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▀▀███████▓▒░ Ripped ░ ███ ▒▓░░░▒ ██ FUCK WHAT YOU HEARD! ░▒▓███████▀▀
░████▓▒░ by TEAM ░░ ██ ▒░░ ░░ ██ PRESENTS ░▒▓████░
▓███▒ FWYH ░░ █ ▒░ ░ ▀ ▒███▓
███▓ ▓███
▒███░ ARTiST....[ Augustus Muller ░███▒
███▒ TiTLE.....[ Cellulosed Bodies ▒███
▓██▓ GENRE.....[ Electronic ▓██▓
███ LABEL.....[ Nude Club ███
▓██░ SOURCE....[ CD ░██▓
▒██░ KHZ.......[ 44,1 ░██▒
▒██▒ MODE......[ 238kbps / Joint Stereo ▒██▒
░██▒ ENCODER...[ LAME 3.100 ▒██░
░██▒ SIZE......[ 64,61mb ▒██░
░██▒ CATALOGUE.[ NUDE022 ▒██░
▀▄ ▒██▓ REL.DATE..[ 2024 ▓██▒ ▄▀
░ ▀██▄██▓ ▓██▄██▀ ░
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▄ ▓▒░███▓▄▄▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▄▄▓███░▒▓ ▄
█▄▄▄▄▄▓▒▀▀▀▀▀▀ [TRACKLiST] ▀▀▀▀▀▀▒▓▄▄▄▄█
▓█▓▀ Nr. TRACK ∙∙∙∙∙∙∙∙∙ TiME: ▀▓█▓
░█▒ ________________________________________________________________ ▒█░
░█▒ 01│ Fur And Metal │ 03:11 ▒█░
░█▒ 02│ Sharing A Smoke │ 03:19 ▒█░
░█▒ 03│ A New Wound │ 01:19 ▒█░
░█▒ 04│ Perverse Technology │ 03:34 ▒█░
░█▒ 05│ Body As Machine │ 03:56 ▒█░
░█▒ 06│ Shattered Glass │ 01:39 ▒█░
░█▒ 07│ Initialize │ 00:50 ▒█░
░█▒ 08│ Next Subject │ 01:22 ▒█░
░█▒ 09│ Endoscopy │ 01:28 ▒█░
░█▒ 10│ Examination │ 02:46 ▒█░
░█▒ 11│ Acceptance │ 02:22 ▒█░
░█▒ 12│ You Belong To The Machine │ 02:15 ▒█░
░█▒ 13│ Observation │ 02:15 ▒█░
░█▒ 14│ Stretching , Invading │ 02:26 ▒█░
░█▒ 15│ Who Is In Control │ 01:55 ▒█░
░█▒ 16│ Subdue Yourself │ 03:01 ▒█░
░█▒ │ │ _____ ▒█░
░█▓ │ TOTAL PLAYTiME (MiN):│ 37:38 ▓█░
▒██▄ ▄██▒
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▀▓█▓▀ [RELEASENOTES] ▀▓█▓▀
▒█▓ ∙∙∙∙∙∙∙∙∙ ▓█▒
░█▒ ▒█░
░█▒ Augustus Muller (AKA Gus of Boy Harsher) teams up again with Four ▒█░
░█▒ Chambers to release 'Cellulosed Bodies', which features two ▒█░
░█▒ scores, 'Crash' and 'Automaton', through imprint Nude Club ▒█░
░█▒ Records. ▒█░
░█▒ Four Chambers is the self-described ôprojectö of experimental ▒█░
░█▒ pornographer Vex Ashley, filmmaker, photographer, and cultural ▒█░
░█▒ phenom. ▒█░
░█▒ Both scores serve as accompaniments to films released by Ashley ▒█░
░█▒ last year through Four Chambers. ▒█░
░█▒ ▒█░
░█▒ 'Crash' and 'Automaton' demonstrate MullerÆs mastery of stark, ▒█░
░█▒ industrial soundscapes. ▒█░
░█▒ Yet, Muller takes the compositions further - introducing club ▒█░
░█▒ elements such as ænu discoÆ tendencies and vocal samples. ▒█░
░█▒ Thus, he embraces the theme of body meets machine as explored in ▒█░
░█▒ the visual content of the films. ▒█░
░█▒ ▒█░
░█▒ 'Crash' is an homage to David CronenbergÆs 1996 film of the same ▒█░
░█▒ name. ▒█░
░█▒ Both Ashley and Cronenberg explore the eroticism of car ▒█░
░█▒ accidents, a fetish that feels both mechanical and gory. ▒█░
░█▒ This violent juxtaposition is MullerÆs ultimate inspiration. ▒█░
░█▒ ▒█░
░█▒ Featured in 'Crash', ôBody and Machineö is a pulsing, synth ▒█░
░█▒ anthem, exhibiting both synthetic echos and playful plucky ▒█░
░█▒ highlights. ôPerverse Technologyö is a groovy and discordant ▒█░
░█▒ number, where ôSharing a Smokeö has a somber austerity, you can ▒█░
░█▒ almost see the hands pass across leather seats, shattered glass ▒█░
░█▒ against sweaty bodies, and open-mouth kisses in the headlights. ▒█░
░█▒ ▒█░
░█▒ 'Automaton' experiments came from the isolation brought upon the ▒█░
░█▒ pandemic, which turned many into digital fiends. ▒█░
░█▒ Ashley explores the fixation of technological intimacy, with ▒█░
░█▒ Automation, a sci-fi feeling porn that features a severe computer ▒█░
░█▒ entity and trapped prey, succumbing to pleasure. ▒█░
░█▒ Unlike, Crash, Muller uses less ôindustrialö sounds in ▒█░
░█▒ 'Automaton', instead favoring synthetic instrumentation. ▒█░
░█▒ ôWho is in Controlö and ôObservationö are chilling examples of ▒█░
░█▒ this - compositions that feature oblique strings and organ like ▒█░
░█▒ synthesis. ▒█░
░█▒ Songs such as ôSubdue Yourselfö, featuring vocal samples of ▒█░
░█▒ dominatrix Miss Marilyn, are deftly human, yet ôspeakö from the ▒█░
░█▒ perspective of the machine. ▒█░
░█▒ Ultimately, both sides of 'Cellulosed Bodies' play with the ▒█░
░█▒ mercurial erotic relationship between body and machine. ▒█░
░█▒ A soundscape that is both haunting and humble, MullerÆs follow-up ▒█░
░█▒ with Four Chambers features some of his best score work. ▒█░
░█▒ ôYou belong to the machine, you are nothing, you are use, you are ▒█░
░█▒ there to be takenà ▒█░
▒██▄ ▄██▒
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▄▀ ▓▒█▓▓█▒▀▀▀▀▀▀ [GROUPNOTES] ▀▀▀▀▀▀▒█▓▓█▒▓ ▀▄
░ ▄████▓░ ∙∙∙∙∙∙∙∙∙∙ ░▓████▄ ░
░ ▄██▒██░░ ░░██▒██▄ ░
▄▀ ▓█▒░ FWYH : FUCK WHAT YOU HEARD, We're all about Family ░▒█▓ ▀▄
▓█▓░ Dedication, Quality, Respect & LOVE for the music! ░▓█▓
▓█▓░ As the years pass, all our motives and objectives ░▓█▓
▓█▓░ remain,we want to give the best of dark electronic ░▓█▓
▓█▓░ genres,with the quality deserved for the only true ░▓█▓
▓█▓░ underground scene, the Future is these genres!!!!! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ To all the artists that we release, some newcomers ░▓█▓
▓█▓░ & other established acts: We are sorry if you dont ░▓█▓
▓█▓░ understand the promotion we do, of your own work, ░▓█▓
▓█▓░ but if you make quality music, we are pretty sure ░▓█▓
▓█▓░ that a lot of people will spend their own money on ░▓█▓
▓█▓░ your art. Our intention isn't to spread for the ░▓█▓
▓█▓░ masses, but just to promote good music, so all we ░▓█▓
▓█▓░ can ask is an apologize for any misunderstanding!! ░▓█▓
▓█▓░ You People deserve all our respect and attention!! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ __________________________________________________ ░▓█▓
▓█▓░ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ [GREETS] ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ And finally, greets to all FWYH guys and their own ░▓█▓
▓█▓░ families, takes time and patience to go along with ░▓█▓
▓█▓░ all of this, so the warmest greets are to them!!!! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ We Prop the few people & crews that have been with ░▓█▓
▓█▓░ us over the years,unfortunately they are lesser by ░▓█▓
▓█▓░ the day. KEEP FIGHTING & KEEP TRUTHFUL!!! ░▓█▓
▓█▓░ ░▓█▓
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▀█▓██ ASCii By AyLieN OF CHEMICAL REACTiON 2oo2! ██▓█▀
████ Updated on 03-2015 ████
████ ████
███ FWYH : in Joint-Stereo forces ███
██▄ with FLAC1.2.1 ▄██
██ Alive since 2001 ██
█▄ ▄█