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TEAM UTB ▀▄ ▀█████▓▓▄▄ ▄▄██▓▓▓▓▓▀ ▄█ ▀▀▀▀ ▐██▓▓█▓▓ ▄▀ UNTOUCHABLE
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████ Billie Holiday-Stay With Me █▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
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██ ██
██ artist....: Billie Holiday ██
██ album.....: Stay With Me ██
██ label.....: Verve Records #MVS 2598 ██
██ genre.....: Jazz ██
██ type......: Album ██
██ album year: 1955 ██
██ rip date..: Nov-04-2006 ██
██ streetdate: xxx-xx-1955 ██
██ ██
██ tracks....: 07 ██
██ size......: 47,7 MB ██
██ language..: English ██
██ bitrate...: VBR Kbps / 44.1kHz / Joint-Stereo ██
██ source....: Vinyl ██
██ ripper/sup: stm /stm ██
██ grabb/enco: SF8 /Lame-3.90.3modified ██
██ ██
██ url.......: http://www.vervemusicgroup.com/ ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ ██
██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ RELEASE INFORMATION ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀
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██ Billie "Lady Day" Holiday was born in Baltimore in 1915. She ██
██ endured a hard childhood, her musician father left the ██
██ family early, and her mother wasn't able to keep her ██
██ consistently which resulted in Billie often being put in ██
██ care or relatives who abused her. She was raped at age 11 ██
██ and grew up in poverty. She sums it up best in the first ██
██ line of her famous autobiography Lady Sings the Blues, "Mom ██
██ and Pop were just a couple of kids when they got married. He ██
██ was eighteen, she was sixteen, and I was three." ██
██ ██
██ In 1929, she moved to New York, where she worked as a maid ██
██ and then as a teenage prostitute. According to legend, in ██
██ 1930 (at the age of 15), to keep her mother from being ██
██ evicted, she sang Body and Soul and reduced the audience to ██
██ tears. She began singing in bars and restaurants. Four years ██
██ later, she made her first record with Benny Goodman. In ██
██ 1935, she got her big breakthrough when she recorded four ██
██ sides, which featured What a Little Moonlight Can Do, and ██
██ Miss Brown to You. She landed her own recording contract, ██
██ and while the songs given to her were run-of-the-mill ██
██ (versus the ones saved for the top white singers), she made ██
██ the songs classics because of her singing ability. Her ██
██ voice-quality wasn't outstanding and her vocal range was ██
██ limited, but she had an uncanny ability to breathe life into ██
██ a song, using things like pauses and slurs -- which made the ██
██ song become a story or an experience, rather than just a ██
██ group of notes sang with a voice. She poured her heart and ██
██ soul into every song and her ability to interpret a song and ██
██ make you feel it was unheard of. While it is more ██
██ commonplace today, Billie Holiday pioneered the style, and ██
██ this is how she took ordinary 2nd-rate songs and made them ██
██ extraordinary. Her accompanist, Mal Waldron, summed it up ██
██ best by saying, "She had a way with words." ██
██ ██
██ In 1936, she recorded with pianist Teddy Wilson, where she ██
██ first worked with Lester Young. These two were made for each ██
██ other. When he played his phrases with hers, he breathed as ██
██ she breathed. They perfectly complimented each other ██
██ stylistically. He nicknamed her "Lady Day" and she nicknamed ██
██ him "Prez." They sounded like 2 voices from the same person. ██
██ ██
██ Her recording career is divided into 3 periods. The first is ██
██ the aforementioned period in the 1930s, recorded with ██
██ Columbia, marked by her time with Wilson, Goodman, and ██
██ Young. Her music was made for jukeboxes, but she turned them ██
██ into jazz classics. Her popularity never matched her ██
██ artistic success, but she was widely played on Armed Forces ██
██ Radio during World War II. From this period came the ██
██ anti-racism song Strange Fruit, in which she paints a ██
██ terrifying picture of lynched black bodies hanging from ██
██ trees. The lyrics of the song were adapted from a poem by ██
██ Louis Allen. ██
██ ██
██ The next period is her Decca (record company) years in the ██
██ Fourties, marked by recordings with string orchestra ██
██ accompaniment. While the records from this period are ██
██ impressive, they're not as "jazzy." This period featured ██
██ Loverman as well as her self-written classics Don't Explain, ██
██ and God Bless the Child. In late 1947, she was arrested on ██
██ drug charges and spent 18 months in a federal reformatory. ██
██ ██
██ Unlike her singing, in life, her instincts were far from ██
██ perfect. She fell in love with men who stole money from her, ██
██ abused her, and introduced her to heroin. When she got out ██
██ of prison, she went back to heroin. By the Fifties, the ██
██ third period, her voice was going her voice was more croaky, ██
██ and she sometimes missed notes, but her ability to interpret ██
██ songs was enhanced. Some consider this work, with Verve ██
██ records, to be some of her finest. Personally, it makes me ██
██ cringe when she misses notes (to each their own -- I like ██
██ her Columbia work the best, because her voice is at its ██
██ strongest). Her classic recording of Lady in Satin was ██
██ described by Ron David as though it "sounded like her voice ██
██ had died and come back to haunt us from the grave." It isn't ██
██ known if misery, drugs, or drink (or all three) killed her, ██
██ but in an unbearable macabre touch, she was arrested on ██
██ narcotics charges while on her death bed in 1959. ██
██ ██
██ ██
██ Love and Respect! ██
██ /stm ██
██ ██
██ ██
██ ██
██ ██
██ ██
██ If you enjoyed this REC, BUY IT! otherwise delete it please ██
██ because the Artist deserves your support! ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ ██
██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ TRACK LISTING ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀
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██ 01.I Wished On The Moon 06:42 ██
██ 02.Ain't Misbehavin' (Im Savin' My Love For You) 04:34 ██
██ 03.Everything Happens To Me 06:15 ██
██ 04.Say It Isn't So 02:59 ██
██ 05.I've Got My Love To Keep Me Warm 03:52 ██
██ 06.Always 03:53 ██
██ 07.Do Nothing Till You Hear From Me 04:56 ██
██ ██
██ ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ TOTAL: 33:11 mins ██
██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ TEAM INFORMATION ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀
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▓▓ * We are always looking for: ▓▓
██ - Talented Music Rippers (allyear, allgenre, promo, vinyl ██
██ and radio livesets) ██
██ - prefered 100Mbits affiliated sites (NO! 10mbit bbb!!) ██
██ ██
██ * We are currently looking for: ██
██ - A Dump site ██
██ - iRC BNC Supplier ██
██ ██
██ ██
██ And if you think that U can help us to make a better group ██
██ don't hesitate, contact us! I hope you know how do that =) ██
██ since we are a closed group so... ██
██ - we DON'T have any contact detail here ██
██ - we DON'T have a public irc channel ██
██ - we DON'T offer releases ██
██ - we DON'T have a web page (try http://www.utb.de) ██
██ - we ARE UNTOUCHABLE... ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ ██
██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ About us: ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀
░░ ▀▓▀ ▀▓▀ ░░
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██ Well, now here is a small update of our nfo...blablabla ██
██ 1. Yes we thought about makin a "secure" nfo like other big groups ██
██ but we thought there still should be that flair for our friends ██
██ (And yes we like to look at other nice and creative nfos) ██
██ 2. We are 3 years in this formation in scene now, it's a fucked ██
██ situation in here, but we still love it :) ██
██ 3. We thank everyone who supported and supports us(Rippers, Ops,..)██
██ 4. We hope u enjoyed any of our over !4000! rips ;) ██
██ 5. We will still going on, ever and ever and ever ............... ██
██ 6. Still watch out for UTBDVD for some nice Music-DVDs ██
██ 7. and last -> We love you all! Now go out and listen to our music!██
██ ██
██ Greetz fly out to: ██
██ ██
██ to all ppl and groups ██
██ that support the scene and us ██
██ ██
██ ██
██ and to our friends at: ██
▓██▄▄▄▄█████▄▄ ▄▄█████▄▄▄▄██▓
▐███▀▀▀ ▀▀▀██▄▄:TR::DRUM::JUST::BOSS::KrbZ:uC:::RpM:::▄▄██▀▀▀ ▀▀▀███▌
▀▄ ▄▄▄▄█▓▓██▀▀▀▀:UBE::mbs:YARDVID:CMC:F4G:CK::hbZ:▀▀▀▀██▓▓█▄▄▄▄ ▄▀
▄███▓▓▓▀▀ ----------------------------------------- ▀▀▓▓▓███▄
▐███▓▓▌ ------COPYING KILLS MUSIC - SO BUY THE SHIT----- ▐▓▓███▌
████▓▓▄ ------------------------------------------------ ▄▓▓███▓
▀▀██▓▓▓▄ ascii by lord maxxtro.cro|udated 18-01-06 ▄▓▓▓██▀▀
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