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TEAM UTB ▀▄ ▀████≥▓▄▄ ▄▄█≥▓▓▓▓▀ ▄█ ▀▀▀▀ ▐█≥▓≥▓ ▄▀ UNTOUCHABLE
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████ Baden Powell-Fresh Winds █▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
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██ ██
██ artist....: Baden Powell ██
██ album.....: Fresh Winds ██
██ label.....: United Artists #UNS 15559 ██
██ genre.....: Acoustic ██
██ type......: Album ██
██ album year: 1969 ██
██ rip date..: Nov-06-2006 ██
██ streetdate: xxx-xx-1969 ██
██ ██
██ tracks....: 11 ██
██ size......: 50,6 MB ██
██ language..: English ██
██ bitrate...: VBR Kbps / 44.1kHz / Joint-Stereo ██
██ source....: Vinyl ██
██ ripper/sup: stm /stm ██
██ grabb/enco: SF8 /Lame-3.90.3modified ██
██ ██
██ url.......: n/a ██
██ ██
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▀▀▀▀▀≥≥≥▓▀≥▄■ RELEASE INFORMATION ■2█≥▓≥≥▀▀▀▀▀▀
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██ Baden Powell was considered one of the world's best ██
██ contemporary acoustic guitar players and one of the most ██
██ expressive composers of 20th century Brazilian popular ██
██ music. ██
██ ██
██ Baden Powell was born in the town of Varre-e-Sai (State of ██
██ Rio de Janeiro) on August 6, 1937, first child of Adelina ██
██ Goncalves de Aquino and Lilo de Aquino and was named after ██
██ the founder of the Boy Scouts, Robert Thompson Baden Powell, ██
██ of whom Mr. de Aquino was an admirer. The family moved to ██
██ Rio when the child was four months old and Baden then became ██
██ a carioca from the Sao Cristovao borough. The boy grew up ██
██ listening to music: his father, a shoe maker by trade and a ██
██ violinist by calling, held regular get-togethers at home, at ██
██ which Pixinguinha and Donga, two of Brazil's popular music ██
██ icons, were always present. ██
██ ██
██ At the age of eight, after much insistence from Baden, his ██
██ father arranged for him study guitar with Jaime Florence ██
██ ("Meira"), violinist from the group "Regional do Canhoto". ██
██ Florence introduced Baden to Brazilian popular music and the ██
██ classics, especially the Spanish masters Francisco Tarrega ██
██ and Andres Segovia. The boy proved to be a prodigy on the ██
██ instrument and the following year at age nine, performed in ██
██ the program Papel Carbono, produced by Renato Murce at the ██
██ Radio Nacional, winning first place as a guitar soloist. By ██
██ thirteen Baden was practically playing as a professional ██
██ musician, earning small cachets for performances in balls ██
██ and parties in the suburbs. ██
██ ██
██ After finishing junior-high school, Baden Powell worked as a ██
██ musician for the Radio Nacional and toured the country ██
██ performing in small towns. Around 1955 he joined the trio of ██
██ pianist Ed Lincoln which performed in the Bar Plaza, in ██
██ Copacabana. At that time jazz had marked its presence in ██
██ Brazil not only by the possibilities of improvisation and ██
██ the technique required, but also by the presence of jazz ██
██ greats such as Benny Goodman, Louis Armstrong, Ella ██
██ Fitzgerald, etc. And the Plaza was the place to be for music ██
██ lovers, including one of Powell's admirers: Antonio Carlos ██
██ Jobim. ██
██ ██
██ That is when Baden started to compose and, all by himself, ██
██ produced Deve Ser Amor (It Must Be Love), Encontro Com a ██
██ Saudade (Date with Loneliness), Nao e Bem Assim (Not Quite ██
██ Like That). In 1956 came his first big success Samba Triste ██
██ (Sad Samba), with lyrics by Billy Blanco. Other ██
██ collaborators are: Aloysio de Oliveira (Vou por Ai - ██
██ Wandering), Geraldo Vandre (Rosa Flor - Rose), Ruy Guerra ██
██ (Cansao a Minha Amada - A Song to My Love), etc. ██
██ ██
██ In 1960, during a performance by Tom Jobim at Arpege, a ██
██ nightclub in Copacabana, Baden met Vinicius de Moraes, who ██
██ would become his most frequent collaborator and who was ██
██ responsible for Baden's integration into the bossa-nova ██
██ movement. Canca o de Ninar Meu Bem (Lullaby for My Love) was ██
██ the duo's first composition and was an immediate success. ██
██ The new greats of modern music were practically in house ██
██ arrest for three months. Samba em Preludio (Samba in ██
██ Prelude), So por Amor (Only for Love), Bom Dia Amigo (Good ██
██ Morning, Friend), Labareda (Blaze), Astronauta (Astronaut) ██
██ were from that vintage and remained in the charts for months ██
██ on end. ██
██ ██
██ Baden, now part of the bossa-nova movement, participated in ██
██ shows and television programs. As an interpreter he ██
██ highlighted his versatility, his refined technique coupled ██
██ with unique musicality, conquering the highest applause for ██
██ his absolute command of the instrument, virtuosity and ██
██ personalized interpretations. As a composer he contributed ██
██ with his songs to the development of popular music. The ██
██ composer's inspiration is of unsurpassed richness and new, ██
██ successful songs with lyrics by Vinicius de Moraes were ██
██ introduced shortly; among these Alem do Amor (Besides Love), ██
██ Valsa Sem Nome (No-name Waltz), Deve Ser Amor (It Must Be ██
██ Love), Cansao do Amor Ausente (Song to an Absent Love), ██
██ Consolacao (Solace), Deixa (Let It Be), Amei Tanto (Too Much ██
██ Loving), Tempo Feliz (Happy Times), Apelo (Appeal), etc., ██
██ etc. The Candomble theme which had been attracting Baden for ██
██ some time, generated a new flood of compositions by the duo ██
██ called Afro-sambas. The first songs of the new genre were ██
██ Berimbau and Samba da Bencao. The latter was part of ██
██ director Claude Lelouch movie Un Homme et Une Femme, ██
██ re-titled Samba Saravah. ██
██ ██
██ In his declarations about Baden Powell, Vinicius de Moraes ██
██ said: "Before Berimbau and Samba da Bencao, Baden had ██
██ already chosen me to write Canto do Caboclo Pedra Preta ██
██ (Black Rock's Chant). That song was composed 'right there ██
██ and then' - that is, music and lyrics for the second part ██
██ searching for a meaning for the original caboclo's chant. ██
██ From that same period is Canto de Yemanja in which, it is my ██
██ opinion, Baden reached a beauty rarely attained." Vinicius ██
██ went on: "Baden's musical antennae to Bahia and, in a final ██
██ stretch, to Africa, allowed him to put together this new ██
██ syncretism, adding a 'carioca' taste, within the spirit of ██
██ modern samba, to the Afro-Brazilian candomble, giving it a ██
██ more universal dimension." Other Afro compositions include ██
██ Canto de Ossanha (Ossanha's Chant), Canto Xango (Xango's ██
██ Chant), Lamento de Exu (Exu's Lament), Bocoche (Secret) and ██
██ Tristeza e Solidao (Sadness and Solitude). ██
██ ██
██ In the Sixties, Baden went to the United States to meet and ██
██ play with Stan Getz. In 1966, Baden went to Europe and ██
██ became well known with the song Samba de Bencao which was ██
██ part of the original soundtrack of French filmmaker Claude ██
██ Lelouch's Un Homme et Une Femme. One year later, he received ██
██ his first Golden Record in Paris. In the Seventies Baden ██
██ discovered Japan. ██
██ ██
██ Baden Powell died on 2000. As an acoustic guitar virtuoso, ██
██ he never forgot his Brazilian musical roots. Baden bridged ██
██ the gap between classical and modern music. ██
██ ██
██ ██
██ Love and Respect! ██
██ /stm ██
██ ██
██ ██
██ ██
██ ██
██ ██
██ If you enjoyed this REC, BUY IT! otherwise delete it please ██
██ because the Artist deserves your support! ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ ██
██ ▄▄▄▄▄2▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀≥▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀≥≥≥▓▀≥▄■ TRACK LISTING ■2█≥▓≥≥▀▀▀▀▀▀
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██ 01.Deve Ser Amor 03:47 ██
██ 02.Choro Para Metronome 02:55 ██
██ 03.Adagio 03:03 ██
██ 04.Berimbau 03:00 ██
██ 05.Samba En Preludio 03:27 ██
██ 06.Chanson D' Hiver 02:22 ██
██ 07.Samba Triste 03:29 ██
██ 08.Berceuse A Jussara 02:33 ██
██ 09.Prelude De Bach 02:51 ██
██ 10.Euridice 03:02 ██
██ 11.Bachiana 04:09 ██
██ ██
██ ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ TOTAL: 34:38 mins ██
██ ▄▄▄▄▄2▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀≥▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀≥≥≥▓▀≥▄■ TEAM INFORMATION ■2█≥▓≥≥▀▀▀▀▀▀
░░ ≥▀ ≥▀ ░░
▒▒ ▒▒
▓▓ * We are always looking for: ▓▓
██ - Talented Music Rippers (allyear, allgenre, promo, vinyl ██
██ and radio livesets) ██
██ - prefered 100Mbits affiliated sites (NO! 10mbit bbb!!) ██
██ ██
██ * We are currently looking for: ██
██ - A Dump site ██
██ - iRC BNC Supplier ██
██ ██
██ ██
██ And if you think that U can help us to make a better group ██
██ don't hesitate, contact us! I hope you know how do that =) ██
██ since we are a closed group so... ██
██ - we DON'T have any contact detail here ██
██ - we DON'T have a public irc channel ██
██ - we DON'T offer releases ██
██ - we DON'T have a web page (try http://www.utb.de) ██
██ - we ARE UNTOUCHABLE... ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ ██
██ ▄▄▄▄▄2▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀≥▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀≥≥≥▓▀≥▄■ About us: ■2█≥▓≥≥▀▀▀▀▀▀
░░ ≥▀ ≥▀ ░░
▒▒ ▒▒
▓▓ ▓▓
██ Well, now here is a small update of our nfo...blablabla ██
██ 1. Yes we thought about makin a "secure" nfo like other big groups ██
██ but we thought there still should be that flair for our friends ██
██ (And yes we like to look at other nice and creative nfos) ██
██ 2. We are 3 years in this formation in scene now, it's a fucked ██
██ situation in here, but we still love it :) ██
██ 3. We thank everyone who supported and supports us(Rippers, Ops,..)██
██ 4. We hope u enjoyed any of our over !4000! rips ;) ██
██ 5. We will still going on, ever and ever and ever ............... ██
██ 6. Still watch out for UTBDVD for some nice Music-DVDs ██
██ 7. and last -> We love you all! Now go out and listen to our music!██
██ ██
██ Greetz fly out to: ██
██ ██
██ to all ppl and groups ██
██ that support the scene and us ██
██ ██
██ ██
██ and to our friends at: ██
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▄██≥▓▓▀▀ ----------------------------------------- ▀≥▓▓███▄
▐██≥▓▌ ------COPYING KILLS MUSIC - SO BUY THE SHIT----- ▓▓███▌
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▀▀█≥▓▓▄ ascii by lord maxxtro.cro|udated 18-01-06 2▓▓██▀▀
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