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██▌ Artist...: David Cross ░▐██▌
░▐██ Album....: Closer Than Skin ░██▌░
▓▐██ Year.....: 2005 ▓▐██▓
▓▐██ Rel. Date: 2024-12-19 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Noisy Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Retail ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Are We One? 5:46
2. States of Deception 5:39
3. Over Your Shoulder 6:43
4. Only Fooling 8:19
5. Awful Love 4:43
6. Counting 5:22
7. I Buy Silence 5:50
8. Valley of the Kings 6:03
9. Tell Me Your Name 4:42
10. Anybody 6:19
59:26
I have to confirm Krimson biographer, Sid Smith's comments in the
'Closer Than Skin's' press release, that this is probably the best album
released by a former member of the 'Larks Tongue In Aspic' perod of King
Crimson. However, in no way does 'Closer Than Skin' dwell in the '72 to
'74 period of Krimson, in fact it is album of modern rock and prog rock,
the best I've heard for severla years - and in passing don't take the
fusion tag that Progarchives use for Cross's music too seriously.
This record takes references from a much broad range than simply the
Krimson of 30 years ago, indeed a lot of the new, and melds them into
tunes which sound very 21st Century and better still: exciting. The KC
references provide that contact to 72-74 , with the enimatic lyrics by
Richard Palmer James, or one very brief but pungent instrumental sample
about 3 and half minutes into Awful Love (track 5), here you'll find a
classic Fripp guitar riff (from 'Lark's Tongues' itself), employed to
provide both a dramtic break and a counter-rhythm to the middle eastern
feel in the song. At the end of listening to 'Closer Than Skin', I left
with the thrill that I'm hearing a modern album loosely in the style of
the mid 70's King Crimson but significantly affected by 30 years of
experience and change in David Cross, tempered by the young musicians
who has around him.
The band David Cross has gathered is very good. Mick Paul with an
excellent no thrills electric bass, Paul Clark on rock guitar (who Cross
told me is always being pushed into new territories slightly beyond the
fringes of rock and excelling in them - and he is into Dream Theater),
Arch Stauton (who has a warm mellow voice - there are moments when he
reminds me of the vocals on the High Tide album - and again Cross has
let on that Stauton was auditioned singing the song heard on track 6),
and Lloyd with some great drums.
And compared with two other David Cross albums in my collection (i.e.
'Exiles', 'Testing To Destruction'), this is a far more satisfactory and
consistently good album. A must for Krimson fans.
---
Nice cover, innovative (I have to say). This is review on (let's call
it) request, or at least suggestion. I have this album for some time, so
I'm able to write this. But I wasn't about to do it anytime soon.
Nevermind, let's begin with reviewing.
This is music that is not jazz at all, I never heard any his previous
album (except his work with Crimson guys of course), so I can't compare.
But one thing I know for sure, this album can be enjoyed by many. Yes,
this is not one of these "only-for-elite", or these where you have to
"suffer thirteen repeated listens to begin enjoying it", nope. This is
good album that has a lot to offer and is offering it straight from
first listen. Are We One, just slight hint, reminds me deserts, Arabian
songs. Second one, States of Deception brings on little bit of promised
jazz in "intro", but then it's more like something that's not so easy to
describe. Because of violin, it makes everything brand new and original.
One have to wonder how it's possible (it's just violin, isn't it ?), but
hell, here we are and it sounds good (note that I'm not stick with
second song anymore, more like talking about this album in general).
4(+), there are of course disadvantages. Guitar solos are here, yeah.
But riffs sounds pretty much the same and it beats it a little bit. It's
pleasant to listen (dark music a little bit, not so optimistic though
except Awful Love of course), it satisfies you, but this is not so big
fault that would prevent me from giving masterpiece rating. There are
others of course, but in overall, it's very good album. And yes, this
interesting violin can sounds disharmonic at times (mostly in climax
parts).Of course, it's dominated by violin and as violin experimentation
album it's masterpiece, but other instruments here sounds like just
accompanying their leader, string instrument. Which is great though. So
let's take this as it is and overlook this.
And I wondered why everyone so far gave 4 stars. But anyway, I'll do the
same, because this feeling of repeated background is somehow fault for
close listening (thorough, thinking about music you're listening,
evaluating, you know).
So to answer the unspoken question, "What's closer than skin ?" It's
music of course, so penetrating that it can get under your skin. Both in
good and bad way of this word. In case of this album, we're talking
about very good way. Almost masterpiece.
---
Despite the fact that both Robert Fripp and John Wetton (as well as
Peter Hammill of Van Der Graaf Generator) contributed as guests to his
previous record Exiles, Closer Than Skin is the David Cross solo album
that comes closest to the sound of King Crimson of which Cross was a
member between 1972 and 1974. The band that Cross assembled around
himself here is really strong and they are a very solid unit as also
evidenced by the very good live album Alive In The Underworld recorded
shorty afterwards. The material presented here is also strong and I
would say that not only is this Cross' best studio album as a solo
artist but it is also better than anything released by King Crimson
since the 1970's! However, the aforementioned live album is the optimal
place to start with David Cross as that album gives a better overview of
his whole career featuring several King Crimson songs as well as songs
from most of his solo albums including two from the present album.
Being Cross' main instrument, the violin is of course omnipresent in
this music but he leaves equal space to the other members. Guitars,
vocals, bass and drums are excellently played and important elements.
There is however less keyboards than on previous records. This music
rocks rather hard and occasionally approaches Metal territory. In those
moments where the music takes on a Middle Eastern flavour the band
Orphaned Land comes to mind! Also Fates Warning can be a relevant
comparison at some points.
When I first started listening to this album I thought that many of the
songs sounded similar to each other, but on many further listens they
started to distinguish themselves more and the album as a whole kept
growing on me. Closer Than Skin is a very good album! If I should
complain about something is has to be the fairly dull cover picture.
Highly recommended in addition to Alive In The Underworld.
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