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Makaya_McCraven-Deciphering_The_Message-24BIT-WEB-FLAC-2021-BABAS
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artist > Makaya McCraven
title > Deciphering The Message
year > 2021
genre > Jazz
mood > contemporary jazz
label > Blue Note
catno >
predate > 2024-02-03
tracks > 13
size > 512.64 mb
url > https://www.qobuz.com/us-en/album/kqarmoa1s0uoc
info > https://www.discogs.com/release/24220430
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time
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01. Makaya McCraven - A Slice Of The Top 3:11
02. Makaya McCraven - Sunset 3:48
03. Makaya McCraven - When Your Lover Has Gone 2:11
04. Makaya McCraven - Ecaroh 2:57
05. Makaya McCraven - Tranquillity 3:39
06. Makaya McCraven - Wail Bait 2:09
07. Makaya McCraven - Coppin' The Haven 2:35
08. Makaya McCraven - Frank's Tune 3:37
09. Makaya McCraven - Autumn In New York 5:55
10. Makaya McCraven - Monaco 2:24
11. Makaya McCraven - Mr. Jin 2:57
12. Makaya McCraven - C.F.D. 3:17
13. Makaya McCraven - Black Rhythm Happening 3:34
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00:42:14
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Bebop jazz remix albums are nothing new. In fact when it comes to the
revered Blue Note catalog, it's been plumbed by remixers a number of
times in recent years since Don Was took over as label president. As
trendy an idea as it is, remixing or more accurately making new albums
out of the raw materials provided by a catalog as illustrious as Blue
Note's is a delicate dance. To succeed you must stay respectful of the
sources while adding to their legacy and making music that, as
drummer/remixer Makaya McCraven puts it, "people can vibe to." There's
even an underlying educational element to these remixes. If the beat
scientist generation hears a track with Lee Morgan's trumpet or Hank
Mobley's tenor sax, perhaps this will pique enough curiosity to
explore the original records. An edge that McCraven has over straight
remixers who may only be manipulating laptops is that he can add live
instrumental tracks to samples of the original recordings. With the
octet he's assembled—vibraphonist Joel Ross, trumpeter Marquis Hill,
alto saxophonist Greg Ward, guitarists Matt Gold and Jeff Parker,
bassist Junius Paul, and De'Sean Jones on tenor saxophone and
flute—McCraven can control, accentuate and reshape the core rhythms of
the older recordings, guiding the remix with live drums and
percussion. His method is intricate and controversial, often working
best when just he and a few extra instrumentalists contribute. A track
like "Wail Bait," written by Quincy Jones and originally played by an
all-star group of boppers including trumpeter Clifford Brown, pianist
John Lewis and drummer Art Blakey, now has Brown's horn and Blakey's
drums opening before McCraven's drums enter and then Jones' flute,
Ross' vibraphone and McCraven on guitar take over the tune. In Kenny
Burrell's version of "Autumn in New York," here called "Spring in
Chicago," his original guitar part meshes beautifully with the added
flute and vibes. The massed female voices present in the original of
Eddie Gale's "Black Rhythm Happening" are seamlessly joined by drummer
McCraven and Jones on tenor sax and flute on a remix of the same name.
While Jack Wilson's "Frank's Tune," now called "De'Jeff's Tune,"
'ventures a long way from the original with added keyboards and flute,
it does have one of McCraven's wisest touches—spoken introductions
from original Blue Note records, in this case by Blakey. Adding fresh
grooves to classic jazz has uncovered new messages in venerated
vessels.
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last nfo update: 20220405