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▓█▓▓█ Artist.....[ Shinjuku Zulu ▀████▄█▓
██▓▀ Album......[ Various Chimeras ▀▓██
▄ █▓█ █ Label......[ Neuphoria Recordings █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ SZC077 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Electronic ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2006-12-15 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2006-06-06 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME v3.90.3 --alt-preset standard ▀████▄█▓
▀█▓▀ Quality....[ 218 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.nu4ya.com/neuphoria/shinjuk ▓█▓▄█▓█ ▄
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█▓ 01 Tombouctou, Adieu! 0:40 ▓█
█▓ 02 Shanghai Masai Feat. MC Shankhini 3:15 ▓█
█▓ 03 Dirty Liar Feat. MC GENERAL & Shawn 4:06 ▓█
█▓ Skeir ▓█
█▓ 04 Make Me Shake (Gimme Some Crush) Feat. 3:46 ▓█
█▓ Larissa Gomes & Shankhini ▓█
█▓ 05 Chimera Hey Ya Feat. Shawn Skeir 4:00 ▓█
█▓ 06 Da Riddim Griffin Feat. Caryn Green, 3:46 ▓█
█▓ Shankhini ▓█
█▓ 07 Be My Woman, Be My Man Feat. Shawn Skeir 3:43 ▓█
█▓ 08 Slow Is the New Fast Feat.Shankhini, 3:47 ▓█
█▓ Sydney White ▓█
█▓ 09 My Man Amen Feat. Sydney White 6:45 ▓█
█▓ 10 Rainbowbeau Feat. Larissa Gomes 5:29 ▓█
█▓ 11 Scarborough Fair (A True Dub of Mine) 6:07 ▓█
█▓ Feat. Giancarlo ▓█
█▓ 12 Massive Ballerina (Pirouettes For 4:54 ▓█
█▓ Millennia) ▓█
█▓ 13 We Do Supersonic Feat. Prince I 3:47 ▓█
█▓ 14 Tuktuyuktuk To Timbuktu Feat. Giancarlo 4:28 ▓█
█▓ 15 Coal Coal Black Feat. Shankhini 7:39 ▓█
█▓ 16 One Come We Feat. Prince I 3:46 ▓█
█▓ 17 The Way You Move Feat. Larissa Gomes 4:28 ▓█
█▓ 18 Slow Is The New Faster - K.I.A. remix 4:40 ▓█
█▓ 19 Hi, Shanghai... 0:43 ▓█
█▓ ----- ▓█
█▓ 79:49 ▓█
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█░█ The shinjuku ZULU cd: It's like the Matrix, only █░█
█░█ aural. Some kind of weird hybrid future. █░█
█░█ Exciting, unusual, and it moves cool. The music █░█
█░█ conjures images of neon-lit African warriors █░█
█░█ sprinting through the streets of downtown Tokyo, █░█
█░█ of mosques rising high as skyscrapers in 22nd █░█
█░█ century New York, of ravers dervishing to ecstasy █░█
█░█ in Machu Picchu, of rastas broadcasting dub █░█
█░█ symphonies from the moon. █░█
█░█ █░█
█░█ For example, the first track is █░█
█░█ drum'n'bass...only without the drums. And without █░█
█░█ the bass. It's composed soley from snippets of █░█
█░█ words, the voices arranged in a multitude of █░█
█░█ complex and complimentary rhythms. At last, in a █░█
█░█ Britney world, something unpredictable. █░█
█░█ █░█
█░█ It's a wonderfully diverse and yet very cohesive █░█
█░█ cd. It flows from straight-up dance tracks at the █░█
█░█ beginning like "That Groove", through downtempo █░█
█░█ songs in the middle such as the beautiful and █░█
█░█ beatless "Sweetness" and the exotic "Cyclamen", █░█
█░█ before building back up to some noisier cuts like █░█
█░█ the drumstorm of "Cyclone" and the breakbeat █░█
█░█ "Behemoth". Tracks lyrically, thematically and █░█
█░█ sonically refer back and forth to one another, █░█
█░█ giving it a unified feel. █░█
█░█ █░█
█░█ "A good director or dj will move you through a █░█
█░█ range of territory," K.I.A., the man behind █░█
█░█ shinjuku ZULU, says. "The cds I find myself █░█
█░█ listening to over and over, like say Moby's █░█
█░█ "Play" or Peter Gabriel's "Passion", give me a █░█
█░█ different experience every time I listen to them █░█
█░█ because they're so varied. The result is I don't █░█
█░█ get bored with them after just a few weeks." █░█
█░█ █░█
█░█ K.I.A. has traveled a lot and has lived in LA and █░█
█░█ Tokyo, and he currently resides in Toronto. Those █░█
█░█ experiences, as well as his background as a █░█
█░█ visual artist, have had the biggest impact on his █░█
█░█ music. "Obviously the more you see and do the █░█
█░█ more sources of inspiration you have to draw █░█
█░█ upon...all that gets spun into the mix. I █░█
█░█ perfected my compositional sense first through █░█
█░█ painting--my visual style is structured collage, █░█
█░█ so that translated well into the cut'n'paste way █░█
█░█ I make music. I know zero about music theory, █░█
█░█ chords, all that, but I have a very clear idea █░█
█░█ what I want and when a song feels right. It █░█
█░█ starts in the head, ends in the heart." █░█
█░█ █░█
█░█ And that's what is refreshing about the shinjuku █░█
█░█ Zulu cd: it's an electronic recording with █░█
█░█ feeling. Whether it's love, euphoria, loneliness, █░█
█░█ or aggression, delivered through words or chants █░█
█░█ or cut up syllables, the emotive quality of the █░█
█░█ work resonates. (Thanks in part to the lovely █░█
█░█ voice of Torontonian Larissa Gomes.) Heart, and █░█
█░█ ideas too: the inspiration for "Funkriot" was to █░█
█░█ record random conversatons outside a club for █░█
█░█ lead vocals; seven hidden songs, found only in █░█
█░█ the insert; the clever use of breaths as a █░█
█░█ rhythmic element; hybridizing a club song with █░█
█░█ the style of a traditional Celtic lament; turning █░█
█░█ a jungle track into a lullaby, and so on... █░█
█░█ █░█
█░█ "The name 'shinjuku ZULU' sorta sums it all up: █░█
█░█ it's rhythmic, it's melodic. It could be the █░█
█░█ sound of wind through a canyon or the noise of a █░█
█░█ bullet train entering a tunnel. It could be any █░█
█░█ language. It could be a mantra. It could be an █░█
█░█ ancient curse. Or a siren's love song." █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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