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▓▄██ ██▄▓
▓█▀▄▄ Artist : Bonnie ''Prince'' Billy ▄▄▀█▓
▐▓▌▐█▌ Album : Keeping Secrets Will Destroy You ▐█▌▓▌
▐▀▄██ Label : Drag City Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2023-08-11 ██▀▄▌
▐▓▌▐█▌ Quality : 642 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 220.75 MB ███▓
▀ ▀█▌ Time : 45:57 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/keeping-secrets ███▄▓
▐▓████▌ -will-destroy-you-mr0006028723 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Like It Or Not 5:08 ▐██
██▌ 2. Behold! Be Held! 3:25 ▐██
██▌ 3. Bananas 2:43 ▐██
██▌ 4. Blood Of The Wine 4:24 ▐██
██▌ 5. Sing Them Down Together 2:14 ▐██
██▌ 6. Kentucky Is Water 4:06 ▐██
██▌ 7. Willow, Pine And Oak 3:44 ▐██
██▌ 8. Trees Of Hell 4:00 ▐██
██▌ 9. Rise And Rule (She Was Born In Honolulu) 6:05 ▐██
██▌ 10. Queens Of Sorrow 3:06 ▐██
██▌ 11. Crazy Blue Bells 4:28 ▐██
██▌ 12. Good Morning, PopocatΘpetl 2:34 ▐██
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▄███▌ ▐███▄
████ Rusty-voiced singer/songwriter Will Oldham has steadily released ████
████ new music under his Bonnie "Prince" Billy moniker, but his ████
████ consistent output obscures how few and far between his proper ████
████ solo albums actually are. Though there were multiple ████
████ collaborations, a set or two of covers, and re-recordings of his ████
████ back catalog along the way, the last fully solo Bonnie "Prince" ████
████ Billy album before 2023's Keeping Secrets Will Destroy You was ████
████ 2019's I Made a Place, and before that, 2011's Wolfroy Goes to ████
████ Town. These outings tend to include BPB's most focused and moving ████
████ material, and Keeping Secrets Will Destroy You takes its place ████
████ alongside some of his best work. The album was recorded in ████
████ Louisville with a host of local musicians, and the production is ████
████ homey and organic. On opening track "Like It or Not," the spare ████
████ mandolin plinks, harmonizing strings, and even supporting vocals ████
████ from Dane Waters all sound like they're happening in separate ████
████ corners of the same room, being picked up from a distance by a ████
████ few randomly placed microphones. The open-air sound and ████
████ restrained instrumentation -- there are no drums, and some songs ████
████ barely rise above the level of a whisper -- add to the soft, ████
████ contemplative air that breathes throughout. On every track, ████
████ Oldham's voice and ever-unique songwriting style are in the ████
████ spotlight. There are moments of sparse, conversational Americana ████
████ sweetness like the gentle back and forth between electric piano ████
████ and sung verses on "Sing Them Down Together," hushed devotional ████
████ balladry on the minimal "Rise and Rule (She Was Born in ████
████ Honolulu)," and some puckish absurdity on the confusing ████
████ sensuality of "Bananas." The glacial arrangements for violin and ████
████ viola on songs like "Crazy Blue Bells" and the gorgeous "Willow, ████
████ Pine and Oak" recall the misty atmospheres of Oldham's 2006 ████
████ high-water mark, The Letting Go, as do the ambient sounds that ████
████ struggle to clear the fog as the ecological folk dirge "Trees of ████
████ Hell" slowly unfolds. Keeping Secrets Will Destroy You is slow ████
████ moving, intentional, and mysterious, with Oldham's long-practiced ████
████ balance of menace and thoughtfulness at its peak. Like the best ████
████ of Bonnie "Prince" Billy's work that came before it, Keeping ████
████ Secrets Will Destroy You is the kind of record that gets played ████
████ over and over until it feels like a part of the listener's ████
████ personal history. ████
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