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▓█▀▄▄ Artist : Dr. John ▄▄▀█▓
▐▓▌▐█▌ Album : Dr. John: The Montreux Years ▐█▌▓▌
▐▀▄██ Label : BMG Rights Management ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2023-06-02 ██▀▄▌
▐▓▌▐█▌ Quality : 898 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 536.62 MB ███▓
▀ ▀█▌ Time : 78:48 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/the-montreux-ye ███▄▓
▐▓████▌ ars-mr0005996726 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Professor Longhair Boogie (Live At Casino Montreux 1986) 3:36 ▐██
██▌ 2. You Ain't Such A Much (Live At Casino Montreux 1986) 4:52 ▐██
██▌ 3. Sick And Tired (Live At Casino Montreux 1986) 3:30 ▐██
██▌ 4. Stack-A-Lee (Live At Casino Montreux 1986) 4:11 ▐██
██▌ 5. Accentuate The Positive (Live At Auditorium Stravinski 2007) 3:50 ▐██
██▌ 6. Right Place, Wrong Time (Live At Auditorium Stravinski 2004) 4:04 ▐██
██▌ 7. Rain (Live At Auditorium Stravinski 2007) 4:53 ▐██
██▌ 8. Going Back To New Orleans (Live At Auditorium Stravinski 10:34 ▐██
██▌ 1993) ▐██
██▌ 9. Makin' Whoopee (Live At Auditorium Stravinski 1995) 4:01 ▐██
██▌ 10. Big Chief (Live At Miles Davis Hall 2012) 7:18 ▐██
██▌ 11. In A Sentimental Mood, Mississippi Mud, Happy Hard Times 7:35 ▐██
██▌ (Medley) [Live At Miles Davis Hall 2011] ▐██
██▌ 12. Love For Sale (Live At Auditorium Stravinski 2007) 8:34 ▐██
██▌ 13. Let The Good Times Roll (Live At Auditorium Stravinski 1995) 6:07 ▐██
██▌ 14. Good Night Irene (Live At Casino Montreux 1986) 5:43 ▐██
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▄███▌ ▐███▄
████ Following his death in 2019, Dr. John's estate has been very ████
████ careful about posthumous releases. Things Happen That Way ████
████ appeared in 2022; recorded during his final months, it ████
████ wonderfully reflected a very intimate portrait of Mac Rebennack ████
████ playing covers, standards, and originals. The Montreux Years ████
████ compiles stellar Dr. John performances at the revered jazz ████
████ festival between 1986 and 2012. His Night Tripper persona was ████
████ retired, and from the beginning of the 1980s, he focused on ████
████ releasing records that drew directly on the NOLA piano tradition. ████
████ They revealed his debt to mentor and teacher Professor Longhair, ████
████ peer James Booker, Isidore "Tuts" Washington, and Fats Domino, to ████
████ name a few. ████
████ ████
████ Following a stage introduction, the first four tracks find ████
████ Rebennack playing solo. He opens with the incendiary "Professor ████
████ Longhair Boogie," a choogling stride romp that pays tribute to ████
████ the teacher's example, shifting gears from boogie-woogie's ████
████ standard I-IV-V progression to incorporate Latin rhythms. He ████
████ follows it with the blues "You Ain't Such a Much" and the raucous ████
████ R&B stride piano of Chris Kenner's "Sick and Tired." The 1986 ████
████ performance continues with a commanding version of the classic ████
████ "Stack-A-Lee." The entire atmosphere is altered to a swinging ████
████ blues and jazz party during Johnny Mercer's "Accentuate the ████
████ Positive." Drawn from a 2007 performance, it features the Lower ████
████ 911, one of Dr. John's finest bands. The lone selection from his ████
████ group's 2004 performance is a rowdy, deeply souled-out reading of ████
████ his hit "Right Place, Wrong Time." A ten-minute "Going Back to ████
████ New Orleans" from 1993 features a big band, wild Latin rhythms, ████
████ and a healthy collection of solos. From 1995, the big horn ████
████ section swings under Rebennack's glorious piano on the standard ████
████ "Makin' Whoopee." His low, wry, gravelly singing voice is ████
████ perfectly suited to all the material on offer here. A serious ████
████ argument can be made for this particular version of Professor ████
████ Longhair's "Big Chief" from the 2011 festival as the set's real ████
████ highlight. Funky as hell, it features Trombone Shorty ripping it ████
████ up on trumpet. The set's only drawback, occasionally, is its ████
████ sequencing. For example, immediately following this raucous barn ████
████ burner is the laid-back, seven-plus-minute instrumental solo ████
████ piano medley of "In a Sentimental Mood"/"Mississippi Mud"/"Happy ████
████ Hard Times." It's just too relaxed to enjoy fully due to that ████
████ placement. The version of Cole Porter's "Love for Sale" from 2007 ████
████ features a killer tenor sax solo from Alvin "Red" Tyler, as the ████
████ tune cooks, grooves, and struts with greasy intensity. The album ████
████ closes with a solo version of "Good Night Irene," offered in ████
████ tribute to friend and piano god James Booker and its composer, ████
████ Lead Belly. Rebennack captures the late Booker's canny nuances, ████
████ wedding classical and blues, jazz and rent party boogie with a ████
████ second line sensibility. While the sequencing is a minor issue, ████
████ these performances are inspired and electrifying. Fans will ████
████ delight in The Montreux Years' portrait of a master musician at ████
████ the very top of his abilities, but it will also serve to endear ████
████ newcomers to Dr. John's music and legacy. ████
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