_/\_
__/\___ _____) (__
_) (_ \ )_* _(
________ ____/___ -- \ ________________ _____ ____| | \/
`-._ / \ _.-' ! _.-' || | |
| | | | | | | || _ |.. you
| |/\| | | | | |------- | | ain't
| | | | | | | | classic!
| __/\__ | __|__ | | | | |
| _) (_ | _) (_ |____ _____|_______ | __| |
_________|/ -- \|/ __ \| | _)____| ____(_ | _) | |_________
`------- ! ! |> ! |/ | __/ \|/ i| | -------'
(____ | | | | \ ! ! ! x| | _____)
`----- | | | |> / --- | : x| |-----'
\:_ | _/ \___ ___/| __________| ________\\ u| __|
(_ | _) | _) | _) | _) | _)
\|/ |/ |/ |/ |/
_________------!--------!------!------------!--------------!-----_________
`---------__________ p r o u d l y P R E! s e n t s ____________ ---------'
\___________ A _____________/
Movie
__________directed by__________
/ \
| Lee Frost |
_____________________\_______________________________/_____________________
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Hollywoods.World.Of.Flesh.1964.BDRIP.X264
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|______________________________________________________________RiPiNFO__|
| cODEc used x264 r3191 at a resolution of 528x400px |
| using Constant Rate Factor 19.0 resulted avg bitrate 878 kb/s |
| in a .mkv container followin AUDiO was added: |
|-----------------------------------------------------------------------|
| Audio 01: English (Stereo) AAC LC 1 channel 74.7 kb/s |
|--------------------------------------------------subtitles-added:-----|
| None |
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|:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::Movie:inFOs:|
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| imDB........: https://www.imdb.com/title/tt0125157/ |
| imDB-rATiNG.: 6.4/10 (*)(*)(*)(*)(*)(*)( )( )( )( ) @ 22 votes |
| ofDB........: https://ofdb.de/film/191941, |
| ofDB-rATiNG.: 7.0/10 (*)(*)(*)(*)(*)(*)(*)( )( )( ) @ 1 votes |
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| runtime of 1 h 4 min 16 s will plot a Documentary as following |
| |
| I'm a Lee Frost fan, but of his later work. This early, phony- |
| baloney effort from his days teamed with producer/distributor Bob |
| Cresse is largely a waste of time.The Something Weird DVD-R revival |
| is strictly black & white, though its original theatrical run |
| included color segments. Film's self-serving stress on its "hidden- |
| camera" approach is strictly bogus, as the scenes are staged for |
| voyeurs.Opening few reels are frightening in that the models keep |
| posing and covering up to hide their nipples from the camera -it's |
| prehistoric porn time! Fortunately, more revealing footage is |
| gradually doled out, and casting attractive women makes it almost |
| worthwhile.Stripper Baby Bubbles is a standout, nipples carefully |
| covered by pointed cups and tassels as part of her act -which almost |
| qualifies as documentary style. Intercuts of the creeps in her live |
| audience are insulting, but meant to be, as Frost & Cresse like |
| to hold up a mirror to the "d.g.'s (that's slang for degenerates) |
| that pay their bills.There is some information to be gleaned from |
| the film, such as citing a $22,000 budget for an early '60s nudie |
| movie (it would drop to low 4-digit budgets for the 1-day wonder |
| hardcore efforts of the early '70s), a $150 per day pay-scale for |
| actresses of that period, and a $500 annual membership fee for |
| joining a sex club where you might see simulated stage sex (in this |
| case a rather boring lesbian routine by star & servant). The |
| travelogue shots of marquees and facades in L.A.'s adult |
| entertainment zone is also fun to see.However, the utterly fake |
| material, such as "hidden camera" peeking into the ladies room of a |
| West Coast geisha-styled joint, a ridiculous Pool Party by a leading |
| producer (naturally played by Cresse himself) and other assorted |
| nonsense is a waste of time. Cresse and Frost later repeatedly |
| cashed in on the Mondo craze, but I can't stand this insulting junk |
| -far better if someone were to discover film elements of Frost's |
| lost movie SURFTIDE FEMALE FACTORY and reissue that baby. |
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| no news is good news. |
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Releasedate: 2024/07/04