North_Sea_Echoes-Really_Good_Terrible_Things-CD-2024-GRAVEWISH
- Section
-
MP3/FLAC
- Group
- GRAVEWISH
- Size
- 77,00 MB
- Files
- 14
- Date
- 2024-12-28
NFO
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▐████ G R A V E W I S H ░░▄
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██▌ Artist...: North Sea Echoes ░▐██▌
░▐██ Album....: Really Good Terrible Things ░██▌░
▓▐██ Year.....: 2024 ▓▐██▓
▓▐██ Rel. Date: 2024-12-22 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Metal Blade Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Retail ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Open Book 4:42
2. Flowers in Decay 4:33
3. Unmoved 3:42
4. Throwing Stones 4:37
5. Empty 3:22
6. The Mission 3:47
7. Where I'm From 3:46
8. We Move Around the Sun 5:35
9. Touch the Sky 3:50
10. No Maps 3:42
41:36
Fewer combos in metal have spurred music in my wheelhouse as that of Ray
Alder and Jim Matheos. Their union for Fates WarningÆs 1988 release No
Exit burst in the budding progressive metal scene with USPM histrionics
and Rush-fueled narrative structure. Of course, that was near forty
years ago. At sixty vs twenty, your mind (mostly) thinks differently,
your voice cracks differently, your hair grays and may even thin. In the
case of Alder and Matheos, while immune to the loss of hair, do fall in
line to some extent with the other consequences of time. Alder, for his
part, has slowly adapted his caterwauling to a lower-register,
full-voiced croon, gracing many later era Fates albums with his refined
calls, as well as providing some power to important Redemption albums
and 2023Æs A-Z release. Matheos has foreshadowed his own growing
ethereality with the electro-alt-prog of OSI and pet ambient project
Tuesday the Sky displaying little of the riff and raucous of his
heaviest work. North Sea Echoes, then, naturally follows this gentler
path. Do its waves even make a sound worth echoing though?
Maybe you caught the last Fates record or AlderÆs follow-up solo
release, but even amongst the heavier distortion numbers on those jams,
AlderÆs performances have tended to his sleepier, softer side. North Sea
Echoes, of course, doesnÆt sell itself any other way, stirring a current
throughout Really Good Terrible Things thatÆs more of the fizzle of a
wave dragged over rocks into a tide pool rather than an open beach
crash. In that regard, many of MatheosÆ spindly guitar works flitter
about like the bright and climbing melodies of a Helios breeze
(ôThrowing Stones,ö ôWe Move Around the Sunö) with AlderÆs warm voice
finding the surge in the way synth embellishments could in a less
minimal approach. When North Sea Echoes does attempt to hit a little
harder with bass-leaning patches and the rare bit of guitar distortion,
songs lean toward a build reminiscent of MatheosÆ OSI work, albeit
approached with a voice fueled by a passion for life in all its peaks
and valleys (ôFlowers in Decay,ö ôEmptyö).
However, in this post rock-informed, downtempo-tinged, ambient-goaled,
North Sea Echoes has a hard time finding hypnosis in any particular
realm of relaxation that Really Good Terrible Things enters. After a
fairly snappy two-track kick-off, the dreamy-pedaled ôUnmovedö springs
to life with AlderÆs sultry, somber allure in full force, so much so
that at the nine-minute mark weÆve already encountered a crescendo far
too largeùcomplete with the extended ôaaaah aaaahö de-escalation to
fadeùfor an album with seven more slow-burning steps remaining. Later
with ôWhere IÆm Fromö and ôWe Move Around the Sunö Alder again reaches
for the throats of his fiery words only to come back down to a waning,
repetitive vocalization. One of these three tracks by itself could have
provided the necessary peak in this kind of extra chilled-out
Portishead-y experience, but scattered they work against each other to
create a successful float.
On the plus side, most of the music rests in the hands of MatheosÆ
strings and synths, the former of which remains both the most expressive
and expansive across this ten-track trek. ItÆs hard to say whether
Really Good Terrible Things would have faired better as an instrumental
set, as tracks like ôFlowers in Decay,ö ôThrowing Stones,ö and ôNo Mapsö
capture a powerful unison between MatheosÆ diverse amplifications and
AlderÆs butter-melting serenades. And if it werenÆt for guest Gunnar
Olsen simultaneously riding steady on ôThrowing Stonesö and crashing the
kit on ôEmpty,ö I wouldnÆt have noticed much that the rest of the
percussive presence is all of MatheosÆ spacious programming, which
shines on the glitchy, upbeat kicker ôThe Mission.ö Closer ôNo Maps,ö
however, does stumble a bit in its guitar-lite presentation, relying on
a gradual, swirling synth build and Alder to put a lightly-etched period
on its still digestible run.
Though, unless youÆre really into what North Sea Echoes has to say - the
lyrics are fairly uplifting all around - thereÆs a good chance youÆll
check out at some point. I know I did. As a fan of ambient music, I
crave immersion. And, despite the time-tested pedigree of the legendary
performers involved on Really Good Terrible Things, that immersion never
quite finds its pillow-y, smothering hold. Never stealing my breath nor
providing the internal space for an inhale that pulls in all the worldÆs
healing air, North Sea Echoes, for me, is neither swell nor even splash.
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Files
| Path | Size |
|---|
| 00-north_sea_echoes-really_good_terrible_things-cd-2024.jpg | 1.003,03 KB |
| 00-north_sea_echoes-really_good_terrible_things-cd-2024.m3u | 368 B |
| 00-north_sea_echoes-really_good_terrible_things-cd-2024.sfv | 468 B |
| 01-north_sea_echoes-open_book.mp3 | 8,33 MB |
| 02-north_sea_echoes-flowers_in_decay.mp3 | 8,18 MB |
| 03-north_sea_echoes-unmoved.mp3 | 6,45 MB |
| 04-north_sea_echoes-throwing_stones.mp3 | 8,85 MB |
| 05-north_sea_echoes-empty.mp3 | 6,07 MB |
| 06-north_sea_echoes-the_mission.mp3 | 7,25 MB |
| 07-north_sea_echoes-where_im_from.mp3 | 6,91 MB |
| 08-north_sea_echoes-we_move_around_the_sun.mp3 | 9,97 MB |
| 09-north_sea_echoes-touch_the_sky.mp3 | 7,43 MB |
| 10-north_sea_echoes-no_maps.mp3 | 6,56 MB |
| north_sea_echoes-really_good_terrible_things-cd-2024.nfo | 20,19 KB |