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▓▄██ ██▄▓
▓█▀▄▄ Artist : The Dukes of Stratosphear ▄▄▀█▓
▐▓▌▐█▌ Album : 25 O'Clock ▐█▌▓▌
▐▀▄██ Label : Ape Records ██▄▀▌
▄███▌ Genre : Psychedelic Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2009-04-19 ██▀▄▌
▐▓▌▐█▌ Quality : 871 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 327.50 MB ███▓
▀ ▀█▌ Time : 49:10 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/25-oclock-bonus ███▄▓
▐▓████▌ -tracks--mr0001865649 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. O'clock 5:02 ▐██
██▌ 2. Bike Ride To The Moon 2:22 ▐██
██▌ 3. My Love Explodes 3:49 ▐██
██▌ 4. What In The World... 5:00 ▐██
██▌ 5. Your Gold Dress 4:41 ▐██
██▌ 6. The Mole From The Ministry 5:49 ▐██
██▌ 7. O'clock 2:26 ▐██
██▌ 8. Bike Ride To The Moon 1:30 ▐██
██▌ 9. My Love Explodes 1:53 ▐██
██▌ 10. What In The World 3:40 ▐██
██▌ 11. Nicely Nicely Jane 1:18 ▐██
██▌ 12. Susan Revolving 1:24 ▐██
██▌ 13. Black Jewelled Serpent Of Sound [Radio Caroline Edit] 2:17 ▐██
██▌ 14. Open A Can Of Human Beans 4:44 ▐██
██▌ 15. Tin Toy Clockwork Train 3:15 ▐██
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▄███▌ ▐███▄
████ XTC spent the first half of the '80s dropping out of the new wave ████
████ rat race in favor of cultivating an eccentric English garden. It ████
████ was a move that mirrored the Kinks ignoring psychedelia for songs ████
████ about subdivisions and afternoon tea, but when XTC decided to cut ████
████ loose, they did so by adopting alter egos to create a riotous ████
████ tribute to the very psychedelia the Kinks shunned. They turned ████
████ into the Dukes of Stratosphear and cut the EP 25 O'Clock, a ████
████ brilliant, clever distillation of the sounds of 1967, filled with ████
████ knowing allusions and outright thievery from psychedelic classics ████
████ both popular and well-known. For those well-versed in '60s rock, ████
████ it's irresistible to draw parallels to the Beatles, the ████
████ Yardbirds, the Move, and Pink Floyd, but 25 O'Clock practically ████
████ begs listeners to connect the dots through its swirling ████
████ kaleidoscope of phased tapes, fuzz guitars, murmured voices, and ████
████ burbling Mellotrons -- and that's not even taking into account ████
████ lyrical allusions, like how "Bike Ride to the Moon" twists around ████
████ Tomorrow's "My White Bicycle." All this makes 25 O'Clock ████
████ something closer to pop art than mere homage, but what makes it ████
████ enduring -- even strangely timeless -- pop music is how XTC's ████
████ reinvigorated creativity extends far beyond the mere form to the ████
████ songs themselves. The six songs on the EP are XTC at their very ████
████ best, their braininess tempered by the discipline of writing six ████
████ songs that could have been legitimately seen as forgotten gems ████
████ from the late '60s (which indeed this EP was initially presented ████
████ as upon its April Fools Day release in 1985). Although there is ████
████ certainly considerable pleasure in peeling back the layers of the ████
████ production to puzzle out the references or simply revel in its ████
████ sound, what is striking about 25 O'Clock is how joyous and ████
████ immediate it feels, a trait it shares with the very best pop ████
████ music -- which it certainly is. ████
████ ████
████ The 2009 reissue of 25 O'Clock -- which is the first stand-alone ████
████ CD reissue of the 1985 EP -- is expanded by a whopping nine ████
████ tracks, three of which are demos of tunes from the EP. Of these, ████
████ only "What in the World??..." feels drastically different (and ████
████ that's all due to an incongruous disco beat that propels the ████
████ demo), so the big news is the unveiling of outtakes and demos of ████
████ unheard songs from the project: there's "Nicely Nicely Jane," a ████
████ sweet pastoral acoustic ditty that's firmly in McCartney ████
████ territory; the slow drone "Susan Revolting," whose demo ████
████ tantalizingly suggests the full-blown dark psychedelia it could ████
████ have been; the kitschy bellydance pastiche "Black Jewelled ████
████ Serpent of Sound [Radio Caroline Edit]"; the bright, poppy "Open ████
████ a Can of Human Beans," which would have fit nicely onto the ████
████ second half of Oranges & Lemons; and finally, "Tin Toy Clockwork ████
████ Train," a marching slice of whimsy that perhaps is just a tad too ████
████ precious to have fit in nicely onto the EP proper but, like all ████
████ the bonus material here, is a delight that enhances an already ████
████ wonderful piece of pop. ████
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