______ _______ _______ ______ _____ _______
| __ \ | | | | __ \ |_| ___|
| < | | | __ < | ___| proudly presents...
|___|__|_______|__|_|__|______/_______|_______|
............................................................................
Artist...... Shaila
Album....... Nuestras Guerras
Label....... SPE Discos
Genre....... Punk
Releasedate 2010-01-01
Encoder..... Lame
Source...... WEB (MP3)
Bitrate..... 320kbps
Size........ 105.93 mb
Duration.... 42:40
WWW......... http://www.deezer.com/album/45295211
.Tracklist .................................................................
01 Exarhia [ 0:56]
02 Los Farsantes [ 2:58]
03 Leviatßn [ 2:26]
04 Eva [ 2:37]
05 Los Limbos [ 2:37]
06 Mujer Verdad [ 3:02]
07 La Naturaleza de Las Cosas [ 1:43]
08 Los Idiotas [ 2:19]
09 El Pan≤ptico [ 3:05]
10 La Esperanza [ 2:37]
11 Hegemonφa [ 1:39]
12 Tierra & Libertad [ 1:53]
13 Las Minas de Abril [ 1:46]
14 Unitarios & Federales [ 2:50]
15 Antitesis [ 2:19]
16 Sudestada [ 2:26]
17 Cooperativa Infantil de Acci≤n [ 3:24]
18 La Gramßtica de la Rebeli≤n [ 2:03]
.Releasenotes ..............................................................
The band was formed in Buenos Aires City in 1994 as a band of high school
friends. During those first years, two cassettes were released: "S≤lo un dφa
mßs" and "Shaila" in 1996 and 1998 respectively. The band's performances were
not abundant at that time, but Shaila's presence at the Buenos Aires
underground concerts was increasing.
In 1999, the band formed its own independent label and released the Bad
Religion tribute "Devotos de una mala religi≤n" (Devotees of a bad religion)
which was very well received within the Hc-punk scene and would lay the
foundations for the good reception that Shaila's first LP would have. In
2000, "Progresar" was released, with which the band began to work at an
increasingly professional level and with which it found a good response from
the public that from that year onwards was constantly growing, both for
Shaila and for several bands in the Hc-Punk scene in Buenos Aires.
"Progresar" has already become a true classic of melodic, fast and
Spanish-language hc-punk in Argentina. During those years Shaila was chosen
to open for Lagwagon and Down by law in their visits to Buenos Aires. By
then, invitations to play in various provinces of Argentina began, and also
to cross the Andes for the first time, invited by BBS Paranoicos where the
good reception of the public makes Chile a second home that is visited
annually.
In 2002 Shaila enters the studio again to shape her second album "El enga±o",
this album follows the line of what was "Progresar" with more complex lyrics
and a broader notion of the hc-punk genre with more varied themes. This album
was quickly accepted by the public and the band went on to play in larger
venues such as Cemento, which would become a sort of home for Shaila in
Buenos Aires. They also began receiving invitations to massive festivals such
as the Anti-globalization Festival with El otro yo, Cadena Perpetua and
Carajo or Rock al Parque with bands such as ┴rbol, Raφz, Totus Toss and
Nativo among others. In October of that year we had the pride of supporting
ALL on their first South American tour in Buenos Aires and one of the best
shows ever seen in our lands.
2003 found the band already established, with shows throughout the country,
practically every week, visiting Chile twice a year in shows for 1000 people
and participating in festivals such as the "Festival against the war in Iraq"
with Attaque 77, Carajo, Horcas, Cadena Perpetua and Cabezones. During this
year the "Melodic Hardcore Tour" was born, a tour that every year takes the
band to more and more towns in Argentina from Rφo Gallegos to S.S. de Jujuy.
In the middle of the year the hardcore label Firme y Alerta supports the band
in the edition of a compilation album of the first two cassettes, plus
compilation tracks, rarities and acoustic tracks, which is titled "Congelando
el tiempo" (Freezing time); almost simultaneously the band's first video clip
of the song "A la derecha de la cruz" is released, which is broadcast by
video chains. The fruits of "El Enga±o" would continue, the band was invited
to the official presentation of the new albums of Cabezones and Attaque 77,
in July and December 2003 respectively, both took place at "El Teatro", one
of the most important places in Buenos Aires.
The summer of 2004 had the band in the studio for what would be the recording
of "Ma±anas", their last album, which the press and many of their fans have
pointed out as their best to date, fourteen songs ranging from the most
hardcore song the band has ever made to great punk-pop songs, the most varied
album and one that has definitely made the band much better known both in
Argentina and in the rest of Latin America. During 2004 the band managed to
play in two tours in the northernmost cities of Chile, Arica and Iquique, to
one of the southernmost, Puerto Montt, passing through more than 10 cities
throughout the sister country; as well as continuing to tour all of
Argentina. By mid-year the video clip for the song "Cuando no quieres sentir"
was released, they participated in the "Rock sin Marca" festival with El otro
yo, Las Manos de Filippi and Massacre and they gave the biggest shows in
terms of attendance for the band in Cemento. By the end of the year, Shaila
was chosen to open for MxPx on their visit to Buenos Aires and thus set foot
for the first time in one of the most important places in Buenos Aires, the
Estadio Obras. 2004 would end with the show with which the band celebrated
its first 10 years of life in a full house at Cemento.
2005, after the Croma±on tragedy, became a very difficult year for rock in
Argentina.
The band took advantage of not being able to play to compose a future album
and to produce the video clip for the song "Ma±anas", the second cut from the
album of the same name. Among the few performances that took place in the
first part of the year, a show to benefit the children's soup kitchens of
Mojave stands out.
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LET'S GET READY TO RUMBLEEEEE!