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`-----------------------:----' : design.by.ant1k
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: : release no ( 4641 ) \ rating |
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: : artist (Paradox ) | .---. |
: : title (Filmscape / One Step Beyond ) | 0 | | |
: : record label (Offset (OFF004) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2002/09/27) | 7 |%%%| |
: : street date (1997/00/00) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (02 tracks) ( 14:41 min) ( 20.2 mb) | `---' |
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nr times track titles
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| A 6:40 Paradox - Filmscape |
| AA 8:01 Paradox - One Step Beyond |
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| | | |
| | Alaska is 27 year old Dev Paradox. His career | |
| | started when 'Mixrace' was formed in 1989 | |
| | with partner DJ Trax. Their first release was | |
| | in 1991 on Moving Shadow Records, only 17 at | |
| | the time, Mixrace had a big track with 180 | |
| | bpm'd Hardcove fave 'Two bad for Ya'. | |
| | | |
| | As time progressed, Dev and Trax set up their | |
| | own operations namely Stronghold and Offsett | |
| | Records, achieving success that enabled them | |
| | to set up their own studios. | |
| | | |
| | Since the early Moving Shadow days, Dev has | |
| | moved on, still occasionaly recording under | |
| | Mixrace but also doing solo projects under | |
| | the names 'Alaska' and 'Paradox'. Dev has | |
| | recorded for an array of labels such as 4 | |
| | Hero's Legendary Reinforced, LTJ Bukem's Good | |
| | Looking, Certificate 18, Partisan, Renegade | |
| | Hardware, Timeless, Total Science's C.I.A, | |
| | Blame's 720 Degrees, Nexus, Subject 13's | |
| | Vibez, Sonica, Archive Recordings in Milan | |
| | and as well as collaborating with artists | |
| | such as EZ Rollers, Flytronix, Subject 13, | |
| | Nucleus and Volcov. | |
| | | |
| | Remixing credits include 4 Hero for Talkin | |
| | Loud, Justice for Recordings of Substance, | |
| | Yasushi Ide for Warner Brothers - Japan, | |
| | James Hardway, Trax for Lacerbra, Italian act | |
| | Volcov and Japanese cartoon companies Manga | |
| | and Marine Entertainment. | |
| | | |
| | With General releases approaching the 50 | |
| | mark, Dev has entered the Live PA scene with | |
| | a series of 2 hour shows. With performances | |
| | already this year in Italy, Germany, | |
| | Switzerland and America. Dates are confirmed | |
| | in Ireland, Canada, Austria, Tokyo, Iceland | |
| | and Belgium, so the year is far from over for | |
| | Dev. | |
| | | |
| | Paradox is also endorsed by Full Circle | |
| | Clothing and Acupuncture footwear, and in | |
| | conjunction with the mighty shoe firm, Dev | |
| | will be playing a series of dates from Europe | |
| | to America with Acupuncture/Paradox | |
| | Productions. A press campain featuring Dev is | |
| | also in the pipeline. | |
| | | |
| | --spectraz.nu | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
`---------------------------------------------------------/ |
...... /____________________|
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[ www.sourmp3.org ] [ #sour on efnet ] [ sourmp3@hotmail.com ]
[ sour productions(c) 2001 ]
Files
Path
Size
[BMW]-[Drum&Bass-1997]-(20.2 MB in 2 files of 192kbps Stereo)-[bender@