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++ useless use of space edition ++
Marion_Brown-Sweet_Earth_Flying-REMASTERED-16BIT-WEB-FLAC-2011-BABAS
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artist > Marion Brown
title > Sweet Earth Flying
year > 2011
genre > Jazz
mood > contemporary jazz
label > Verve Label Group
catno >
predate > 2024-02-03
tracks > 8
size > 204.65 mb
url > https://www.qobuz.com/us-en/album/0060255746027
info > https://www.discogs.com/release/16965012
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source > WEB FLAC
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time
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01. Marion Brown - Sweet Earth Flying (Pt. 1) 3:40
02. Marion Brown - Sweet Earth Flying (Pt. 3) 5:58
03. Marion Brown - Sweet Earth Flying (Pt. 4 : Prince Willie) 5:57
04. Marion Brown - Sweet Earth Flying (Pt. 5) 4:58
05. Marion Brown - Eleven Light City (Pt. 1) 7:17
06. Marion Brown - Eleven Light City (Pt. 2) 2:10
07. Marion Brown - Eleven Light City (Pt. 3) 5:52
08. Marion Brown - Eleven Light City (Pt. 4) 3:02
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00:38:54
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The second installment of his "Georgia" trilogy, Sweet Earth Flying is
arguably Marion Brown's finest work and certainly one of the
underappreciated treasures of '70s jazz. Again, the words and ideas of
poet Jean Toomer underlie Brown's conception (hence the album's
title), though this time (unlike the appearance of Karintha on Geechee
Recollections) none of Toomer's actually poetry is utilized. Instead,
he calls into service the remarkable keyboard paring of Muhal Richard
Abrams and Paul Bley, an inspiration that pays off in spades. The two
pianists alternate acoustic and electric keyboards, bringing a slight
tinge of the propulsiveness of Miles Davis' late-'60s bands, but with
a grace, soul, and sense of freedom rarely achieved by Corea and
Jarrett. In fact, Abrams' feature on Part Five of the title suite is
one of the single most beautiful and cogent statements he ever
created. Brown's sound on both soprano and alto has a unique quality;
he tends to sound tentative and innocently hesitant when first
entering, only to gather strength as he goes, reaching utter
conviction along the way. Special mention must be made of vocalist
Bill Hasson. He's featured on only one piece, but his deep-voiced
recitation in a language of his own construction (drawing from West
Africa, Brazil, the Caribbean, and North American down-home English)
is a very special treat indeed. Very highly recommended to open-eared
jazz fans of all tastes.
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last nfo update: 20220405