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Artist : Keygen Church
Album : Nel Nome Del Codice
Year : 2024
Genre : Metal
Style : -
Date : 03.22.2024
Grabber : fre:ac
Encoder : FLAC 1.3.1
Quality : 955kbps / 44,1kHz / Stereo
Songs : 09
Playtime : 54:13
Company : Metal Blade
Size : 370,83 MB
Language : Italian
Country : Italy
Format : FLAC
Type : Album
Source : CDDA
Catalognr: 0398416074
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01.Se Hai Timore Del Vero [04:33]
02.La Chiave Del Mio Amor [06:17]
03.Sulla Via Della Gloria [05:59]
04.Nel Nome Del Codice [05:57]
05.Lode Al Disco Sacro [05:46]
06.Il Paradiso Dell'Anima [05:42]
07.La Voce Del Destino [05:36]
08.Che Sia Vita O Morte [06:34]
09.Sempre Nel Mio Pensiero [07:49]
-------
54:13 min
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Keygen Church is the gothic metal love child of Vittorio DÆamore
(Victor Love), who hails from Italy and whose roots are not
strictly musical, but also from a different but interesting
source point than usual. Interestingly, he has created a unique
piece of work, which, by any other standards, is worth checking
out. Ater all, it is rather splendid. Gotta be honest, when I
read the bio of Keygen Church, I had to read it more than a
couple of times, just to get my head around what kind of artist
I was dealing with. I am not a tech head but I shall duly give
it a go and try to translate some of what I read.
Victor Love, who is also the 8-bit phenom Master Boot Record
(MBR) û which seems to be the precursor to Keygen Church û
writes and composes his music whilst streaming live on the
internet (as it happens from undisclosed events around his Rome
sound laboratory). This being said, the polishing and finishing
touches are done back in the studio, as that is the ôboringö
part, says Victor. Most musicians will agree that the mastering
and getting the music to a place you like, is very time
consuming.
Mr. Love, probably like many of the early dance music producers,
found his love of music through technology, working with his
father and then as a Systems Administrator at a university.
After this, Vittorio discovered the pirated software Cracktos,
and music was an integral part of the Key Generator culture. I
guess if you know about the demo scene, then you probably
already know his name.
A key factor in VittorioÆs life has been The Demo Scene or The
Scene as itÆs also referred to. A friend tried to explain the
demon scene some years ago, as he was involved in the Polish
scene. As a late bloomer to the tech world, it was hard for me
to understand, but from what I could make it was about coding
or, for the layman, writing code for computers to be able to do
such things as make pictures or logos. This became a sort of
cult amongst the early computer enthusiasts. The logo you see
above is ASCII art and is a 1 bit pixel graphic language created
by 1st generation Demoscenersæ Bulletin board system (BBS) and
was created by German based illustrator Valenberg (VirtuaVersa).
Now to the musicà
If you have ever been in a cathedral and heard music being
played on the pipe organ, especially with a choir, then you will
know the sound and immense power that can be transmitted by the
gothic architecture and the religious atmosphere that is present
in a cathedral. I was fortunate to hear both David Bowie and
Motoerhead played on pipe organs in cathedrals (in memory of
their respective passings) and it was something to behold.
Hearing contemporary music in such a setting really makes you
stop, listen and take heed. Anyway, I digressà.
The first track æSe Hai Timor Del Veroæ opens with beautiful
chorals. The pipe organ comes in, creating a devilish, sinister
vibe. The digital heavy metal riffs enter with some very
excellent piano playing by Love. The overall feel is religious,
slightly threatening, and reminiscent of the music you might
have heard in a Bela Lugosi film. The sound is massive enough to
fill a cathedral, virtually, digitally and, I imagine, in
reality. The sound that is created by Victor is incredible and
as heavy as music can be without an instrument in sight.
What we need to remember is that all the music by Keygen Church
is 100% digital and is made in Cubase (DAW) and a selection of
high end VSTs. On æLa Chiave Del Mio AmorÆ Love makes good use
of the VST Hauptwerk (for organ) and the EastWest Hollywood
Choirs for the choir (obviously). Love explains thatà
ôThe choir part [of the songwriting process] has been the most
challenging, inparticular, some of the syllables sound weird in
Italian, the language of chorals. The software is, of course,
developed by English-speaking people.ô
It must be hard to simulate such an authentic and epic sound
with only VSTs, recreating the openness and space that would
naturally be in a cathedral, and very time consuming. I would
like to have a play with the choir VST, as its sound is very
convincing as are the drums (Superior Drummer 3 VST). ItÆs not
easy to find digital drums that sound realistic, but this VST
sounds really impressive. The guitars arenÆt really guitar
sounding, but give that guitar feel and deep bass to add a
really great depth. Additionally, the organ has a nice John Lord
(Deep Purple) feel. Maybe we need more organ in music? This
track is really moving, heavy, and is quite metal in parts. All
in all, really impressive programming, design and composition.
Lord is a master of his art and will leave you short of
breathe by the end.
æSulla Via Della GloriaÆ opens with a VST Steinway Grand piano
and has some really heavy, dirty, non-guitar leads and more of
that impressive choir and heavy drums. The whole experience of
this record is other-worldly. The sounds are so big, open, and
pretty realistic. You canÆt help but be impressed by what you
hear.
The title track æNel Nom Del CodiceÆ (In The Name Of The Code)
hails back to the cult-like, sub-cultural world of the Demoscene
and is another beautiful piece of music. VictorÆs piano playing
is second to none. The intonation of LoveÆs playing is very
emotional, yet we canÆt forget that some really heavy metal is
always lurking around the corner to remind that you are not
listening to Chopin or some other ancient rock star of the day.
For this scribe, the standout track is æIl Paradiso DellÆAnimaÆ
where Love takes it down a notch with the tempo and a
beautifully sad, lost love piano. LoveÆs excellent piano playing
is captivating throughout the record. Surprisingly, there is a
disco, four to the floor beat on this track (imagine ABBA doing
metal) with crazy piano playing, hammering baselines and drums
(again, Superior Drummer 3 VST). It is short-lived, going into a
full techno metal opus maximus that feels like it was written
300 years ago in a castle somewhere in Prussia. The awesome
baroque piano is just incredible with more going on than I can
even describe. Mr. Love must have a special brain to come up
with these concepts. It blows me away.
æLa Voce Del DestinoÆ comes back with the big cathedral chorals,
again with the utmost atmosphere, giving that air of doom and
finalization of something important but daunting, but with a
little light shining off in the distance. Love gives his
(Massive VST) a blowout for guitar and bass. ItÆs slow, very
heavy, very beautiful and takes one back to a different time and
place. I can only suggest listening as there are not enough
adjectives in my brain to describe the vastness of sound.
æChe Sia Vita O MorteÆ is sad, morose, thoughtful, and
emotional. This choir VST is mind-blowing, and in the hands of
such a person as Love, has been used to take things up a level.
Halfway through the track, madness presents itself in blackness!
Organs that terrify and piano playing that would make Mozart
cringe with a lack of ability.
And, finally, æSempre Nel Mio Pensieroæ adds the finishing touch
to an outstanding work. A more traditional death metal kinda
rhythm with heavy guitars and bass. If you are a young fan of
metal and you take this and play it to your mum, she is gonna
have some questions. ItÆs not for the feint-hearted. An
explosive ending to a very enjoyable and new musical experience.
Keygen Church has two previous album, which are ª ª ª ? and ª
?ª?ªª? ª?ª (both released in 2022), which are classified as
alt code/text art-titled albums (hopefully I have written the
album titles correctly).
Vittorio dÆamore describes his music as synth metal. From my
perspective, it is more of a classical record with over and
undertones of black/death metal. It has the feel of a futuristic
classical composition, which makes me wonder if people might
take an interest in classical music after hearing this, as lots
of classical music is very dark, evil, and scary sounding. We
could ponder that if Mozart (et al) were composing today, would
they be making music like Keygen Church? If you have seen Bill
and TedÆs excellent adventure, then, probably, yesà look what
Mozart did in that music shop!
In conclusion, this album will not be for everyone. There will
be those who will question if this is even metal, as is always
the case when an artist does something different. Love has his
core followers from the 8-bit demoscene side and is sure to gain
a lot more followers of the Keygen cult now that he is moving to
a wider audience with Metal Blade Records.
In the modern age, we need to break down the ancient barriers of
being hesistant to mix genres and styles. As the saying goes,
ôthere are no straight lines in natureö, and such is the case
with music. I can already hear, and visualize, how this music
would sound with a live band in a cathedral. In fact, Love has
said that he wants the first show to be in a church, and he
already has some ideas about how to make that happen. It would
surely blow anyone away and be an eternal memory.
So, put on some ear cans, turn it up to 11 and enjoy this piece
of innovative art and truly unique musical journey through the
ages of musicà really FECKINÆ loud!
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