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Artist.....: Ash Dargan
Album......: Corroboree-Do
Type.......: Album
Genre......: Ethnic
Style......: Didgeridoo
Label......: Indigenous Australia P/L
CatalogNr..: IA2048D
Url........: http://www.indig.com
Rel.date...: 14.12.2006
Str.date...: 14.03.2006
Source.....: CDDA
Grabber....: EAC 0.95.4
Encoder....: Lame 3.96.1 --APS
Quality....: VBRkbps / 44,1kHz / Joint-Stereo
Tracks.....: 11
Size.......: 76,7 MB
Length.....: 53:48 min
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Tracklist
01. Kwa (Dance of the Crows) 05:05
02. Otayba (Calling of the Bird) 04:20
03. Marmoo (Spirit Devil) 05:05
04. Kuna (Man of Grey Hair) 04:37
05. Mityam (Moon) 04:00
06. Kimba (Bushfire) 02:58
07. Mullian (Wedgetail Eagle) 05:47
08. Kangaroo 06:32
09. Corroboree 06:06
10. Gubbera (Stone Magic) 04:05
11. Moodunna (End Song) 05:13
Total Time: 53:48
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Release Notes
--== Credits ==--
Ash Dargan (Didgeridoo, Wooden Flutes, Percussion and Vocals) Nigel Pegrum
(Producer, Engineer, Concept & Research) Gene Pierson (Exec. Producer, Trad.
arrangements, Concept & Research) Colin Jones (Cover Painting)
--== About Ash Dargan ==--
Ash Dargan, an Australian indigenous recording artist world renowned for his
mastery on the Didgeridoo has been pushing the boundaries of contemporary
world music for the last eight years. His distinct blend of Australian
indigenous and contemporary world music captures the essence of one of the
oldest cultures on earth and with it transcends the boundaries of time. His
music has been described as the soul of the Australian Dreamtime landscape
with a timeless quality reflecting a deep connection and reverence for the
spiritual wisdom of his ancestry. A member of the Larrakia Nation, the
traditional land owners of Darwin in the Northern Territory of Australia, Ash
is an ambassador of his culture through his music, storytelling and live
performances. Ash was classically trained in music from the age of eight on
trumpet and came back to his cultural roots at the age of twenty two. His
grandmother and great uncle, both traditional elders of the Larrakia people
were instrumental in his musical adoption of the Didgeridoo and its deeper
cultural significance. Through them he came to know of the Didgeridoo's
unlimited potential for the expression of rhythm and its ability to represent
the power of the natural and spiritual worlds. The vocal harmonies used in
traditional corroboreeæs (ceremonies) and the natural voice of AustraliaÆs
native song birds have also had a great influence on his musical compositions.
____________________________________________________ Psychedelic Cyber Zone __
est. 2001