Dodsfall-Naer_Moerkret_aer_Paa_Vaeg-SE-2022-BERC

Section
MP3/FLAC
Group
BERC
Size
88,30 MB
Files
11
Date
2023-01-14

NFO

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  /:                                                                       :\
 /::     Artist  :: D°dsfall                                               ::\
  ::     Album   :: NΣr M÷rkret ─r Pσ VΣg                                  ::
  ::     Year    :: 2022                                                   ::
  :: __ _                                                             _ __ ::
 -:--\\-----------------------------------------------------------------//--:-
  ::  \                                                                 /  ::
  ::   . Genre   :: Black Metal                 Source  :: CDDA        .   ::
  ::     Label   :: Drakkar Prod.               R.date  :: 2023.01.14      ::
 _::__   Cat.nr. :: DKCD246                     S.date  :: 2022.11.11    __::_
  :://                                                                   \\::
  ::/---------------------------------------------------------------------\::
  ::                                                                       ::
  /:     Encoder :: LAME 3.100 -V0                                         :\
 ..:     Bitrate :: avg. 288kbps                                           :..
   .     Quality :: 44.1kHz/Joint Stereo                                   .
   .     Size    :: 88.12 MB                                               .
   .                                                                       .


  __ __ _      .     :   _ ____ _             _ ____ _   :     .      _ __ __
  .\\\\------- :     | ---\ /---------------------\ /--- |     : -------////.
  +/ -\------- |     | ----\       tracklist       /---- |     | -------/- \+
  /:           .     :                                   :     .           :\
 /::                                                                       ::\
  ::      01. Helveteselden                                      06:22     ::
  ::      02. Nattens Svarta DjΣvlar                             05:06     ::
  ::      03. Skogen Vid Norra ─nden                             05:07     ::
  ::      04. Isborg                                             05:12     ::
  ::      05. D÷dsfΣrd Genom Xibalba                             07:22     ::
  ::      06. G÷taland                                           06:24     ::
  ::      07. Evighetens Onda Salar                              07:06     ::
  ::                                                            -------    ::
  ..                                                         >>  42:39     ..
  __ __ _      .     :   _ ____ _             _ ____ _   :     .      _ __ __
  .\\\\------- :     | ---\ /---------------------\ /--- |     : -------////.
  +/ -\------- |     | ----\     release notes     /---- |     | -------/- \+
  /:           .     :                                   :     .           :\
 /::                                                                       ::\
  ::                                                                       ::
  ::      Swedish based artist Is (a.k.a. Ishtar) is now the only          ::
  ::      member of D°dsfall judging by the line-up listed on the          ::
  ::      bandÆs sixth album ôNΣr m÷rkret Σr pσ vΣgö. His former           ::
  ::      bandmate Telal, a Norwegian drummer, left the band. So the       ::
  ::      band is actually Swedish now, not Swedish-Norwegian              ::
  ::      (according to Is in an interview with Metal Jacket Magazine,     ::
  ::      he has ônever said that the band is entirely Norwegianö).        ::
  ::      Even though Is is Mexican-born (this, by the way, explains       ::
  ::      the presence of a song in Swedish about Xibalba on the new       ::
  ::      opus û ôD÷dsfΣrd genom Xibalbaö i. e. ôA Journey through         ::
  ::      Xibalbaö). Nevertheless, if the material of the previous         ::
  ::      album ôD°den skal ikke venteö could be described as an           ::
  ::      attack of the second or whatever Norwegian black metal           ::
  ::      echelon, well, something in the spirit of Taake, Tsjuder and     ::
  ::      Urgehal, then on their (his) new album D°dsfall offer            ::
  ::      (offers) really Swedish black metal. Almost.                     ::
  ::                                                                       ::
  ::      The thing is that Is made a move not only in space, but also     ::
  ::      in time: from the very first song ôHelveteseldenö we hear        ::
  ::      echoes of old-school Swedish black metal, in particular          ::
  ::      early Dark Funeral. No less often, especially in the second      ::
  ::      half of the album, you can spot the influence of Dissection,     ::
  ::      primarily in the solo parts, the most revealing songs are        ::
  ::      ôSkogen vid nora Σndenö and ôIsborgö. While Norwegian old        ::
  ::      school black metal can be found, if only in the mentioned        ::
  ::      ôD÷dsfΣrd genom Xibalbaö û it has something of Immortal in       ::
  ::      it as well. Now dissonance, which is actively used in modern     ::
  ::      black metal, is not particularly in demand among D°dsfall: a     ::
  ::      fast almost atonal riff in the final part of ôNattens svarta     ::
  ::      djΣvlarö and an opening one with atonal guitar picking in        ::
  ::      the spirit of Mayhem in ôEvighetens onda salarö û thatÆs         ::
  ::      probably all. Yes, there is little that breaks the old-          ::
  ::      school atmosphere here.                                          ::
  ::                                                                       ::
  ::      á                                                                ::
  ::                                                                       ::
  ::      The shrieking vocals are also a bit reminiscent of what you      ::
  ::      could hear on MardukÆs albums before. However, Is often          ::
  ::      sings/declaims with a clear voice (ôHelveteseldenö, ôSkogen      ::
  ::      vid norra Σndenö, ôIsborgö and ôD÷dsfΣrd genom Xibalbaö).        ::
  ::      Add to this that keyboards are used on ôNΣr m÷rkret Σr pσ        ::
  ::      vΣgö sometimes (ôHelveteseldenö, ôNattens svarta djΣvlarö,       ::
  ::      ôIsborgö and ôEvighetens onda salarö), as well as acoustic       ::
  ::      guitar (opening Bathory-like picking in ôHelveteseldenö and      ::
  ::      the flamenco passage at the end of ôG÷talandö). There are a      ::
  ::      lot of blast beats on the album, but on the whole the tempo      ::
  ::      changes several times in the piece, and we are witnessing        ::
  ::      both high-speed outbreaks of fury and melodic slowness.          ::
  ::      Well, here are the main elements of Swedish melodic black        ::
  ::      metal gathered.                                                  ::
  ::                                                                       ::
  ::      For all that, D°dsfall accepted thrash metal tinges in           ::
  ::      guitar riffs noticeably. Starting with the first                 ::
  ::      ôHelveteseldenö, the palm muting technique in thrash metal       ::
  ::      attitude is used quite frequently throughout the album. And      ::
  ::      the matter is not limited only to it, D°dsfall quite often       ::
  ::      enter the territory of blackened thrash metal like early         ::
  ::      Absu û the sixth ôG÷talandö is the most indicative in this       ::
  ::      regard.                                                          ::
  ::                                                                       ::
  ::      á                                                                ::
  ::                                                                       ::
  ::      However, Is did not stop at bringing only thrash metal into      ::
  ::      his music. No less often we hear heavy metal touches on the      ::
  ::      album, the matter is that such riffs are not so easy to          ::
  ::      catch and identify due to the evil and raw guitar sound.         ::
  ::      However, the finale (including the solo) of the first song       ::
  ::      is almost clear power metal, ôNattens svarta djΣvlarö also       ::
  ::      has a heavy/power metal lick, and so on until ôD÷dsfΣrd          ::
  ::      genom Xibalbaö, which being the most mysterious (while very      ::
  ::      vicious) unexpectedly ends with heavy metal technical feats.     ::
  ::                                                                       ::
  ::      á                                                                ::
  ::                                                                       ::
  ::      Stylistic abundance and melodic richness is best                 ::
  ::      demonstrated by the third ôSkogen vid nora Σndenö: it cannot     ::
  ::      get an acceleration for a long time, but finally picks up        ::
  ::      the pace, while harmony and consistency are preserved at any     ::
  ::      speed. There is a lot of old-school Swedish black metal          ::
  ::      touches in this song, even Swordmaster comes to mind at          ::
  ::      speed, there is also an abrupt transition to a typical           ::
  ::      Swedish tremolo picking lead line here, while the final solo     ::
  ::      reminds of Dissection. But on the other hand there are           ::
  ::      plenty of palm muted riffs here too: the song opens with an      ::
  ::      evil almost pure thrash metal palm muting. In addition,          ::
  ::      ôSkogen vid nora Σndenö is full of heavy metal elements. As      ::
  ::      contrasted to it, by the way, the last ôEvighetens onda          ::
  ::      salarö, also filled with passages from different genres,         ::
  ::      does not sound so harmonious, and what is more obvious û it      ::
  ::      is clearly overlong.                                             ::
  ::                                                                       ::
  ::      ôD°den skal ikke venteö was recorded, mixed and mastered by      ::
  ::      Tore Stjerna, so it would be interesting to compare the new      ::
  ::      album with it in terms of production. Of course, what was        ::
  ::      created in Necromorbus Studio was a little softer, cleaner       ::
  ::      and noticeably more distinct. In his turn, Is also kept his      ::
  ::      end up when mixing the new work (right, he did everything        ::
  ::      himself): ôNΣr m÷rkret Σr pσ vΣgö has a fairly clear             ::
  ::      production, it is not a raw D.I.Y.-recording at all as is        ::
  ::      usually the case with numerous one-man black metal projects.     ::
  ::      Nevertheless, it would be better if Is created his new opus      ::
  ::      in the previous studio, after all, this material is quite        ::
  ::      technical to refuse the services of a more experienced sound     ::
  ::      engineer.                                                        ::
  ::                                                                       ::
  ::      á                                                                ::
  ::                                                                       ::
  ::      Perhaps Is wanted to add some rawness to his new creation,       ::
  ::      which seems quite natural due to the acquisition of an old       ::
  ::      school tendency to his material. Yes, there is something in      ::
  ::      the combination of ornate music and rawness, this is an          ::
  ::      interesting maneuver. However, the drums sound suffered a        ::
  ::      lot because of such an approach: we got these terrible           ::
  ::      typical modern metal plastic triggered (or even programmed)      ::
  ::      drums. The ôNattens svarta djΣvlarö beginning generally          ::
  ::      creates the feeling of a drum machine: yes, we see a live        ::
  ::      drummer in the video for this song, but what are we supposed     ::
  ::      to do with what we hear? Although Tore Stjerna also often        ::
  ::      gets blamed for such ôplasticö drums, he makes the sound         ::
  ::      much more natural. Much worse is that these ôplasticö drums      ::
  ::      donÆt fit well to the rather raw guitar sound.                   ::
  ::                                                                       ::
  ::      Summary. ôNΣr m÷rkret Σr pσ vΣgö will appeal to those who        ::
  ::      prefer both evil and melodic music. Old schoolness is the        ::
  ::      foremost attraction of the album, although compared to the       ::
  ::      classical standards the songs are quite feature-packed. It       ::
  ::      is not certain that the album will be 100% accepted by the       ::
  ::      fans of the former D°dsfall, but it will help to find new        ::
  ::      fans.                                                            ::
  ::                                                                       ::
  ::     .         _                                       _         .     ::
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 __\____ :: ____ ___\    _    /   BERC : 2023   \    _    /___ ____ :: ____/__
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Files

PathSize
00-dodsfall-naer_moerkret_aer_paa_vaeg-se-2022-berc.jpg169,80 KB
00-dodsfall-naer_moerkret_aer_paa_vaeg-se-2022-berc.m3u273 B
00-dodsfall-naer_moerkret_aer_paa_vaeg-se-2022-berc.nfo15,93 KB
00-dodsfall-naer_moerkret_aer_paa_vaeg-se-2022-berc.sfv343 B
01-dodsfall-helveteselden-berc.mp313,35 MB
02-dodsfall-nattens_svarta_djaevlar-berc.mp310,57 MB
03-dodsfall-skogen_vid_norra_aenden-berc.mp310,74 MB
04-dodsfall-isborg-berc.mp310,95 MB
05-dodsfall-doedsfaerd_genom_xibalba-berc.mp314,74 MB
06-dodsfall-goetaland-berc.mp313,30 MB
07-dodsfall-evighetens_onda_salar-berc.mp314,47 MB