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artist > Bill Evans Trio
title > Explorations
year > 2011
genre > Jazz
mood > cool jazz
label > Original Jazz Classics
catno > 0888072328426
predate > 2024-03-19
tracks > 12
size > 137.63 mb
url > https://www.qobuz.com/us-en/album/0088807232842
info > https://www.discogs.com/release/4867474
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source > WEB
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time
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01. Bill Evans Trio - Israel 6:11
02. Bill Evans Trio - Haunted Heart 3:27
03. Bill Evans Trio - Beautiful Love 5:05
04. Bill Evans Trio - Elsa 5:11
05. Bill Evans Trio - Nardis 5:50
06. Bill Evans Trio - How Deep Is The Ocean 3:33
07. Bill Evans Trio - I Wish I Knew 4:40
08. Bill Evans Trio - Sweet And Lovely 5:53
09. Bill Evans Trio - The Boy Next Door 5:06
10. Bill Evans Trio - Beautiful Love (Take 1) 6:06
11. Bill Evans Trio - How Deep Is The Ocean (Take 2) 3:47
12. Bill Evans Trio - I Wish I Knew (Take 2) 5:07
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When this album was recorded in February of 1961, it had been more
than year since the Portrait in Jazz was issued, the disc that won the
critics over. By the time of this issue, Evans had released four
albums in six years, a pace unheard of during that time. Most
musicians were issuing two, three, and even four records a year during
the same era. Many speculate on Evans' personal problems at the time,
but the truth of the matter lies in the recordings themselves, and
Explorations proves that the artist was worth waiting for no matter
what else was going on out there. Evans, with Paul Motian and Scott
LaFaro, was onto something as a trio, exploring the undersides of
melodic and rhythmic constructions that had never been considered by
most. For one thing, Evans resurrects a number of tunes that had been
considered hopelessly played out, and literally reinvents them -- "How
Deep Is the Ocean" and "Sweet and Lovely." His harmonic richness that
extends the melodic and color palette of these numbers literally
revived them from obscurity and brought them back into the canon. He
also introduced "Haunted Heart" into the jazz repertoire, with a
wonderfully impressionistic melodic structure, offered space, and
depth by the understatement of Motian and extension by LaFaro's canny
use of intervals. Also noteworthy is Miles Davis' "Nardis," which
Evans first played on a Cannonball Adderley set a couple of years
before. The rhythmic workout by the Motian and LaFaro places Evans'
own playing in a new context, with shorter lines, chopping up the
meter, and a series of arpeggios that open the ground for revelatory
solo in counterpoint by LaFaro. Explorations is an extraordinary
example of the reach and breadth of this trio at its peak.
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last nfo update: 20220405