ARTiST: Infinite Livez Vs Stade
TiTLE: Art Brut Fe De Yoot
LABEL: Big Dada
GENRE: Hip-Hop
TiME: 50:50 min
SiZE: 61,8 MB
BiTRATE: VBRkbps
RiP DATE: Feb-25-2007
RELEASE DATE: Mar-20-2007
WEBSiTE: www.infinitelivez.com
Track List:
01. Intro 00:56
02. Zzz 05:15
03. The Taste Of Jazz To Cum 06:00
04. Unbiased Reductionism In 21st Century 03:58
Music Practices
05. Webcamwoman.Co.Uk 07:36
06. Right Here, Right Now Feat. Joy Frempong 06:40
07. The Confessions Of A White Backing Band 01:59
08. The Ballad Of Baby Man Feat. Pascal 04:24
Auberson
09. Artyfartypartynazi Feat. Joy Frempong 03:05
10. Track 10 06:19
11. From Now On Things Are Gonna Be Different 04:38
Release Notes:
Count up the records youÆve heard recently which
donÆt sound like anything else. The ones which donÆt
artfully reference previous classics or jump on to a
revivialist trend. Records which seem to come out of
no particular space or time and do so with such
force that you have to admit this really is
something different. Got any fingers up yet? No?
Then drop ôArt Brut Fe De Yootö into the cd playerà
In 2004 Infinite Livez was touring Europe promoting
ôBushmeat,ö his debut album for Big Dada. The rapper
best known for surreal, weird-out,sex rhymes like
ôWhite Wee Weeö was approached at a show in
Switzerland by an intense man called Pierre who
wanted to know if he would like to record a track
with his project, Stade.
Stade are an improvised electronic music duo formed
by Pierre Audetat (samplers/keyboards) and
Christophe Calpini (samplers/drumpads) who have
played and recorded with singers like Wayne Paul and
Nya, avant-garde musicians like Elliott Sharp,
Gregoire Maret and Joy Frempong and electro-jazz
players like Erik Truffaz and Nils Petter Molvaer.
Stade and Infinite laid down a few note worthy
tracks, but it was only when they invited him back
to Switzerland to record a live session that the
three musicians began to see the possibilities of
what they were doing. Working live, Stade improvised
with presets of samples triggered by keybords and
drumpads. Infinite added spontanteous songs, raps
and a cacophony of sound, running his micropohone
through a barrage of effects pedals. So intrigued
were the trio, they embarked on a series of marathon
recording sessions.
ôArt Brut Fe De Yootö can be seen as the first
edited highlights of these sessions. There are no
over-dubs, no second takes, just three musicians
pushing at the limits of hip hop, jazz and
electronic music and not sounding much like any of
them. ItÆs an album ruled by dream logic, from the
pleas to wake up on ô(^_^)zzZö to the stalled
monster stories and looped lostness of ôRight Here
Right Nowö. It touches on the scatological humour
which distinguished InfÆs debut on ôThe Ballad of
Baby Manö and ôUnbiased Reductionism In 21st Century
Music Practiceö (the title itself being the first
joke). It moves into new realms of voyeur-soul of
ôwww.webcamwoman.comö and slips beyond lyrics into
fat-tongued drawls on ôTrack 10ö and post-tango
rumpus on ôConfessions of a White Backing Bandö.
ôArt Brut Fe De Yootö is an album which is often
poised, sometimes beautiful, occasionally filthy,
regularly funny but always weird. ThatÆs ôweirdö
meaning new, strange to the ear and utterly
compelling.