Modern_Life_Is_War-Stagger_Lee-7_INCH_VINYL-FLAC-2007-FiXIE

Section
MP3/FLAC
Group
FiXIE
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132,40 MB
Files
6
Date
2024-03-22

NFO

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            aRTiST...: Modern Life is War
            aLBUM....: Stagger Lee
            gENRE....: Hardcore
            lABEL....: Equal Vision Records
            lANGUAGE.: English
            yEAR.....: 2007
            cATNR....: evr142-1
            sOURCE...: 7" Vinyl
            riP.dATE.: 03-18-2024
            sTR.dATE.: 08-21-2007

            eNCODER..: FLAC 1.3.1
            sETTiNG..: compression-level-8
            qUALiTY..: 2882kbps Avg 96.0kHz 2 channels

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         `
            A1  Stagger Lee                                     4:09
            B1  The Motorcycleboy Reigns                        2:13

            tOTAL siZE.: 2  Files/137.9MB/06:22 min

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                                 `

            Modern Life is War are flirting with a backlash. Plenty of people
            hated Witness despite the fact that it upped the ante on My Love. My
            Way. like a gambler splashing the pot, with songs that stood taller,
            lingered in your head longer, and cut like a Bowie knife (i.e.
            through human flesh). But still we hear the same old line about how
            everything was better back then, like a Judeo-Christian creation
            myth adapted for whiny punk rockers: linear time and new records
            only take us further from some Garden of Eden, where Adam and Eve
            trade test pressings and monkey wrench their fixed gear bikes at the
            vegan potluck.

            So of course, being the contrary son of a bitch that I am, I wanted
            this to be the greatest album ever, just so I could rub all the
            naysayers' faces in it like a puddle of puppy piss. I find myself
            rooting for Modern Life is War: maybe it's their outsider
            authenticity (few bands have seemed more like a S.E. Hinton novel
            come to life), or their killer live shows, or the way that they
            alienated cringe-inducing post-punk wannabes Some Girls, but I find
            them an easy band to go to bat for. And so I wanted this record to
            be the ne plus ultra of Modern Life is War records, a white-hot,
            proletarian punk rock pipe bomb, wiping smirks off faces and
            inspiring much bedroom moshing across America.

            And the truth is that, at first, it sounds like a disappointment.
            Where Witness sounded bulletproof and hungry, Midnight in America
            feels broken and disjointed, a set of bleak, frustrated dirges that
            crawl to nowhere, building up but rarely catching fire. The album's
            sense of frustration comes out even in the vocal phrasing, which is
            often surprisingly awkward compared to past records. Singer Jeffrey
            Eaton has always written dense, literate lyrics, but here you can
            almost hear him struggling to pack his lines into these misshapen
            songs as they rumble by in fits and starts. (There's also a few more
            backing vocals than I would like; Eaton's strangled shout is so
            perfect for this band that anything else feels out of place.)

            Which is not to say it's a bad record; far from it. Appropriately,
            the album's highlight is the song that's already alienated plenty of
            message board tastemakers: "Stagger Lee." Modern Life is War
            contribute much more to the American folk idiom than Nick Cave's
            cabaret grotesquerie or The Clash's world music jive: their "Stagger
            Lee" is a chugging black hole, baleful as hell and sounding the way
            a song about murder should, with vocalist/method actor Jeffrey Eaton
            growling his way through an icy, slate-grey landscape of sin and
            vice. Simply calling it a cover misses the point; as much as anybody
            who's picked up the amorphous folktale, Modern Life is War make
            Stagger Lee's story their own. No other song on the record hits its
            mark nearly so well.

            One of the best things about MLIW has always been Jeffrey Eaton's
            lyrics, and he rabble-rouses like Huey Long here, carving a real
            niche for himself as a poet of youthful spiritual malaise in
            post-industrial industrial America. (I can easily see young punks
            getting hip to this record and faking proletarian, in the
            time-honored tradition.) I've got a real soft spot for "These Mad
            Dogs of Glory," where Eaton raises a glass to his spiritual
            predecessors, ranging from Sylvia Plath to Federico Garcia Lorca.
            Unlike many lyricists, when Eaton salutes his literary heroes, it
            actually feels natural and unaffected?it's worlds away from The Hold
            Steady name-dropping Sal Paradise, a move that may well be
            completely sincere but nonetheless feels designed to win over rock
            critics with English degrees. (As ever, Eaton seems uninterested in
            trying to impress anybody: how many punks are really going to give a
            shit about Lorca's death at the hands of Francoists in the early
            days of the Spanish Civil War?)

            Midnight in America is definitely the kind of record whose
            dimensions grow with each listen, and in all honesty very few other
            punk bands are capable of making such focused, personal statements.
            But it's nonetheless a mixed bag, sounding like Modern Life is War
            are feeling out the contours of their own aesthetic, sometimes
            succeeding ("Stagger Lee", the churning "Big City Dream", the
            grueling-but-expansive title track) and sometimes not - songs like
            "Humble Streets" work up a skillful-but-monotone rage that sounds a
            lot more boilerplate than this band's best work would ever lead you
            to expect. It isn't a bad record, but it's a difficult one because
            I'm convinced this band can do better, like the crusty mentor who
            always gives the most grief to his favorite student.

            But like Bruce Wayne once said of Harvey Dent, I believe in Modern
            Life is War. Midnight in America isn't the masterstroke I was hoping
            for, but it's still a gutsy, impassioned album that unmasks a lot of
            today's so-called hardcore for the emotionally tawdry and contrived
            tripe that it is. Besides, I'm sure the band would instruct their
            detractors to take a page from anti-antiquarian anthem "Fuck the Sex
            Pistols": "We don't care what you think. We don't care what you say.
            You don't get to decide."

            uRL: https://www.discogs.com/release/3052211


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                                         '

             + iTS + FREGON + FLACME + SDR + NOiR + AUDiOFiLE + NRE +
                                 + FNT + FAiNT +

             oUR gOOD fRiENDS aND siTEOPS aROUND tHE wORLD wHO giVE
                             uS sUPPORT aND lOYALTY

                               wE lOVE yOU aLL <3

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            \__/ /     /   / /\_\/\_\/chemicalreaction ╫ impure194o.cn   .
             \_\/      \__/ /FiXIE (c) 2o12-2o24 & beyond        __
              `;        \_\/                                    /  \
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                   \__/\                                          :
                    \_\/                                          '

Files

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00-modern_life_is_war-stagger_lee-7_inch_vinyl-flac-2007-proof.jpg895,41 KB
00-modern_life_is_war-stagger_lee-7_inch_vinyl-flac-2007.m3u91 B
00-modern_life_is_war-stagger_lee-7_inch_vinyl-flac-2007.nfo12,66 KB
00-modern_life_is_war-stagger_lee-7_inch_vinyl-flac-2007.sfv111 B
a1-modern_life_is_war-stagger_lee.flac85,41 MB
b1-modern_life_is_war-the_motorcycleboy_reigns.flac46,11 MB