:::::::::::. :::::::::. ::::::::::::::
:: :::. :: :: :: ::
:: :: :: .:. :: :: ::
:: :::: :: :::::::::: :::::::: :::::::: :: :: :: :::::: ::
:: :: : :: :: :::: :: : ::: :: :: :: :: ::
:: :: : :: :: :::: ::: : :: ::: :: :: :: :: ::
:: :: : :::: :: :: ::: : :: ::: :: :: :: ;; ::
:: :::: :::: :: :::::: :: : :: ::: :: :::::::: :: ;;
:: :: :: :::: :: '.:: ::: :: :: ::
:: ::::: :: ::: ;; :;; ::: :: :: ;;
:: ::::: :::. :: :: :; ;:: :: :::::::: ;; ::
:: :: :::::::: :: :: :; ;;:: :: :: :: :: ;;
:: :: :: : :: ;; ; ;;:: :: :: :::: ::
:: :: :: :: : :: :: :: :: :: :: :;;: ::::::
:: :: :: :: : :: ;; :: ':; ;;: ::
:: :: ::: : :: ;; ::: ;; :: ::
:::::::; :::::::::: ;; ;; :::::::::: :::::::::::::::
;; ;;
:::::::::;
:::::::::::::: ::::::::::: :::::::::::::::::::::::::::::::::::::
:: ::: :: :: :: ::
:: ::: :: :: :: ::
:: ::: :: :: :: :::::::::::::::::::::::: ::
:: ::: :: :: :: :: :: ::
:: :: ::: :: :: :: :: :: ::
:: ::: ::: :: :: :: :::::::::::::::::::::::: ::
:: :::: ::: :: :: :: ::
:: :: ::: ::::: :: :: ::
:: :: ::: :: :: ::::::::::::::::::::::::::::
:: :: ::: :: :: ::
:: :: ::: :: :: ::
::::::::::: ::::::::::::::::::: ::::::::::
.:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::.
.:::::::::::::::::::::::: PSYCZ NON PSYCHEDELIC PRESENTS :::::::::::::::::::::.
::|»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»|::
::| Pete Namlook & Tetsu Inoue - 2350 Broadway 2 |::
::| |::
::| |::
::| Artist.....> Pete Namlook & Tetsu Inoue |::
::| Album......> 2350 Broadway 2 |::
::| Type.......> Album |::
::| |::
::| Label......> Fax +49-69/450464 Rel.date..> 16.11.2006 |::
::| CatalogNr..> PW 12 Str.date..> 10.06.1994 |::
::| |::
::| URL........> http://www.2350.org |::
::| |::
::| Genre......> Ambient Source.......> CDDA |::
::| Style......> Ambient Grabber......> EAC 0.95.4 |::
::| Encoder......> Lame 3.96.1 --APS |::
::| No.Tracks..> 02 Quality......> VBRkbps / 44,1kHz |::
::| Size.......> 191,8 MB Channel Mode.> Joint-Stereo |::
::| Length.....> CD1: 70:48 CD2: 59:50 |::
::| |::
::|_________________________________________________________________________|::
::::::::::::::::::::::::::::: RELEASE NOTES ::::::::::::::::::::::::::::
::|»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»|::
::| |::
::| After around 8 months, Pete and Tetsu decide to take on round 2 of this |::
::| series. The second time around, there's more of a concentration on how |::
::| deep they can get into the fractal sequences, with helical staircases |::
::| of melody and large revolving plates of sound filling every aural |::
::| niche. Remaining strong from the time of its release in the summer of |::
::| '94, this one picks up where the debut left off, and continues to amaze |::
::| and sedate with each listen. The pieces are clearly more richly layered |::
::| and planned this time, while the overall tone moves a shade darker. |::
::| The 2 hour-long tracks turn and drift endlessly without forsaking the |::
::| pleasures of detailed sequences. Despite countless listens, |::
::| headphones reveal intricately designed patterns and hypnotic loops in |::
::| the background. The sequences can get intense, but somehow this doesn't |::
::| interfere with falling asleep. Night owls should try this album instead |::
::| of taking melatonin. I can't even estimate the number of times I've put |::
::| this album on low volume right before going to bed. This type of music |::
::| seems to have a natural affinity for slumber, although I've also |::
::| listened to it countless times at higher levels during waking hours. |::
::| Many times, while crossing that ambiguous border between sleep and |::
::| consciousness, I've caught myself actually "listening" in my sleep. |::
::| This must be some technologically induced hybrid of mild lucid dreaming |::
::| and a headphonaut excursion. Sometimes when coming back out of it after |::
::| only 20 minutes or so of listening, I feel like I've just slept for |::
::| about 4 hours! Try it and see what happens. |::
::| |::
::| With all that said, 2350 Broadway II is still one of my favorite |::
::| beatless albums from Fax. And with 2 full CDs, you're certainly going |::
::| to get your money's worth. The first disc, Invisible Landscape, takes |::
::| it's title from one of the most technical of Terrence McKenna's books |::
::| on the Time Wave and the Eschaton. The second disc, Art of Dream, |::
::| implies that you let the vibes lead you into dreamland. |::
::| |::
::| Another thought: dolphins sleep with one hemisphere of their brain at a |::
::| time while the other remains "awake" to navigate and help with |::
::| swimming. This is known as "subconscious breathing." The brain |::
::| hemispheres switch off, alternating so that each side gets rest without |::
::| rendering the animal completely motionless or unawares. This is a lot |::
::| like the music here, except the brain hemispheres are interreacting |::
::| synths and keyboards, and the alternations occur when Namlook and Inoue |::
::| slightly shift the mood every now and then. There's definitely a sense |::
::| of multiple intelligences at work here. This is music made for |::
::| exploring innerspace. |::
::| |::
::| |::
::| Disc 1: "The Invisible Landscape" |::
::| |::
::| 0'-5': |::
::| |::
::| The first disc starts out with that low metallic wash you might |::
::| recognize from Psychonavigation's "Psychic and UFO Revelations..." But |::
::| the similarities stop there, really. The introduction phrases build |::
::| into a thicket of synthetic mixtures. A feeling of buoyancy is induced |::
::| by the gradual flux of waves from high to low frequencies, and back |::
::| again. |::
::| |::
::| 5'-10': |::
::| |::
::| The opening takes on a much more enveloping effect, and they tell us |::
::| their landscape is invisible?? Well, it can't be seen, but it's readily |::
::| available for scrutiny with 3rd ears. |::
::| |::
::| 10'-15': |::
::| |::
::| By the time you reach this point, each direction you choose to listen |::
::| in seems to tell its own story, and yet the difference instruments and |::
::| arrangements also mingle nicely. The drift is sustained for several |::
::| minutes. |::
::| |::
::| 15'-20': |::
::| |::
::| At the end the of this section, the atmosphere has changed almost |::
::| entirely, but you haven't noticed because of the very gradual shifts |::
::| used. The tone remains chilled out. |::
::| |::
::| 20'-30': |::
::| |::
::| At around the 21' minute mark, the fractal melody patterns fade in and |::
::| out, leaving traces of echo, this continues for about 7-8 minutes. A |::
::| solo accompanies these structures for a few moments at a faint volume |::
::| level. |::
::| |::
::| 30'-40': |::
::| |::
::| All turning points blend into each other, making reference to any one |::
::| particular spot difficult. When we finally reach the halfway point of |::
::| the disc, the various elements of the piece are molded into a gently |::
::| fluttering cadence. |::
::| |::
::| 40'-45': |::
::| |::
::| Occasional gliding synth tones join the mesh. |::
::| |::
::| 45'-60': |::
::| |::
::| This section should definitely knock you out (unless you've been |::
::| drinking too much coffee). The metallic wash that started the disc off |::
::| also steps in here now and then. |::
::| |::
::| 60'-end: |::
::| |::
::| The final stages bring more fluid layers to the front, while the |::
::| darkness recedes. A second sweep of fractalish melody fades in |::
::| finishing the disc. For the adventurers eager to immediately extend |::
::| their internal explorations, you can start disc 2 when the final track |::
::| index (#14) shows up on the LCD for disc 1. A mixer may be necessary. |::
::| Make sure both volumes are about equal, and the mix is now on |::
::| autopilot. Sit back and listen while the Invisible Landscape recedes |::
::| and the Art of Dream emerges.... |::
::| |::
::| |::
::| Disc 2: "Art of Dream" |::
::| |::
::| 0'-5': |::
::| |::
::| We begin with a dark, introspective glow. At 2:45 into it, computerized |::
::| harmonic screeches bubble to the surface and oscillate gracefully, |::
::| creating giant buttresses of sound. |::
::| |::
::| 5'-10': |::
::| |::
::| No time is wasted, the Story begins. A cluster of enveloping synth |::
::| clouds the area, and a solo rises from the rush of sound. What perfect |::
::| music! Truly a great combination of emotional melody shining through |::
::| rich synthetic layers. |::
::| |::
::| 10'-15': |::
::| |::
::| We plunge back into the depths of the dark glow, while the solo |::
::| continues to spin new melodies. A polished fluctuation recurs in the |::
::| left channel every 10 seconds or so, deep and bassy. |::
::| |::
::| 15'-20': |::
::| |::
::| The feeling continues. 3:15 into this section, things get really |::
::| spacey. Some twinkling synth textures foreshadow your investigation of |::
::| unfamiliar territory. The interleaved tones morph and stretch, and a |::
::| new area appears, turning your zone into an extremely colorful and |::
::| uplifting one. The simple irregular patterns here overflow and cover |::
::| the area. |::
::| |::
::| 20'-25': |::
::| |::
::| Surfaces continue to ripple and change before you ears, condensing and |::
::| swirling. Hints of soft, delayed piano are sprinkled in key. Optimistic |::
::| vibrations abound. |::
::| |::
::| 25'-40': |::
::| |::
::| More sloping oscillations and a reemergence of those sounds from |::
::| section #2. For the next 15 minutes or so, the forces trade off while |::
::| the solo melodies continue to sing. Before reaching #9, the dark glow |::
::| fades in briefly, permeating the collage of flowing electronics. |::
::| |::
::| 40'-end: |::
::| |::
::| The first few minutes serve as an intro, with the opening melodic theme |::
::| emerging at the 5 minute mark. |::
::| |::
::::. ....................................................... .::::
: : : TRACKLIST : : :
:...:.......:.....................................................:.......:...:
No : Title : : time : :
....:.......: :.......:...:
: :
cd1 : :
: :
The Invisible Landscape 70:48 : :
: :
01. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
02. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
03. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
04. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
05. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
06. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
07. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
08. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
09. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
10. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
11. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
12. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
13. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
14. Pete Namlook & Tetsu Inoue - The Invisible Landscape : :
: :
: :
cd2 : :
: :
Art Of Dream 59:50 : :
: :
01. Pete Namlook & Tetsu Inoue - Art of Dream : :
02. Pete Namlook & Tetsu Inoue - Art of Dream : :
03. Pete Namlook & Tetsu Inoue - Art of Dream : :
04. Pete Namlook & Tetsu Inoue - Art of Dream : :
05. Pete Namlook & Tetsu Inoue - Art of Dream : :
06. Pete Namlook & Tetsu Inoue - Art of Dream : :
07. Pete Namlook & Tetsu Inoue - Art of Dream : :
08. Pete Namlook & Tetsu Inoue - Art of Dream : :
09. Pete Namlook & Tetsu Inoue - Art of Dream : :
10. Pete Namlook & Tetsu Inoue - Art of Dream : :
11. Pete Namlook & Tetsu Inoue - Art of Dream : :
12. Pete Namlook & Tetsu Inoue - Art of Dream : :
......:...:
Total:130:38 min:
:
______________________________________________________________________________:
PsyCZnP*PsyCZnP*PsyCZnP*PsyCZnP*PsyCZnP*PsyCZnP*PsyCZnP*PsyCZnP*PsyCZnP*PsyCZnP
»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»:
::: PSYCZ NEWS .»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»». PSYCZ NEWS :::
::|»»»»»»»»»»»»»»» »»»»»»»»»»»»»»»|::
::| PSYCZ WANTS YOU IF YOU: |::
::| |::
::| . Are a responsible and working ripper |::
::| . have access to news before everyone else |::
::| . have access to promo material (full releases) |::
::| . live in Europe and can buy online |::
::| . can provide live sets/dj sets of famous events/festivals |::
::| . are a big original collector and have old unreleased material |::
::| |::
::| |::
::| |::
::| WE ARE ALSO LOOKING FOR: |::
::| |::
::| . 10mbit+ 100GB+ site for exclusive group usage |::
::| . 100mbit+ allyear sites |::
::| . Skilled coders |::
::| . suppliers of legit shells |::
::| . suppliers of bnc |::
::| |::
::| |::
::| Contact: |::
::| |::
::| . psycz@hush.com |::
::| |::
::| |::
::| |::
::|»»»»»»»»»»»»»». PsyCZnP INFO PsyCZnP INFO .»»»»»»»»»»»»»»|::
::| »»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» |::
::| |::
::| PsyCZnP (PsyCZ Non Psychedelic) is here to bring you the best of all |::
::| non Psychedelic music from around the World! We Specialize on bringing |::
::| you the best Ambient, Ethno, World Music, Lo-Fi, New Age and other |::
::| special music styles. If you are looking for something different check |::
::| out our releases! We also do our best to present you with the best |::
::| sound quality possible and you wont see any bad quality rips from us! |::
::| |::
::|_________________________________________________________________________|::
::::::::::::::::::::::::::::::::..........:: GREETINGS ::...........:::::::::::
::|»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»|::
::|_________________ |::
_______________ Greetings go out to everyone |::
___________ doing this for the love. |::
_______ Specially the veteran groups ;) |::
____ |::
⌐ PsyCZ 2004 _________________________________________________________|::