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release name: Music.and.Philosophy.eBook-EEn ▀█▓██
───────────────────────────────────────────────────────────── ▐███
release date: 04.22.07 │ size: 2.22 MB ▐███
───────────────────────────────────────────────────────────── ██▌
author: Gabriel Marcel ██▌
───────────────────────────────────────────────────────────── ▐██
title: Music and Philosophy ▐█▌
───────────────────────────────────────────────────────────── ██
ISBN: 087462665X │ FORMAT: PDF │ category/genre: Philosophy ▐█
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release notes/summary (backcover information)
Music played a central role in the thought of
existentialist philosopher Gabriel Marcel (1889-
1973). One of the most tantalizing claims he
made was in a set of conversations with Paul
Ricoeur. Employing a geographic metaphor, he
claimed that philosophy was the continent of his
work while his plays formed the off-shore
islands; but what was deepest was music as the
water that conjoins the two. One who wishes to
understand how he thought of music will find
that his philosophical writings contain only a
few, quasi-aphoristic, though significantly
penetrating things about the nature of music and
its relation to his thought. Disappointingly,
neither his short "An Essay in Autobiography" of
1947 nor his larger autobiography of 1971,
Awakenings, adds much to that beyond a few
remarks. But the latter work makes reference to
an article, "La musique dans mon vie et mon
oeuvre," a lecture he delivered in Vienna in
1959, that turned out to be a significantly
richer source. And if one turns to his
bibliography, one discovers that, as a music
critic, Marcel published over 100 items on
music--including Musique dans mon vie"! None of
them are available in English. Those of greater
length and philosophical interest were gathered
together, along with several shorter
representative pieces, in the work entitled
L'esthetique musicale de Gabriel Marcel that
appeared in the Presence de Gabriel Marcel
series. In order to enrich and deepen the
appreciation of Marcel's thought in the English
-speaking world by following up his understanding
of the central role of music in his thought, but
also to underscore the central role of music in
his thought, but also to underscore the central
importance of the aesthetic inhuman experience,
we have selected the main articles that appeared
in that work for translation here. Marcel
complained that (as of 1959) commentators had not
paid significant attention to the close connection
between music and philosophy. The present text
should remedy that.
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If you have a scanner and are willing to help
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//last.updated.01.01.05