Pasteboard-Glitter-(a-g_032)-CD-JP-2005-SHGZ

Section
MP3/FLAC
Group
SHGZ
Size
64,28 MB
Files
18
Date
2023-12-19

NFO


                                  -=- SHGZ -=-


   * Shoegaze * Indie * Post-Rock * Grunge * Dream Pop * Psych-Rock * Ethereal *


         ARTIST..: Pasteboard
         ALBUM...: Glitter

         GENRE...: Indie
         STYLE...: Dream Pop, Shoegaze, Indie Pop

         YEAR....: 2005
         LABEL...: abcdefg*record

         COUNTRY.: Japan
         FORMED..: 2001, Saitama, Saitama
         VOCALS..: Japanese

         ENCODER.: LAME 3.100 -V 0
         BITRATE.: 268 kbps avg
         QUALITY.: 44.1kHz / Joint Stereo

         SOURCE..: CD
         TRACKS..: 9
         SIZE....: 59.03 MB


         URL..: http://fnewsmagazine.com/2021/12/trusting-tradition-pasteboards-glitter-will-never-grow-old
                http://web.archive.org/web/20060223060323/http://www.indiesnews.com/interview36.html
                http://web.archive.org/web/20060509062816/http://www.nexon.co.jp/JP/Page/NX.aspx?URL=article/musicinterview_13


         - TRACKLIST


   1   Breakbeats                              3:10
   2   Cacao                                   2:50
   3   Flipper                                 4:00
   4   Freesoul                                4:38
   5   Nowhere                                 2:27
   6   Shoegazer                               2:29
   7   Slowdive                                4:49
   8   Squall                                  3:37
   9   Starcharts                              2:23



                                     Total Playtime: 30:23



   Pasteboard is a guitar pop and shoegaze project by Roly Roly Rag Bear members
   Mihoko Tanoue and Makoto Igarashi formed in 2001. In 2002, Pasteboard was
   ranked #1 on the Japanese music website MUSIC Watch. They made their debut in
   2005 with the release of their album "Glitter", but have since put their
   activities on pause to focus on Roly Poly Rag Bear.

   *

   - Pasteboard's Glitter: An underrated classic -

   Pasteboard is a Japanese shoegaze side project formed by Igarashi Makoto and
   Tanoue Mihoko of the Indie-pop band Roly Poly Rag Bear. Pasteboard came out
   with their first and only album "Glitter" on December 21, 2005, and in the 18
   years since then, it has become a cult classic, mostly from its resurgence
   online, it feels like everyone has a different story on how they found the
   album. Recently, Glitter received a reissue by the record label "7th heaven"
   as well as a deluxe edition released in April of 2023. The release included a
   Vinyl that sold out in just a few hours, showing the dedication of
   Pasteboard's fan base. Although none of the songs from the deluxe edition
   will be covered here if this album piques your interest I strongly recommend
   checking out the new material as it contains some excellent tracks including
   a personal favorite snowsheep.

   Glitter's strong suit is the atmosphere it creates through the songs. The
   most consistent theme of discussions and reviews of this album is the
   comfortable and calm vibe it brings. Personally, this album gives off the
   atmosphere of a place that you haven't been to but is somehow familiar. It's
   hard to describe but it's something that I've rarely felt from other records.
   The entire record has an aura of familiarity that makes it seem like
   something you heard a long time ago in a dream.

   Glitter kicks off with "Breakbeats" giving a taste of what the album has to
   offer with its loud guitar and subdued drums. The song's lyrics talk about a
   person who uses their hands to break something over and over again giving the
   song its repeating lyrics which makes the song feel like an endless loop of
   breaking over and over again. The lyrics could very well become annoying but
   instead, it gets the point of breaking over and over again across perfectly
   and emotionally.

   The next highlight on the record is "Flipper" which for me always stood out
   for its drums. It probably has some of the most simplistic and repetitive
   drums I've ever heard. On this entire album guitar is the main focus but only
   on this song the drums are the only thing that I can pay attention to. This
   song is beautiful and is the first song that comes to mind when I think of
   this record.

   The final song I want to highlight is "Starcharts", the final song on the
   album. This is the heaviest song on the album with louder distortion, Faster
   guitar, piano,  and vocals that are mixed with guitar to make dreamy
   distorted vocals. This is the perfect sendoff to the album using the low
   energy the album has had and making it a sendoff that feels like the record
   has been building up to. The lyrics are unfortunately hard to translate and
   don't make any sense with the limited translation Google can provide but I
   think the song is about waiting to see a meteor shower, which fits with the
   vibe of the song feeling melancholic like you're waiting for someone.

   This album is a masterpiece and I cannot recommend it enough. It has a
   powerful emotional edge despite its language barrier. Its cult fan base
   ensures that this record will live in the hearts of thousands for years to
   come, it's a truly unforgettable record that needs to be heard by more
   people.

   *

   - The only album by the Japanese duo just once again speaks of how beautiful
   music can be invisible in society. -

   To say that shoegaze and dream pop are great genres is already pointless. It
   is also pointless to say how many musicians can be hiding behind a shadow. If
   days earlier I reviewed lovesliescrushing, now, perhaps, I will be reviewing
   Pasteboard, and their only album is Glitter.

   You can only call it shoegaze on the first couples of the first two
   tracks-then a calmer and kinder side opens up. What is also characteristic is
   that we are faced with male vocals with lyrics in Japanese, which is quite
   rare.

   Ironically, but as the first 2 tracks here are the best and the most
   wonderful, as it is. The other music on Glitter, though, is charming in all
   cases. There is not much noise on Glitter, which is another reason not to
   call it a full-fledged shoegaze album.

   All in all, the album is another great dream pop and slightly shoegaze album.
   He is one of those who no one knows, but it is clearly one of those that are
   really great.

   *

   Glitter is a short-lived paradise that takes you strolling without much sense
   of direction, allowing you idle moments of recuperation.

   Japanese shoegaze-ala Oeil and Kinokoteikoku-seems to take on a form not
   unlike the solitary act of flying a kite. You find someplace beautiful to set
   yourself down, but you're not forced to stay in one place. You allow yourself
   to run if you'd like, and no one is discouraging you from doing so. You have
   a choice to stay in place, using the focal point of the kite and the
   surrounding sounds of nature to put you at ease. In fact, it's the idea that
   you're attached to something, unable to fathom the idea of releasing it into
   thin air. You want to keep it held tightly, not wanting it to end, but
   knowing that the wind will die at some point in the day.

   Glitter's lateral form of progression does not at any point appear clipped or
   short-sighted. That is if such progress was able to be definitively tracked.
   Each song is earnest in a monosyllabic way, as gentle as a lullaby, or as
   indelible as the first time you hear "I love you." A great emphasis is placed
   instrumentally on not being too impatient or jarring, which follows much of
   the fundamentals of shoegazing. "Shoegazer" and "Slowdive," perhaps even
   refer to the impact the genre has had on Pasteboard. As the tracks begin to
   wind down, the album's nascence becomes clearer. There's this unwarranted
   feeling from the listener, to long to hear it for the first time again.

   Ultimately, there is nothing in Pasteboard's discography to compare it to.
   Their other band, Roly Poly Rag Bear, seems to retain the good vibes, the
   plasma of the songs. But it seems the instruments are played with less
   delicacy. There is less mystery in how the songs make you feel apart from
   yourself. There is practically no information on these folks--they came, they
   saw, without any intention of conquering the genre.

   To bring it back to flying a kite, I think there are many things in this life
   that might elude you when you meet them for the first time. Knowing that a
   stranger is simply a vague face in your mind, a purchase is simply an item to
   add to your shelf, a cup of coffee will be waiting for you the next morning.
   There's joy in all these things, sure, but an enigmatic joy. Every time we
   partake in something, there is a silkscreen that appears over the memory of
   the last time. The more you listen to Glitter, the more you'll want to
   stabilize it with something familiar. I believe I am one of the runners, one
   of the seekers that take the kite into woods until it's tattered to
   smithereens. If I decide to release it, I will be remiss to let its memory go
   to waste. On a windless day, as I cut the string, letting the cloth of the
   kite drift down into the dirt, I will clench the spool in my hand. The kite
   will stay there as long as it can until it too will fade away. The next time
   I get a kite and set it to the wind, I will remember that first one. They
   will kind of blend into each other. Perhaps that's why I get so emotional
   when I listen to shoegaze. I can remember the first note but can never recall
   the presence of the last.


                                 -=- SHGZ -=-


                                 -=-=-==-=-=-

                                   Dream Pop
                               is a subgenre of
                     alternative rock and neo-psychedelia
         that emphasizes atmosphere and sonic texture as much as pop
    melody. Common characteristics include breathy vocals, dense productions,
         and effects such as reverb, echo, tremolo, and chorus. It often
              overlaps with the related genre of shoegaze, and the
                       two genre terms have at times been
                              used interchangeably.

                                  ---==--==---

Files

PathSize
00-pasteboard-glitter-(a-g_032)-cd-jp-2005-back.jpg888,04 KB
00-pasteboard-glitter-(a-g_032)-cd-jp-2005-backinlay.jpg976,97 KB
00-pasteboard-glitter-(a-g_032)-cd-jp-2005-cover.jpg971,33 KB
00-pasteboard-glitter-(a-g_032)-cd-jp-2005-foldlout.jpg522,72 KB
00-pasteboard-glitter-(a-g_032)-cd-jp-2005-obi.jpg524,74 KB
00-pasteboard-glitter-(a-g_032)-cd-jp-2005-proof.jpg1,44 MB
00-pasteboard-glitter-(a-g_032)-cd-jp-2005.m3u241 B
00-pasteboard-glitter-(a-g_032)-cd-jp-2005.nfo10,29 KB
00-pasteboard-glitter-(a-g_032)-cd-jp-2005.sfv331 B
01-pasteboard-breakbeats.mp35,74 MB
02-pasteboard-cacao.mp35,29 MB
03-pasteboard-flipper.mp37,82 MB
04-pasteboard-freesoul.mp39,53 MB
05-pasteboard-nowhere.mp34,68 MB
06-pasteboard-shoegazer.mp34,88 MB
07-pasteboard-slowdive.mp39,44 MB
08-pasteboard-squall.mp37,44 MB
09-pasteboard-starcharts.mp34,22 MB