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Presents:
Naomi Striemer - Images
RiPPER..: Team OSC GENRE......: Pop
LABEL...: S Records SCENE DATE.: 03/10/2007
bITRATE.: VBR/44.1Hz STORE DATE.: 12/19/2006
ENCODER.: Lame 3.97 V2 TRACKS.....: 17
SiZE....: 90,2 MB SOURCE.....: CD
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- TRACKLIST
01 Cars (Featuring Carlos Santana) 04:31
02 Images 04:01
03 I Know That It's Love 03:48
04 Three Days Ago 03:40
05 I Believe 04:10
06 Derailed 03:57
07 Last Chance 04:12
08 I'm Taking Everything 04:07
09 Reach For The Top 02:45
10 Fall Behind 03:47
11 Something To Lose 03:56
12 Starting Gate 03:58
13 J'Irai Au Sommet 04:05
14 I Love You Still 02:59
15 Go Away (Featuring Mario Winans) 03:27
16 Wild About You 03:37
17 United We Stand 03:58
Total Playtime: 64:58
- NOTES
Naomi Striemer quickly dispels any prejudices associated
with her age, or hair color. With a keen eye, she
vocalizes the uncertainty of life and articulates the
frustrations of love, beauty, loss and loneliness with a
controlled chaos, while seeing the silver lining behind
each cloud. To a world of popstars prepackaged for easy
consumption, Naomi Striemer offers a refreshing departure,
navigating through happiness and longing, fitting in (or
not), and unrestrained affection, all the while using her
smooth, acrobatic voice to traverse the terrain between
cutting edge and mainstream.
Naomi's life has always been in contrast to everyone
else's. On the hobby farm in Nova Scotia where she grew
up, there were no newspapers, radios or televisions, yet
hers was a house filled with song. "My parents are trained
missionaries, but before that, they worked at an
entertainment magazine, and my dad managed bands," says
the mostly home-schooled singer. "So music has always been
a part of our lives." Having no outside musical influences
other than her parents and the church they attended, Naomi
began writing classical songs on the piano before she was
a teenager, and joined the adult off-Broadway musical
group even earlier. "I was the only child allowed to sing
" she bashfully admits. "We'd travel, sing, and do plays
to sold-out crowds." Since then, Naomi has always felt at
home performing on stage.
When the family moved to Manitoba, life was less about
feeding the sheep and horses than about trying to fit into
the Ninth Grade. "I didn't care about being popular. I
mean, I had lots of friends, but school wasn't
everything." True enough, by age 13, Naomi was working
with her father as a booking agent to get her gigs, she
was also busy recording a religious album. "It was pretty
folky," she says of the record, which included some of her
own classical compositions. "We probably sold just 500
copies but it was a pretty big deal in Manitoba." However
Naomi always felt her true calling was in the mainstream
marketplace.
Right about then, Naomi was discovering popular musicians,
like Celine Dion, Toni Braxton, Bush, and of course, the
Backstreet Boys. "I did some research and realized that
many new artists were coming out of Orlando," she says.
"So I sent my demo to the people down there." Naomi
convinced her parents to sell their 30-acre homestead and
relocate to Florida. A few months later, she was offered a
development deal, but after considering her options and
the control she wanted over her career, she declined their
offer.
A London-based songwriter/producer Michael Scherchen, who
had heard about Naomi contacted her through her website,
with an offer to collaborate. Although Naomi was only 16
and without a lawyer or manager, she organized a trip to
London. "A British entertainment group was trying to sign
me, so I was already planning to go over to England," she
says, of her meeting with Scherchen. Before Naomi took off
for London, the pair built the backbone to a song via
email and MP3 exchange, and then finalized the track in
Michael's home studio. The result was overwhelming. After
returning to the States, she begged her parents to find
the means to send her back to London. Naomi continued to
write via e-mail with Michael and convinced her folks that
with a few more songs, she could land the recording deal
of her dreams.
With her parents' support Naomi quickly made her way back
to London. On this second trip, Michael, Naomi and a team
of two others wrote and recorded eight songs in just two
and a half weeks, mostly working for 15-hour stretches.
"The energy between all of us was incredible," she says of
the late hours that produced "Radio On." "Being in a
studio is like being in a session with a shrink. It gets
personal very quickly." She jokes, "Our only contact with
the outside world was opening the window to look at the
passerbys on the streets below."
Through regular shows at the House of Blues and Hard Rock
Live in Orlando, Naomi perfected her new songs, and
suddenly, that proverbial ball was rolling. It seemed now
everyone wanted to help the young songbird; Peter Lewit
became her devoted lawyer; and Naomi was taking meetings
with several record labels in New York. Naomi felt a great
rapport with Epic's Jim Welch and chose to make her home
at the label which had so successfully launched great
individualistic female artists like Celine Dion, Sade,
Macy Gray and Shakira.
A week after signing with Epic in April 2001, Naomi was
already working with producers and writers from her "wish
list" (" I've always been a student, looking at the back
of albums, reading articles and finding out who's behind
songs I love, right down to who mixed and mastered it" she
notes.) Those she chose: Marius Devries (Bjork, Madonna,
U2, Moulin Rouge), Cameron McVey (Massive Attack, All
Saints, Neneh Cherry), Matt Rowe (Spice Girls), and Peter
Zizzo (Avril Lavigne, Celine Dion). After a summer of
writing and recording all over the Continent, Naomi
narrowed the 50 co-written songs to those selected for
what was meant to be her debut record. "I never decided
that I wanted to become a singer," says the ambitious
songwriter. "I just always felt that I was one". Here
first record was a reflection of that. Naomi forms a
picture of a young artist with a timeless voice -- a
thinking-woman's pop singer-songwriter.
When turmoil struck the Epic environment in 2003, Naomi
chose, after months of thought, it would be best to leave
the label and pursue other opportunities. The change boded
well for Naomi. Knowing she had to start writing on her
own and pushing further then she had gone before, she rose
to the challenge. For the first time composing songs
entirely on her own. She went back to her original
teammate, Michael Scherchen. Together they produced the
new record, which showed a tremendous growth on all counts
for Naomi. Her writing found it's way to being more
mature, the production grew stronger and her voice had
entered a new realm. This is the Naomi Striemer we've been
waiting for.
Naomi doesn't pretend to be anything less than delighted
with the cards she's been dealt. "The things that really
affect me are those that are universal. I try to find the
beauty, love and inspiration in all things, even things
that might be painful. I like to find the light in the
darkness," notes the optimistic, yet thoughtful young
woman.
Although her story may be different from other young
artists, Naomi Striemer's ability to express complex
emotions, and her effortless talent for crafting songs,
strike a universal chord. She captures the image of a
compelling songwriter, a transcendent voice, an
accessible, individual style -- an outsider who is
certainly no stranger.
http://www.naomionline.com
http://www.myspace.com/naomi
Another Quality Release from OSC!!
Enjoy!!
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-NEWS
OSC is still holding it down after more than 2 years in
tha scene. Our dedication to bringing you the best in
ol skool classics is, and always will be, our driving
force. Quality over quantity.
"It's all about the music, fuck the other ish." - OSC
Because of this motto we strive to continue bringing you
releases in the highest possible quality, whether it be
urban, house, latin or any other genre.
ASCII BY CACIQ^ACL #ascii.cl