The_High_Llamas-Gideon_Gaye-REISSUE-CD-FLAC-1995-401

Section

MP3/FLAC

Group

401

Size

324,24 MB

Files

17

Date

2025-11-26

NFO

     Artist......: The High Llamas
     Album.......: Gideon Gaye

     Source......: CD
     Label.......: Alpaca Park
     Genre.......: Indie


     Tracks......: 13
     Bitrate.....: 787 kbps avg
     Playtime....: 00:54:48  (338.MB)
     Rls date....: 2025-11-27
     Store date..: 1995-02-18
     Encoder.....: FLAC 1.3.1
     Url.........: http://www.highllamas.com/



     01 Giddy Strings                                                    0:27
     02 The Dutchman                                                     4:41
     03 Giddy And Gay                                                    4:55
     04 Easy Rod                                                         2:04
     05 Checking In, Checking Out                                        5:45
     06 The Goat Strings                                                 2:06
     07 Up In The Hills                                                  4:57
     08 The Goat Looks On                                                6:13
     09 Taog Skool No                                                    1:36
     10 Little Collie                                                    0:44
     11 Track Goes By                                                   14:13
     12 Let's Have Another Look                                          0:50
     13 The Goat (Instrumental)                                          6:17



     Sean O'Hagan has obviously done his Brian Wilson homework, listening to all
     the albums the Beach Boys recorded between Pet Sounds and Surf's Up. Cheeky
     references to cuts like "Let's Get Away for a While" and "Surf's Up" pop up
     from time to time on this lush set, which takes its cues from both Wilson's
     most melodic and most eccentric qualities (though the ten-minute flute solo
     on "Track Goes By" does this to excess). It's an impressive outing that
     sounds like little else in the alternative rock world of the mid-'90s. But
     it only establishes O'Hagan and his various pals as charming emulators,
     rather than true innovators.

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