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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Pat Metheny
Album : Dream Box
Label : Modern Recordings
Genre : Jazz
Street Date : 2023-06-16
Quality : 255 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.100 -V0
Size : 107.40MB
Time : 56:01 min
Url : http://allmusic.com/album/release/dream-box-mr0005993727
[Tracks]
1. The Waves Are Not The Ocean 5:39
2. From The Mountains 8:20
3. Ole & Gard 6:33
4. Trust Your Angels 5:28
5. Never Was Love 5:57
6. I Fall In Love Too Easily 5:08
7. P.C. Of Belgium 5:00
8. Morning Of The Carnival 6:42
9. Clouds Can't Change The Sky 7:14
[Notes]
Dream Box is Pat Metheny's third date for BMG's Modern Recordings, a set of
nine solo tunes for electric guitar, drawn from a folder on his laptop's
hard drive. Metheny often records new ideas, covers, or standards by playing
them once. During 160 days of touring in 2022, he had ample time to survey
the folder's contents. He was surprised when the music he had little memory
of recording revealed these "moments in time" as an organic whole. Further,
all but one original had compositional roots in the method utilized on
"Unity Village" on 1976's Bright Size Life -- an initial harmonic scheme
buoyed by a second offering melodic and improvisational sequences. This
program contains six original compositions, two standards, and a cover.
Longtime fans will find little save for guitar tone in common with earlier
solo records such as 1979's New Chautauqua or 2011's What's It All About. It
does bear aesthetic and emotional relation to 2004's One Quiet Night, a set
of ballads recorded at home solo on an acoustic baritone guitar.
One of Metheny's aesthetic signatures is an often euphoric character in his
composing and playing. While that's absent here, emotion, vulnerability, and
poignancy aren't. The sparse chords and melodic line that introduce opener
"The Waves Are Not the Ocean" are gently presented to the listener without
adornment save for the dictates of its lyric harmony. The spaces between
whispered chord voicings carry the listener's heart alongside. "From the
Mountains" seemingly underscores that flavor with a slightly darker yet more
majestic Latin-tinged melody. "Trust Your Angels" is lilting, tender, and
expository in its impressionistic use of the blues, α la mentors Jim Hall
and Charlie Haden. The first four originals are followed by two elegantly
wrought covers. The first is a harmonically and rhythmically re-envisioned
reading of Russell Vernon Longstreth's (aka Russ Long) obscure yacht rock
classic "Never Was Love." Metheny's version strips away the sheen of pop
artifice, revealing the sophisticated nature of its intricate blue melody.
Sammy Cahn's "I Fall in Love Too Easily" is rendered with a similar approach
to the one pianist Bill Evans articulated on 1962's Moon Beams. Metheny's
gentle use of reverb adds an additional multi-phonic voice as he hovers
between single string melody, chord changes, and the mysterious innovative
shapes he employs as bridges between. The other standard is Luiz Bonfa's
"Morning of the Carnival" ("Manha de Carnival"). Unlike the many jazz
versions out there, Metheny's realization closely adheres to Bonfa's save
for a subtle meld of samba and cumbia rhythms. When Metheny states the
melody, he offers contrasting melodic voices on top, culminating in a warm,
pointed solo. Set closer "Clouds Can't Change the Sky" is another
listener-enveloping ballad composed in sections. Its lyric statement is
followed first by abstraction in tone, texture, and tempo before
establishing a second melody from that investigation, resolving them both.
The electric guitar ballads on Dream Box offer unvarnished introspection,
uncanny musical vision, and gorgeous technique.