Dreams Burn Down." The CD edition of Nowhere contained the other three songs
   from Fall, placed at the end of the album.

   So if you own a CD copy of Nowhere, you're already familiar with everything
   that is on Fall. All three of these EPs and the one LP were released in 1990.
   The following year, the band released the EP Today Forever, something meant
   to tide fans over until Going Blank Again's arrival in 1992. The Wichita
   collection 4 EPs combines Ride, Play, Fall and Today Forever in chronological
   order, making for a 16-track collection lasting an hour and 10 minutes. So if
   you are a completist, you certainly won't grumble over the inclusion of Fall.

   There's quite the arc in sound quality just from Ride to Fall. The former
   sounds like it was recorded by enthusiastic amateurs while the latter was
   certainly album-worthy in terms of fidelity and musical quality. The full
   rush of "Chelsea Girl" and its command to "destroy the frozen past" certainly
   captured a snapshot of four young guys who were onto something new, and the
   way "Like a Daydream" took a page out of the Madchester book demonstrated a
   band willing to mix and match influences. By the time the song "Nowhere"
   concludes the Fall EP, the same band is getting sucked into a kaleidoscopic
   blackhole of feedback and flanger pedals.

   With the glittering start of "Seagull," you could hear all of these elements
   and more coming together on Nowhere. The dual-vocal attack of Bell and
   Gardener spewed out impressionistic nonsense in something approaching but not
   quite achieving perfect harmony. The jangly "Kaleidoscope" and the wistful
   "Vapour Trail" were both singles in the US, though Nowhere is dotted with
   highlights like the height-scaling "Polar Bear" and the transcendent boil of
   "Decay." If you find yourself entertaining the notion that Today Forever is
   an EP of Nowhere leftovers, you'll be pleased to discover that it's a
   compelling release in its own right. The guitars of "Unfamiliar" both glimmer
   and deliver a punch all at once, "Sennen" settles down like a soft drizzle,
   "Beneath" roars outward like the best tracks on Nowhere and "Today" casts a
   spell like Ride's little world was going to end the following day.

   With Going Blank Again, it was clear that Ride's sound was going through
   minor changes. They weren't about to give up on the Nowhere formula that
   landed them on the map in the first place, but they weren't that eager to
   repeat themselves either. So they did the next best thing - the kind-of
   slightly changed. Ride were still mixing pop and shoegaze, but shoegaze's
   dominance in the mix was starting to teeter just the slightest bit. You'd
   never know it from the eight-minute opener "Leave Them All Behind" though,
   the perfect bridge from LP one to LP two. It's the second single,
   "Twisterella," that announces the change in weather, giving Ride a bright
   sheen that could have placed them in the upper echelons in the Britpop wars.

   But with bonus tracks included, Going Blank Again lasts for an hour and 13
   minutes, giving Ride plenty of room to experiment. And experiment they do as
   the listener will witness on the morphing guitar and fluctuating tempos of
   "Cool Your Boots," the cool, nocturnal instrumental closer "Grasshopper"
   which meanders for close to 11 minutes and the especially capricious "OX4,"
   which can't decide if it's ambient, noise or pop.

   The story of Ride is a familiar one: a young band works hard, finds success
   and then splinters from within due to creative differences. Ride would call
   it a day in the mid-'90s, finding the four members scattered to the winds,
   only to be brought back together in 2014. The band have recorded two albums
   of new material since, but the perennial love for Nowhere and all the
   Creation-era material that led to its blooming just will not fade. The
   rerelease of 4 EPs, Nowhere and Going Blank Again sound stellar, and while
   they don't exactly offer anything new, they are the strongest testament to
   what made Ride so special during a time when so many special bands were
   popping out of the ground in the UK.



                               -=- SHGZ -=-


                               -=-=-==-=-=-

                                 Shoegaze
                    is a genre of alternative rock that
              originated in  the late 80s. The genre is very
    difficult to define, and it is even more difficult to evaluate music
           within it. Generally, the genre is characterized by its
                shimmering vocals, reverberating guitars, and
                       textural distortion that create
                            a tranquil, opaque
                                 feeling.

                               ---==--==---

Files

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01-ride-chelsea_girl.flac21,31 MB
02-ride-drive_blind.flac33,32 MB
03-ride-all_i_can_see.flac22,92 MB
04-ride-close_my_eyes.flac37,76 MB
05-ride-like_a_daydream.flac22,92 MB
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07-ride-furthest_sense.flac23,52 MB
08-ride-perfect_time.flac30,10 MB
09-ride-dreams_burn_down.flac45,62 MB
10-ride-taste.flac25,00 MB
11-ride-here_and_now.flac32,66 MB
12-ride-nowhere.flac37,07 MB
13-ride-unfamiliar.flac35,37 MB
14-ride-sennen.flac31,10 MB
15-ride-beneath.flac29,82 MB
16-ride-today.flac43,20 MB