Jacques_Schwartz_Bart--Sone_Ka_La-(Emarcy)-CD-2006-mbs

Section
MP3/FLAC
Group
mbs
Size
93,43 MB
Files
13
Date
2007-01-23

NFO


   ┌───┌┐───┐
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   ││││││├┐││ ─────────────────────────────────────── music for body and soul
   │└┴┴┴─┴─┘│
   └┐└──────┘                                         16.01.2007
    │play in.

        artist: Jacques Schwartz Bart
         album: Sone Ka La
         label: Emarcy
           cat: n/a
          year: 2006
         genre: Jazz

        source: Cdda
       grabber: Eac
       encoder: LAME 3.97 Final --Vbr-New -V 2
       quality: VBRkbps / 44,1kHz / Joint-Stereo
          size: 93,4 MB

          link: n/a

   ─┐└───────────────────────────────────────────────────────────────────────
    │tracklist.

     no. time   track title

     01  05:15  Papale
     02  05:09  Sone Ka-La
     03  06:02  Love
     04  04:18  Toumblak
     05  07:56  Ascent
     06  05:25  Drum & Bass
     07  03:52  Deshabille
     08  01:10  The Chains
     09  07:02  Gwoka
     10  05:19  Padjanbel
     11  05:31  Descent
     12  05:25  Pe La
     13  10:51  Lewoz


                total time: 73:15 min

   ─┐└───────────────────────────────────────────────────────────────────────
    │release notes.

     Guadeloupes thriving music scene has thrown up some original
     offerings of late, proving that home-grown Guadeloupean sounds make
     a perfect foil for jazz. Following in the footsteps of saxophonist
     David Murray and his collaboration with Guadeloupean hand-drum and
     voice group The Gwo ka Masters and trumpeter Frank Nicolass Jazz ka
     Philosophy project, saxophonist Jacques Schwarz-Bart has emerged
     with his own jazz-ka fusion, SonΘ Ka La. The album features seven
     fundamental rhythms on Gwoka drums, expertly blended with jazz
     harmonies in a mix that respects both styles and actually enhances
     them in terms of musicality and spirituality. "Ive been working on
     this for fifteen years now,ö explains Schwarz-Bart modestly, ôI was
     waiting to have enough experience as a saxophonist and composer
     behind me before taking on this complex musical chemistry. The
     point is to fuse the two musical styles according to parameters
     that are specific enough to guarantee a continuity, a consistency
     and a unity while being flexible enough to create a music thats
     truly different from song to song."

     Jacques Schwarz-Bart could certainly never be described as a
     newcomer to the music scene. He was born in Les Abymes, a suburb of
     GuadeloupeÆs capital Pointe-α-Pitre, on 22 December 1962, but only
     began playing music in earnest in the 1990s. Before that
     Schwarz-Bart, who graduated from the prestigious French school
     Sciences-Po (which grooms future MPs and prime ministers), landed
     his first job as a senatorÆs assistant in Paris. He left the world
     of diplomacy to pursue his passion for music, however, winning a
     place at the world-renowned Berklee School of Music. Two years
     later, Schwarz-Bart, then in his thirties, graduated from Berklee
     and set up home in New York where he rapidly made a name for
     himself at local jam sessions. This led to a flurry of invitations
     to accompany established musicians on tour. Schwarz-Bart went on to
     play with big names on the Boston scene such as Giovanni Hidalgo,
     Danilo Perez and Bob Moses. But his big break came one night in the
     Big Apple when he walked into New York jazz club BradleeÆs and
     dared to get up on stage with his sax. Legendary Cuban pianist
     Chucho Valds and trumpet star Roy Hargrove were both in the club
     that night and were blown away by what they heard.
     "One month later,ö recounts Schwarz-Bart, ôRoy HargroveÆs agent
     called me to replace saxophonist David Sanchez in the Cuban band
     Crisol." This proved to be the first step towards Schwarz-Bart
     winning important recognition from the professional musician
     community and he went on to record a first CD on Fresh Sound, a
     label that has launched (nearly) all the new talents in the jazz
     orthodoxy. In early 2000, he upped the tempo, performing at a host
     of recording sessions and concerts with the likes of Erykah Badu,
     Eric Benet, MeShell NÆDegeocello, Mario Canonge, James Hurt and Ari
     Hoenig. DÆAngelo, the voice of nu-soul, forged such a close bond
     with the sax-man that he dubbed him "Brother Jacques" û a nickname
     which has stuck ever since. Meanwhile, Schwarz-Bart also made his
     mark as a composer, writing Forget Regret, a track on Roy
     HargroveÆs album Hard Groove that became a big hit. By this stage
     of his career, Schwarz-Bart had turned forty - but his career had
     more than made up for lost time!

     Sone Ka La: an original new sound

     All that remained for him to do now was cook up an original music
     project in his own name. And thatÆs just what Schwarz-Bart did
     next, throwing himself into writing new material that was,
     unfortunately, turned down by all the record labels he approached.
     Undeterred, he went on to finance the recording of this new work
     himself, looking after his own production and distribution. But
     then the big guns at Universal Jazz stepped in and offered him the
     chance to make a follow-up in the same style. Schwarz-Bart took his
     time over the project and two years later Sone Ka La stands
     testament to its authors perspicacity and tenacity. The album,
     recorded between New York and Pointe-α-Pitre, features some superb
     songwriting, a talent that Schwarz-Bart doubtless inherited from
     his parents, both award-winning novelists. His father, AndrΘ,
     penned La MulΓtresse Solitude in 1972 and his mother, Simone, was
     also extremely influential in gaining wider recognition for Creole
     culture and identity. Jacques Schwarz-Bart has now extended his
     parentsÆ favourite themes to a musical domain, adding a touch of
     soul-funk to proceedings.

     SonΘ Ka La includes an impressive musical cast drawn from different
     countries, featuring everything from traditional French West Indian
     drums and American improvisation virtuosos to contributions from
     the Croatian pianist Milan Milanovic and Lionel Loueke, a
     Benin-born jazz guitarist hailed as the hot new discovery of 2006.
     Loueke also provides vocals on one song. Other vocals on the album
     are courtesy of soul sister Stephanie McKay, Kassavs founder Jacob
     Desvarieux, drummer and boulagyel (tropical beatbox) virtuoso
     Jean-Pierre Coquerel, and, last but not least, the new dub master
     Admiral T, whose smooth flow reflects the current vogue for
     sound-systems in Guadeloupe.

     "This is a melodic album, says Schwarz-Bart summing up SonΘ Ka La
     in a convincing soundbite, ôEvery theme can be sung because in
     Gwoka music the human voice fulfils all the melodic functions." A
     fact amply illustrated on this melodic masterpiece!

   ──────────────────────────────────────────────────────────────────────────

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     we only share the music we love, with the people we like.
     keep your mind, your body and your soul open...

                                                    peace.

   ──────────────────────────────────────────────────────────────────────────
   nfo materialized by gucci!                                        *nov2OO5

Files

PathSize
01-jacques_schwartz_bart--papale-mbs.mp37,29 MB
02-jacques_schwartz_bart--sone_ka-la-mbs.mp37,30 MB
03-jacques_schwartz_bart--love-mbs.mp37,53 MB
04-jacques_schwartz_bart--toumblak-mbs.mp35,71 MB
05-jacques_schwartz_bart--ascent-mbs.mp39,97 MB
06-jacques_schwartz_bart--drum_and_bass-mbs.mp36,64 MB
07-jacques_schwartz_bart--deshabille-mbs.mp34,87 MB
08-jacques_schwartz_bart--the_chains-mbs.mp31,11 MB
09-jacques_schwartz_bart--gwoka-mbs.mp39,06 MB
10-jacques_schwartz_bart--padjanbel-mbs.mp37,11 MB
11-jacques_schwartz_bart--descent-mbs.mp35,92 MB
12-jacques_schwartz_bart--pe_la-mbs.mp37,22 MB
13-jacques_schwartz_bart--lewoz-mbs.mp313,71 MB