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▓█▓▓█ Artist.....[ Secret Mommy ▀████▄█▓
██▓▀ Album......[ Plays ▀▓██
▄ █▓█ █ Label......[ Ache Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ ACHE030 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Electronic ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-03-06 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-02-07 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 148 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.acherecords.com ▓█▓▄█▓█ ▄
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█▓ 01 String Lake 4:07 ▓█
█▓ 02 Grand About The Mouth 3:04 ▓█
█▓ 03 Deciduism 3:22 ▓█
█▓ 04 Kool Aid River 4:07 ▓█
█▓ 05 Trust Me, Cub 3:49 ▓█
█▓ 06 To Burry A Tent 4:02 ▓█
█▓ 07 Inch Up To Fur 5:00 ▓█
█▓ 08 Plays 4:10 ▓█
█▓ 09 The Tale Of A Bird Hit By Lightning 3:47 ▓█
█▓ 10 I Can't Get Down 4:08 ▓█
█▓ 11 Up On Mt. Okay 3:37 ▓█
█▓ 12 A Bear At Hotel Cuba 3:50 ▓█
█▓ ----- ▓█
█▓ 47:03 ▓█
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█░█ Over one year in the making, Plays is Secret █░█
█░█ Mommy's crowning achievement. Although written in █░█
█░█ a vernacular native to Secret Mommy, a language █░█
█░█ of splintered electronic mischief and jarring █░█
█░█ digital edits, Plays is no doubt an outing from █░█
█░█ previous work. Unlike the rigid and regimented █░█
█░█ creative processes of previous work (Very Rec, █░█
█░█ 2005, created entirely from recordings of public █░█
█░█ recreational centres, or Hawaii 5.0, 2004, █░█
█░█ created from the sounds of tropical areas), Plays █░█
█░█ is looser in this area, focusing instead on █░█
█░█ achieving warmth and personality. █░█
█░█ █░█
█░█ In January 2006, Andy Dixon, AKA Secret Mommy, █░█
█░█ booked time at The Hive, a studio owned and █░█
█░█ operated by his long-term friend and ex band █░█
█░█ mate, Jesse Gander. Dixon had decided that it was █░█
█░█ time to showcase his experience as a guitarist, █░█
█░█ songwriter, and lyricist, and take advantage of █░█
█░█ the fact that, due to this experience, his core █░█
█░█ group of friends consisted almost entirely of █░█
█░█ other musicians and writers. Dixon invited an █░█
█░█ assembly of fellow musicians (Juno award winning █░█
█░█ violinist, Jesse Zubot; Todd Macdonald, Tyr Jami, █░█
█░█ and Paul Patko of THE WINKS; Shane Krause and █░█
█░█ Ryan McCormick of THEY SHOOT HORSES, DONÆT THEY?; █░█
█░█ Sean Maxey, Berry Higginson, and Sarah Jane of █░█
█░█ THE DOERS, and many more) to record hours of █░█
█░█ material, sometimes expanding on riffs and motifs █░█
█░█ pre-written by Andy, but more often the group █░█
█░█ embraced the magic of improvised chance. █░█
█░█ █░█
█░█ The one stipulation of the recording process was █░█
█░█ that no instrument was allowed to be electrified. █░█
█░█ No electricity would be used at all (except of █░█
█░█ course, to operate the recording gear). The idea █░█
█░█ was to create the most anti-electronic electronic █░█
█░█ album, free of any synthetic sounds (no electric █░█
█░█ guitar, let alone synths or drum machines), █░█
█░█ opting for an earthiness and soulful charm. █░█
█░█ █░█
█░█ The result is just that. Plays swells with human █░█
█░█ warmth. Strings, brass, and woodwinds form a veil █░█
█░█ of lush and vivid melodies over top of Mr. █░█
█░█ MommyÆs brand of jolting and meticulous █░█
█░█ electronics. Since the composing stage was done █░█
█░█ primarily after the recording process, Plays has █░█
█░█ a jarring cut nÆ paste feel to it, as if it where █░█
█░█ a remix album of phantom songs, composed and then █░█
█░█ scientifically dissected and rearranged into █░█
█░█ newer more exciting forms. Balancing the precise █░█
█░█ and disciplined characteristics are moments in █░█
█░█ which the velvet curtains of structure pull back █░█
█░█ to reveal the original free-improv recordings, █░█
█░█ illustrating the vast talent of all the musicians █░█
█░█ lucidly. █░█
█░█ █░█
█░█ Designed to coalesce two disconnected aspects of █░█
█░█ DixonÆs creative past, Plays acts as the crude, █░█
█░█ man-made path that joins two fields: The first █░█
█░█ being his relatively new-found love for sound █░█
█░█ manipulation and electronic cutting and pasting, █░█
█░█ and the other is his fifteen years experience as █░█
█░█ an accomplished songwriter and guitarist in █░█
█░█ VancouverÆs punk and hardcore music scene; an █░█
█░█ aspect of his creativity that is perhaps unknown █░█
█░█ to his more recently obtained supporters. There █░█
█░█ are those who have stumbled upon his music █░█
█░█ blindly through a back door unknown even to Dixon █░█
█░█ himself; via a path birthing from the techno █░█
█░█ scene, a movement that Dixon admittedly feels █░█
█░█ little personal connection to. █░█
█░█ █░█
█░█ AndyÆs pull toward experimental electronic music █░█
█░█ was a reaction to the shameless commercialization █░█
█░█ of the punk scene. Music which Andy equated with █░█
█░█ unbridled rebellion was suddenly corporate █░█
█░█ interest; a commodity. It was also apparent to █░█
█░█ Andy that punk and hardcore music was becoming █░█
█░█ stagnant, verging on self parody. Furthermore, a █░█
█░█ sense of open-mindedness Dixon had connected to █░█
█░█ the punk scene was diminishing, garnering a █░█
█░█ strange and conflicting traditionalism and losing █░█
█░█ a certain forward thinking mindset. █░█
█░█ █░█
█░█ It is apparent that the feeling of no longer █░█
█░█ belonging to any particular notion or tribe has █░█
█░█ permeated AndyÆs creative output ever since. One █░█
█░█ needs only to take a look at his label, Ache █░█
█░█ Records, and itÆs staggeringly diverse roster █░█
█░█ (Konono No1, Death From Above 1979, Rauhan █░█
█░█ Orkesteri, etc.), or DixonÆs deliberate refusal █░█
█░█ to buy into conventional marketing strategies to █░█
█░█ note a blatant disregard for cultural stigma. █░█
█░█ This is also the fuel for the twelve songs which █░█
█░█ make up Plays. █░█
█░█ █░█
█░█ Ultimately, Plays is a tremendous achievement. It █░█
█░█ serves as a reminder that sometimes one must █░█
█░█ expand past the traditions of oneÆs past to find █░█
█░█ their calling, even when they feel their most █░█
█░█ lost. █░█
█░█ █░█
█░█ http://www.secretmommy.com █░█
█░█ http://www.acherecords.com █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
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▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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