Basement-Basement_Phil_and_The_Engineers-BRSS009-1992-sour

Section
MP3/FLAC
Group
sour
Size
27,94 MB
Files
7
Date
2002-11-12

NFO

                                                                                 

                                                                                 

                                                                                 

                                      .___________________                       

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      `-----------------------:----'        : design.by.ant1k                    

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|  |  |  |  |  |  |  |            r e l e a s e  i n f o            :  .  :   |  

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                                                            _______________/_    

.....                                                       \             /      

:   :                                                       _\  rippers  /____.  

:   :  release no     ( 4817 )                             \    rating        |  

:   :                                                       \_____.           |  

:   :  artist         (Basement Phil & The Engineers     )         |   .---.  |  

:   :  title          (We Can Rock It EP                 )         | 0 |   |  |  

:   :  record label   (Basement (BRSS009)                )         | 9 |   |  |  

:   :  genre          (Hardcore                          )         | 8 |%%%|  |  

:   :  release date   (2002/10/28)                                 | 7 |%%%|  |  

:   :  street date    (1992/??/??)                                 | 6 |%%%|  |  

:   :                                                              | 5 |%%%|  |  

:   :  media type     vinyl (x) tape ( ) cd  ( ) radio ( )         | 4 |%%%|  |  

:   :  cover sfv m3u  cover (x)  sfv (x) m3u (x) cue   ( )         | 3 |%%%|  |  

:   :                                                              | 2 |%%%|  |  

:.. :.....     ...                                                 | 1 |%%%|  |  

  :      :     :.:    (04 tracks)  (20:12 min)  ( 27.8 mb)         |   `---'  |  

  :   ...:....                                                     `----------'  

  :...:..:   :        ::                                                         

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|  |  |  |  |  |  |  |  |  |  |  |     t r a c k  l i s t i n g     :  .  :   |  

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  nr   times   track titles                                                      

.----^-------^----------------------------------------------------------------.  

| A1    5:34   Basement Phil - Flying (Tekno Vocal Mix)                       |  

| A2    5:33   Basement Phil - Flying (Tekno Instrumental Mix)                |  

| B1    5:37   Basement Phil - We Can Rock It (Extended Clock Mix)            |  

| B2    3:28   Basement Phil - We Can Rock It (Radio Edit)                    |  

`----^-------^--------------------------------------------/                   |  

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|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | r e l e a s e  n o t e :  .  : |  

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        |       |                                               |       |        

        |       | .d=---------------------------------------=b. |       |        

        |       | || Return of the oldskool -- hold it down! || |       |        

        |       | `q=---------------------------------------=p' |       |        

        |       |                                               |       |        

        |       | An absolute classic EP from the heavily       |       |        

        |       | influential Basement label, pioneers of the   |       |        

        |       | jungle tekno sound of '91-'93.  This          |       |        

        |       | particular record, the "We Can Rock It EP"    |       |        

        |       | by Basement Phil and The Engineers (aka Phil  |       |        

        |       | Wells, label owner, alongside Jack Smooth,    |       |        

        |       | frequent engineer for most of the Basement    |       |        

        |       | releases, and Steve Turvey, who I'm not       |       |        

        |       | entirely sure who the hell he is), was one of |       |        

        |       | the earliest cross-over tunes from the label, |       |        

        |       | not to mention their first teaming up with    |       |        

        |       | vocalist Wendy Warchall (who would later go   |       |        

        |       | on to sing on the '93 anthem "We Are Unity"). |       |        

        |       |                                               |       |        

        |       | The A-side contains two mixes of "Flying", a  |       |        

        |       | melodic little tune with that familiar        |       |        

        |       | resonating bassline (a Jack Smooth trademark) |       |        

        |       | and beautifully progressing string lines.  I  |       |        

        |       | personally like the first mix, which features |       |        

        |       | Wendy's vocals, but the instrumental version  |       |        

        |       | is right on as well.  You'll notice that the  |       |        

        |       | instrumental mix sounds warped towards the    |       |        

        |       | end -- this is due to the vinyl being pressed |       |        

        |       | slightly off-centre, and as far as I can      |       |        

        |       | tell, this happens on 9 out of 10 copies.     |       |        

        |       | Let's hope for a proper repress on the new    |       |        

        |       | Basement Classics line that'll let this song  |       |        

        |       | be heard the way it should.                   |       |        

        |       |                                               |       |        

        |       | The flipside, containing two mixes of the     |       |        

        |       | EP's title track, is a little bit more on the |       |        

        |       | poppy side of things, but still well wicked.  |       |        

        |       | The full length "Extended Clock Mix" is where |       |        

        |       | it's at, with the catchy vocals "baby, we can |       |        

        |       | rock it all night, one thing I know we can do |       |        

        |       | is rock it rock it".  And you can tell that   |       |        

        |       | this was their attempt at a crossover, as     |       |        

        |       | there's a radio edit following up directly    |       |        

        |       | afterwards.  All in all, good stuff from the  |       |        

        |       | Basement crew.                                |       |        

        |       |                                               |       |        

        |       | Hold tight, hardcore massive!  More is on the |       |        

        |       | way... for those that know.                   |       |        

        |       |                                               |       |        

        `-------+-                                              +-------`        

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.--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---.  

|  |  |  |  |  |  |  |  |  |  |  |        d i s c l a i m e r       :  .  :   |  

`--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---'  

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                                                 :...                  :         

                                                                                 

                                                                                 

.-----------------------------------------------------------------------------.  

|                                                                             |  

|   This release may contain copyrighted material, however SOUR guarantees    |  

|   that this material was at least available to one person "on the street"   |  

|     and that the possession of this material is in no way privileged.       |  

|                                                                             |  

| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |  

|    the internet drum'n'bass public since summer 1999. Originally a small    |  

|       operation, we have now reached levels of international acclaim.       |  

|                                                                             |  

|  SOUR is dedicated to both the availability and promotion of music to the   |  

|  public, and our rips are intended to reflect these ideals. Specifically:   |  

|                                                                             |  

| . SOUR is dedicated to the promotion of new music that is currently         |  

|   available to buy. If you like something you hear, you are obliged to      |  

|   attempt to purchase an original copy.                                     |  

|                                                                             |  

| . SOUR is dedicated to the promotion of old music that may no longer be     |  

|   available to buy.                                                         |  

|                                                                             |  

| . SOUR is dedicated to the expansion and infiltration of drum'n'bass        |  

|   worldwide! We provide a service where none is available, specifically in  |  

|   many remote countries where traditional distributors can not afford to    |  

|   target. Also, the availability of drum'n'bass in an easily accessible     |  

|   form expands the potential for real world sales to people who may not     |  

|   otherwise have considered buying drum'n'bass.                             |  

|                                                                             |  

| . SOUR is dedicated to the expansion of the online and offline real world   |  

|   scenes. With more listeners enjoying what they hear, clubs and venues can |  

|   only expect MORE people to attend events; DJ's can only expect MORE       |  

|   people to pay to see THEM.                                                |  

|                                                                             |  

| By accident of today's current real world distribution arrangements, many   |  

|   artists will find that SOUR releases IMPROVE their real world sales;      |  

|  especially for items only on vinyl. This is the basis upon which SOUR      |  

|                                 operates.                                   |  

|                                                                             |  

`---------------------------------------------------------/                   |  

                                                  ...... /____________________|  

                                                  :            .                 

                                               ...:..          :                 

                                               :    :..........:                 

                                               :....:                            

                                             ::                                  

                                                                                 

                                                                                 

         [ www.sourmp3.org ] [ #sour on efnet ] [ sourmp3@hotmail.com ]          

                                                                                 

                          [ sour productions(c) 2001 ]                           

Files

PathSize
[BMW]-[Hardcore-1992]-(27.8 MB in 4 files of kbps Stereo)-[bender@reco0 B
00-basement-basement_phil-brss009a-1992-sour.jpg73,03 KB
00-basement-basement_phil-brss009b-1992-sour.jpg78,95 KB
a1-basement_phil-flying_(tekno_vocal_mix)-sour.mp37,65 MB
a2-basement_phil-flying_(tekno_instrumental_mix)-sour.mp37,64 MB
b1-basement_phil-we_can_rock_it_(extended_clock_mix)-sour.mp37,72 MB
b2-basement_phil-we_can_rock_it_(radio_edit)-sour.mp34,78 MB