Markus_Enochson--Crazy_Pitch-(FLY-007)-Vinyl-2005-dh

Section
MP3/FLAC
Group
dh
Size
43,18 MB
Files
4
Date
2007-01-08

NFO

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                          █                    - d e e p h o u s e -

                                                          08.01.2007

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              .
     artist   : Markus Enochson
     title    . Crazy Pitch
     type     : Album
     year     . 2005
     genre    : House
     subgenre . House
     label    : Fly 
     cat      . FLY-007
     URL      : n/a
              .
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              .
     grabber  : Soundforge
     encoder  . Lame 3.90.3
     quality  : VBRkbps / 44,1Khz / Joint-Stereo
     source   . CDDA
              .
·∙∙·[trax]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙

     A1.Crazy Pitch (Original Mix)                                   08:01
     A2.Crazy Pitch (Community Housin Rehouse)                       05:48
     B1.Crazy Pitch (The Freaks Psychoredo)                          07:00
     B2.Crazy Pitch (Rulers Of The Deep Mix)                         06:56


     27:45 min  43,2 MB
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     The deep house crew brings you once again a high quality release of
     soulful dance music.. music with emotion that deserves the promotion..

·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·

     Markus Enochson was born in 1975 and has been writing and producing
     music since childhood. Markus has created his own unique blend of
     music that is easily recognised. Starting within the underground
     house music scene, Markus has proven himself not only as a producer
     and a DJ pioneering genre breaking blends within a production or DJ
     set. Earlier work includes collaborations with James Ingram and the
     Masters at work "Lean on me" and the releases of his own productions
     "I am the road" and "Feeling fine" on Louie Vega and Kenny Dopes
     label MAW and "Musical Prayer" on Wave, to mention a few. Recent
     tracks tracks like " Listen 4 it" and "You'll Shine" has been deemed
     classics by industry, media and fans all over the world.

     Enochson is constantly hunting for new ways of introducing his
     version of soul. Today he lets his early rave and techno influences
     shine through, coupled with broken beats and flirts with R'n'B.

     There is a big jump from the classic, New York-inspired house of his
     first singles to the freer and more unrestrained compositions of
     today. It was an awakening for Markus when he realized he could
     escape from the pattern he was partly responsible for putting himself
     in.

     "In the beginning, I was so elated about getting my music out that I
     quickly put myself in the position where I thought 'I'm good at
     this,' and so I maybe went on with the same style and sound a little
     too long. I figured that everyone was expecting a classic house
     single from me and when I eventually chose not to do that, I got a
     better response than ever."

     Enochson's willingness to push forward is partly down to his interest
     in technology. If it had not been for a childhood and teenage years
     spent surrounded by music, "I was regarded as the black sheep of the
     family because I was the only one who did not go to music school and
     was not interested in learning how to sing," he says. "But I hung out
     a lot in my uncle's music shop, and I remember how, as a
     five-year-old, I walked round among the synthesizers and sequencers,
     watching the lamps flashing and listening to all the fantastic
     sounds. That was when I decided that I had to surround myself with
     such machines. A few years later, I was in my uncle's studio and saw
     all the drum machines and the big collection of synthesizers, and
     thought: 'This is what I want to have one day.'"

     When Markus rebelled in his late teens, he did so through music. Soul
     music had given way to synth and techno and it was not long before he
     was playing live at raves with his interpretation of dance music.
     Cari Lekebusch, one of the Swedish techno scene's most prominent
     figures, lent Markus his ID on more than one occasion so that he
     could wangle his way into parties and clubs. But it was not until
     Markus discovered house music from New Jersey that he truly found the
     style that was right for him. The warm, soul-saturated sounds and
     steady beat helped him rediscover soul music in its new form.

     "Music is natural to me," he says. "I feel bad if I can't work with
     it. As a person, I am a little reserved; I need music to make myself
     heard."

     As Markus didn't really think he could focus on music full time, it
     is perhaps no surprise that he began a career as a project leader
     within IT. It took him exactly three days to realize it wasn't for
     him. When the remixing offers began streaming in, he decided to focus
     on music in earnest.

     The boundaries within dance music have become increasingly eroded.
     Styles are merging with each other and the openness to new
     impressions is greater than ever. Nite Games is largely a reflection
     of what is happening today. Markus has gathered a wealth of
     influences on the album. It is a sort of soul-minimalism, distilled
     from his years of musical experience. Nite Games is house, techno,
     and broken beats woven together in a way that only Markus can.

     Whatever Markus has produced over the years, it has always been
     simple and, in terms of sound, virtually stripped down.

     "If you look back on the soul music I grew up with, not many things
     were going on there either - a few elements were given a lot of
     space," he says. "Sometimes I just want to go for it and add things,
     but generally I want some space and not too much going on at the same
     time. Maybe I should freak things out a bit more, but I think I'm on
     my way to doing that."

     During a long musical career, Markus's father, Lars Enochson, has
     worked with James Ingram, among others, and it therefore felt natural
     for Markus to ask the legendary singer to record something with him.
     He contacted friends at Masters at Work, who were over the moon at
     the chance - and the result. The single, Lean on me, brought Ingram a
     new audience, and he also contributed to Nite Games.

     "Day and Nite was written when he was in Stockholm to sing at my
     wedding," Markus says. "It is wonderful to have him on the album
     because his voice has become classic and timeless within soul music."

     It was Louie Vega from Masters at Work who came up with the idea of
     an album a few years ago. Markus started off the work, but while
     doing it, he kept getting new ideas that he didn't know what to do
     with. The pieces have only fallen into place during the last year.

     "I have found a wonderful home with Sonar Kollektiv, and it was when
     I realized they were open to basically anything that my creative
     phase really started."

     Nite Games clearly shows that he has started a new journey, and
     nobody - including himself - knows where it will lead.


     remember to support artists.

·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··

        shoutouts to the groups that love the music they promote..

·∙∙·[news]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙

        lots todo..

·∙∙··[dh]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·····∙··∙

     If you're down with the deep house music, music with feeling..
     music that makes you groove no matter where you are.. and you
     think you can add to this feeling ... then visit us on efnet or
     drop us a line to d_h@inbox.lv :)~
     keep the feeling real. .∙· d e e p h o u s e  2 0 0 7 ·∙.

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                 nfo/header by rudo; updated at 12 nov 06


Files

PathSize
a1-markus_enochson--crazy_pitch_(original_mix)-dh.mp312,01 MB
a2-markus_enochson--crazy_pitch_(community_housin_rehouse)-dh.mp39,52 MB
b1-markus_enochson--crazy_pitch_(the_freaks_psychoredo)-dh.mp310,37 MB
b2-markus_enochson--crazy_pitch_(rulers_of_the_deep_mix)-dh.mp311,28 MB