Willie_Bobo-Talkin_Verve-Reissue-1997-CLF

Section
MP3/FLAC
Group
CLF
Size
4,74 MB
Files
1
Date
2006-12-31

NFO

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 ▄▄▄▄▄▄▄▄ MP3 NF0: ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄


          Artist : Willie Bobo

          Album  : Talkin' Verve
          Label  : Verve Music
          CAT    : #3145375752
          Genre  : Jazz
          Type   : Reissue
          Year   : 1997
          Rlz    : Jan-01-2007
          Street : Jun-24-1997

          Tracks : 15
          Size   : 86,2 MB
          Lang   : English
          Bitrate: VBR/44.1Joint-Stereo
          Source : CDDA
          Tech   : EAC  /LAME3.90.3.Mod

          Url    : http://www.vervemusicgroup.com/

 ▄▄▄▄▄▄▄▄ RLZ NF0: ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄


          Willie Bobo was one of the great Latin percussionists of
          his time, a relentless swinger on the congas and timbales,
          a flamboyant showman onstage, and an engaging if modestly
          endowed singer. He also made serious inroads into the pop,
          R&B and straight jazz worlds, and he always said that his
          favorite song was Antonio Carlos Jobim's "Dindi." Growing
          up in Spanish Harlem, Bobo began on the bongos at age 14,
          only to find himself performing with Perez Prado a year
          later, studying with Mongo Santamaria while serving as his
          translator, and joining Tito Puente for a four-year stint
          at age 19. Mary Lou Williams gave Correa his nickname Bobo
          when they recorded together in the early '50s.

          After working with Cal Tjader, Herbie Mann and Santamaria
          with whom he recorded the evergreen Latin standard
          "Afro-Blue" -- Bobo stepped forward in 1963 with his first
          recording as a leader, with Clark Terry and Joe Farrell as
          sidemen. Recording for Verve in the mid-'60s, Bobo
          achieved his highest solo visibility with albums that
          enlivened pop hits of the day with Latin rhythms, spelled
          by sauntering originals like "Spanish Grease" and "Fried
          Neck Bones and Some Home Fries." In addition, Bobo played
          on innumerable sessions in New York, recording with
          artists like Miles Davis, Cannonball Adderley, Herbie
          Hancock, Wes Montgomery, Chico Hamilton and Sonny Stitt.
          In 1969, he moved to Los Angeles where he led jazz and
          Latin jazz combos, appeared on Bill Cosby's first comedy
          series (1969-1971) and short-lived 1976 variety show, and
          recorded on his own for Sussex, Blue Note and Columbia.
          One of Bobo's last appearances, only three months before
          his death from cancer, was at the 1983 Playboy Jazz
          Festival where he reunited with Santamaria for the first
          time in 15 years.

          Original recordings produced by Esmond Edwards (tracks 1,
          2, 4, and 15); Teddy Reig and Pete Spargo (tracks 3, 5, 6,
          8, 9, 12, and 13); Creed Taylor (tracks 7, 10, 11, and
          14).


 ▄▄▄▄▄▄▄▄ TR4CKS: ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄


          NO:

          01, Grazing In The Grass                                 05:26
          02, Lisa                                                 06:15
          03, Black Coffee                                         02:45
          04, The Look Of Love                                     04:19
          05, Dreams                                               03:26
          06, Evil Ways                                            02:41
          07, Night Song                                           02:45
          08, Mercy, Mercy, Mercy                                  02:37
          09, Roots                                                03:19
          10, Spanish Grease                                       02:50
          11, Shot gun, Blind man, Blind man                       05:14
          12, Stuff                                                02:41
          13, Night Walk                                           03:07
          14, Fried Neck Bones And Some Homefries                  03:04
          15, Sham Time                                            05:46

                                                            T0TAL: 56:15 min

 ▄▄▄▄▄▄▄▄ GRP NF0 : ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄


          Ok, surprise! Yes, CLF is a new group and we praise quality
          before quantity and we will remain focused on providing mp3z
          wich we feel have a cultural value.

          This shit is 4 connoisseur's, this shit is 4 collectors and
          all others who understand the slightest bit about music. It's
          to much lame rlz's today, to much noncultural, boring, stupid,
          commercial stuff. But that's 4 retards. We rather care about
          the music that we provide to our fellow w4rri0rz.

          We say fuck 2:

          Competition and E-fame !
          All lame pop shit that destroy humanity !
          Radio and TV !

          And the rest of y'all !


 ▄▄▄▄▄▄▄▄ GR33TZ : ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄


          Goes to all the genuine ppl and grpz. UTB, CMS, BF, BPM, FTD,
          kW and various other ppl who dedicate time and passion to
          this SHiT.


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                                             2006/2007 CULTURAL LiBERATiON FRONT



Files

PathSize
13-willie_bobo-night_walk-clf.mp34,74 MB