Artist .........: The Kills
Title ..........: God Games
Genre ..........: Indie
Subgenre .......: Indie Rock, Rock, Alternative Rock
Label ..........: Domino Recording Co
Language .......: English
Year ...........: 2023
Street Date ....: 10.27.2023
Source .........: WEB (FLAC)
Bit Depth ......: 24 Bit
Sample Rate ....: 44.1 kHz
Mode ...........: Stereo
Size ...........: 473.82 MB
Tracks .........: 12
https://open.qobuz.com/album/s7qne1fqnz1da
Url: https://www.thekills.tv/
Track List:
01.New York 04:04
02.Going To Heaven 03:48
03.LA Hex 03:15
04.Love And Tenderness 02:41
05.103 04:06
06.My Girls My Girls 03:38
07.Wasterpiece 03:11
08.Kingdom Come 03:19
09.God Games 02:25
10.Blank 02:27
11.Bullet Sound 03:48
12.Better Days 02:48
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39:30
Whether we look for him or not, we all find God somewhere. It could be
in nature. It could be in church. It could be in the metaverse. It
differs for each and every one of us. In terms of where God might be,
The Kills aren't necessarily saying, but the duo - Alison Mosshart and
Jamie Hince - certainly sound like they've seen him. How else could you
explain the primal call-and-response between Alison's full body blues-
soul vocal catharsis and Jamie's swaggering, guillotine-smooth guitar
transmissions on the duo's sixth full-length offering, God Games
The Kills have emerged as international rock stars, setting the pace
for the genre, shaping this era's sound, and redefining what rock music
can be in the 21st century. They're the rare force of nature who can
tour with Queens of the Stone Age or Guns N' Roses and light up
Coachella. Returning home from the road in 2019, Alison and Jamie
commenced writing for what would become God Games. However, the old
adage, ôMake plans, God laughs," couldn't have been more apropos.
Stretching boundaries, Jamie encouraged Alison to ôbuy this 100-dollar
keyboard and try to write." She added another creative tool to her
arsenal, while he tinkered with textures, sounds and ôwrote on guitar
less than ever," opting to primarily compose on piano for the first
time. This powerful combination of forces gave the album its own sonic
identity, a new path forged in the pair's creative bond.
The Kills decamped to an old church (a bit ironic now isn't it) where
they recorded with old friend and Academy and GRAMMY Award-winning
producer Paul Epworth [Adele]. ôPaul was our very first soundman in
2002," recalls Jamie. ôSince he was with us when we had two amps, a
lightbulb, and a couple of mics in a van, it seemed perfect. He knew
how far it had come and could trace the thread back."
Enjoy =>