Meco--Moondancer-(NBD_20172_DJ)-Onesided-VLS-1979-mbs

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MP3/FLAC
Group
mbs
Size
11,05 MB
Files
1
Date
2007-04-13

NFO


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   ││││││├┐││ ─────────────────────────────────────── music for body and soul
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   └────────┘                                         08.04.2007
     freshhh!

        artist: Meco
         album: Moondancer
         label: Casablanca
           cat: NBD 20172 DJ
          year: 1979
         genre: Disco
     sub-genre: Classic Space Disco

        source: Vinyl
       grabber: Eac
       encoder: LAME 3.97 V2 --Vbr-New -V 2
       quality: VBRkbps / 44,1kHz / Joint-Stereo
          size: 11,0 MB

          link: http://www.disco-disco.com/labels/casablanca.html

   ─┐└───────────────────────────────────────────────────────────────────────
    │tracklist.

     no. time   track title

     A   07:42  Moondancer


                total time: 07:42 min

   ─┐└───────────────────────────────────────────────────────────────────────
    │release notes.

     Classic space disco treasure by Meco!.


     About Meco:
     Meco Monardo was born in 1939 in Johnsonburg, Pennsylvania. His
     father played the trombone and taught young Meco how to play. He
     was proficient enough to join the high school band while he was
     still in sixth grade. In high school he formed his own Dixieland
     band, and after graduating in 1957, won a scholarship to the
     Eastman School Of Music in Rochester, New York. He attended West
     Point, where he played in the Cadet Band, and learned about
     arranging from an Army sergeant. Returning to civilian life, Meco
     while living in New York City, was introduced to Kai Winding by a
     friend and former classmate, Chuck Mangione.

     Despite a strong dislike for "pop" music, "I was doing all these
     dumb ditty bop records that never came out" claims Meco. Still Meco
     worked from 1965 to 1974 as a studio player, and also landed a
     number of arranging gigs, most notably on Tommy James' "Crystal
     Blue Persuasion." He also earned a nice living arranging
     commercials, like a Coca Cola spot for Neil Diamond.

     Meco's breakthrough arrived in 1974 when he co-produced the Gloria
     Gaynor smash "Never Can Say Goodbye," followed by the Carol Douglas
     masterpiece "Doctor's Orders." Having aligned himself with Broadway
     arranger Harold Wheeler and producer Tony Bongiovi, Meco was now on
     his way to producing several early disco hits. On May 25, 1977,
     Meco joined the people at a New York City theatre who were lined up
     to see the opening day screening of a new film starring Mark
     Hamill, Carrie Fisher and Harrison Ford. Like millions of other
     fans seeing George Lucas' "Star Wars" for the first time, Meco
     thought the film was a tour de force. He loved the music-although
     he didn't think the main title theme, as performed by John Williams
     and The London Symphony Orchestra, was commercial enough to be a
     Top 40 single.

     Also like millions of others, Meco went back to see the film-11
     times in all! By his last visit, he had conceived of a 15-minute
     disco treatment of several themes in the movie, including the music
     played by the Cantina Band in the bar on Tatooine. He also planned
     to include R2-D2 sound effects. He called Jimmy Ienner at
     Millennium Records and Neil Bogart at Casablanca Records and
     explained his idea. Based on the tremendous success of "Star Wars,"
     Bogart and Ienner agreed to Meco's idea without hearing any of the
     music.

     Meco hired (unheard of for a pop production) 75 musicians to play
     on the track, and played trombone and keyboard himself.The complete
     composition was released as part of an album, "Star Wars And Other
     Galactic Funk," and on a 12" single. The original main title theme
     by The London Symphony Orchestra was released by 20th Century
     Records and entered the Hot 100 on July 9, 1977, less than two
     months after the film opened. Monardo was wrong about it's
     commerciality; it raced up to number 10 on the charts. But Meco's
     version, "Star Wars Theme/Cantina Band," which debuted on the chart
     on August 6, 1977, raced past it to go to number one the week of
     October 1, 1977 where it stayed for two weeks. In the winter of
     1977, the same team (Monardo-Bongiovi-Wheeler) that produced "Star
     Wars," released "Encounters Of Every Kind." It is conceived as a
     musical time trip from 1 million years ago up to 1979. It is a
     non-stop medley of nine separate songs, each representing a moment
     in history, with the last song being a disco version of John
     Williams' "Theme From Close Encounters." There was a
     promotional-only 12" single release of "The Theme From 'Close
     Encounters'."

     By 1978 Meco and his partners (Bongiovi-Wheeler) were in full
     swing. Their release of "The Wizard Of Oz" was a musical
     masterpiece. Once again in medley form, the album borrowed the
     complete Harold Arlen and E.Y. Harburg score and dressed it with
     Meco's plethora of sound effects. 2 promotional-only 12" singles
     were released."The Wizard Of Oz (Medley)" on gold vinyl and "The
     Wizard Of Oz (Edit)" on black vinyl. The LP was also on either
     colored vinyl. With the release of the blockbuster movie "Superman"
     the Meco team was once again provided with material. For their 1979
     release "Superman And Other Galactic Heroes" one 12" single was
     released, "The Themes From Superman." The album featured liner
     notes by John Williams and the voices of Diva Gray, Ellen Bernfield
     and Lani Groves.

     With disco music in high gear and without a current movie to
     provide material Meco switched gears and recorded an all disco
     album for his next release. 1979's "Moondancer" was well received
     and brilliantly produced. There were 2-12" singles released from
     this album. The title track, "Moondancer" first and then "Devil
     Delight" both in D.J. friendly remixed form. 1980's "Meco Plays
     Music From The Empire Strikes Back" was different in several ways.
     First Harold Wheeler was replaced by Lance Quinn, who was a
     guitarist on the previous Meco releases, giving the arrangements a
     totally different sound. Secondly the sound was rock-oriented
     instead of disco sounding. Thirdly it was released on RSO Records
     instead of  Millennium/Casablanca Records and last, but not the
     least, it was endorsed by George Lucas. Lucasfilm also provided the
     very real sound effects. The  success of the album please George
     Lucas to the point that he participated, once again, in Meco's next
     release. Meco was inspired to create "Christmas In The Stars (The
     Star Wars Christmas Album)." Once again on RSO Records, this time
     Harold Wheeler was back with his arrangements. Lucas' contributions
     were the use of special effects, but also the "voice" of R2-D2 and
     the presence of Anthony Daniels, leading vocals as C-3PO. The album
     cover is by Ralph McQuarrie, the designer who made most of the
     artwork for the "Star Wars" trilogy, and the surprise vocals are by
     John Bongiovi, who had not yet achieved fame as Jon Bon Jovi
     Definetly Meco's most prolific year was 1980. In additon to the
     above releases he also released a 7" single-only of "Love Theme
     From Shogun (Mariko)" and "The Main Theme of Shogun" on RSO
     Records. Then it was back to Casablanca Records for the album
     "Music From Star Trek and Music From The Black Hole." As a change,
     this LP featured music not from one movie but from two: the first
     "Star Trek" episode for the big screeen and "The Black Hole," an
     unsuccessful sci-fi production by Disney. The album produced a 12"
     single remix of "The Theme From The Black Hole". And the year
     finished out with the Casablanca release "Across The Galaxy," a
     best-of compilation featuring excerpts from his previous
     masterpieces.

     Meco had a great opportunity in 1981 to develop new ideas when
     Polygram Pictures asked Meco to produce an album based on the
     original soundtrack of John Landis' "An American Werewolf in
     London." Meco Monardo and Lance Quinn produced the album for
     Casablanca Records. The music arrangements were by William Motzing,
     Meco and Lance. Another 7" single-only release was Meco's "The
     Raider's March" and "Cairo Nights" obviously inspired by the
     release of "The Raiders Of the Lost Ark." This was produced by Meco
     Monardo and Lance Quinn with the music arrangements by Williams
     Motzing. The last release for 1981 was the 12" single of "Summer of
     '81" by The Cantina Band. Cashing in on the popular "Stars On 45"
     craze this was a medley of Beach Boy classics produced by Meco
     Monardo, Lance Quinn and Billy Civitella.

     1982 saw Meco continue on the popular medley bandwagon with the
     release of "Pop Goes The Movies" featuring 28 classic movie songs
     and themes. A commercial 12" single was released as an edited
     medley. Meco Monardo, Tony Bongiovi and Lance Quinn produced this
     for Arista Records. This same year, Meco Monardo, Dan Levine, Lance
     Quinn and Tony Bongiovi produced for Arista Records another album.
     "Swingtime's Greatest Hits" was his hommage to the music of the
     1930's and 1940's that he loved so well. Again Arista released a
     12" single in medley form. This was also the year Meco co-produced
     the first solo album for Kenny G.

     1983's "Ewok Celebration" was to be Meco's last movie-based album.
     The album features other film and television themes as well as sax
     and lyricon solos by Kenny G. The  "Ewok Celebration Theme" is
     nicely arranged and includes a great rap by C-3PO (performed by
     Duke Bootee). There is a 12" single release of the title cut with
     dub and club versions.

     By 1985 Meco was reduced to releasing "Hooked On Instrumentals" for
     the K-Tel label as part of their "Hooked-On" series. As Meco says
     "When disco was new, it was fresh and exciting because it was
     different. But pretty soon it became too cookie-cutter and wore
     itself out". Meco left the music business temporarily in 1985 and
     after three years "doing nothing but playing golf" started to work
     as a commodities broker in Florida.

     More recently he had conversations to prepare the movie soundtrack
     for a big-screen version of the TV series "Hawaii 5-0." He has also
     co-produced a record in 1999 for Yamira where Lance Quinn and
     Harold Wheeler also participated as arrangers. The return of the
     "Star Wars" saga to the big screen and the great support provided
     by the MECO fans from around the world convinced Meco to return in
     2000 with "The Complete Star Wars Collection." The CD features new
     remixes of all the music performed by Meco inspired on the original
     "Star Wars" trilogy as well as three bonus tracks inspired by "The
     Phantom Menace." The remixes keep the flavor of the original
     recordings adding a few enhancements, like new openings/endings,
     sound effects and voiceovers. With his hands firmly back in the
     music business Meco has promised "to be there" for the next Star
     Wars films.

     Enjoy!.

   ──────────────────────────────────────────────────────────────────────────

     mbs is a free music's lover association on the net.
     we only share the music we love, with the people we like.
     keep your mind, your body and your soul open...

                                                    peace.

   ──────────────────────────────────────────────────────────────────────────
   nfobygucci!                                                       *feb2OO7




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a-meco--moondancer-mbs.mp311,05 MB