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▐██▀ ▀███░
██▌ Artist...: Tim Bowness ░▐██▌
░▐██ Album....: Powder Dry ░██▌░
▓▐██ Year.....: 2024 ▓▐██▓
▓▐██ Rel. Date: 2024-12-22 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Kscope ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Retail ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Rock Hudson 2:04
2. Lost / Not Lost 2:09
3. When Summer Comes 2:59
4. Idiots at Large 2:50
5. A Stand-Up for the Dying 4:59
6. Old Crawler 1:18
7. Heartbreak Notes 1:33
8. Ghost of a Kiss 1:36
9. Summer Turned 2:06
10. You Can Always Disappear 2:36
11. Powder Dry 2:39
12. Films of Our Youth 1:30
13. This Way Now 2:20
14. I Was There 4:07
15. The Film of Your Youth 2:17
16. Built to Last 2:32
39:35
I have been an avid follower of TimÆs right from his first solo release,
and it is great to see his slowly changing and evolving musical stylings
over his seven previous albums, a truly progressive journey for him, one
might say. I reviewed his last two releases Late Night Laments (2020)
and Butterfly Mind (2022) for TPA, so it felt right for me to offer my
thoughts on this latest one. It is also notable that this is his first
release on his newly signed label Kscope.
Powder Dry is a first for Tim, in that he has produced, written and
performed all these songs on his own, making it a truly solo enterprise.
The album consists of sixteen songs in just over a forty minute running
time, and mixing in stereo and surround was done by Steve Wilson. The
shift to shorter length songs is noticeable, as are the musical
stylings, which he mixes up to great effect throughout the album, and an
80Æs synth vibe, late 70Æs Bowie, post punk and even industrial touches
at times are the references that can be heard here. That said these
songs are not just copies of sounds that have gone before, as Tim stamps
his musical uniqueness firmly onto these influences to create something
different from what he has done before.
It appears that striding out on his own has paid dividends, with a
selection of soundscapes and pop songs that blend together well. Indeed,
Tim has said that ôthe songs resulted from an attempt to capture a
fleeting feeling as accurately as I couldö, and this I believe he has
achieved. The albumÆs ideas and aims are well described on TimÆs
website:
ôChronicling descents into ideological extremism, eco-apocalypse, and
the all-too human quest for love in a time of crisis, the album is a
constantly shifting kaleidoscope of sound; chasing feelings, searching
for meanings and trying to capture the ever-elusive nowness of now.ö
I mean what else could I possibly say further to describe these songs,
nothing I donÆt think, as this sums it up perfectly in my opinion, and
on listening to the album I believe listeners will come to agree with
that statement. The album opens with the track Rock Hudson, a clear
statement of intent that this is different from the albums that have
gone before, a bright upfront and pacey track which leads to Lost/Not
Lost. Here we have a more electronic (maybe even Krautrock style) beat
which TimÆs voice excels over the top, right from the opening line ôGo
deep, go deeperö. It becomes clear that these songs are going to be all
different in style and presentation.
With this in mind, Idiots at Large starts with a gentle feel with TimÆs
vocals clear and precise before it falls suddenly into an industrial
sounding interlude to break up the song, the gentler feel battles
against these intervals right up to the end, all of which creates an
interesting and maybe challenging listen at first. This leads to A Stand
up for the Dying, which is in direct contrast to the previous song, in
one of the albumÆs longer tracks it puts us back into more familiar Tim
territory. An atmospheric and moody song with TimÆs trademark vocals and
some heartfelt lyrics, a beautiful song.
The variety of the songs continues, indeed, the track You Can Always
Disappear has an almost fairground style musically, and once again the
shorter running time works in its favour. This is proven with the two
shortest songs both at around a minute and a half, prove to be just the
right length to get his message across. All song, no filler you could
say.
This is an album that benefits from repeated plays, there are hidden
depths here, and the sheer variety of the material is revealed with each
further play. TimÆs voice is on top form, but what is most noticeable is
the quality of the playing and range of instruments that he has chosen
to use and play himself.
In summary Powder Dry is a most different album from anything Tim has
done before, but it contains concise straight to the point songs, and
that is its success. If you are fan of TimÆs music definitely give it a
listen, you will be surprised and hooked onto what a clever album this
is, I for one look forward to where he will take his music on the next
one.
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