Aspera_-_Sugar_and_Feathered-2002-CMG

Section
MP3/FLAC
Group
CMG
Size
59,03 MB
Files
14
Date
2002-12-28

NFO


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█░█
█▓█  General Info   :
█▓█  Title .........: Sugar And Feathered
█▓█  Artist ........: Aspera
█▓█  Music Style ...: Indie
█▓█  Type ..........: Album
█▓█  Release Date ..: Dec-26-2002
█▓█
█▓█  Used Tools     :
█▓█  Grabber .......: Audiograbber 1.70
█▓█  Encoder .......: Fhg Radium MP3 Codec V1.263
█▓█
█▓█  Additional Info:
█▓█  Source ........: CDDA
█▓█  No. Of Songs ..: 12
█▓█  Size ..........: 59,1 MB
█▓█  Playtime ......: 42:55 min
█▓█  URL ...........: www.jagjaguwar.com
█▓█  Label .........: Jagjaguwar
█▓█  Quality .......: 192kbps / 44,1kHz / HQ / Full Stereo
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█▓█  01  :::  Great Leaps                                          :::  04:48
█▓█  02  :::  Say Say Good Bye Bye                                 :::  04:14
█▓█  03  :::  Sugar Walls                                          :::  03:31
█▓█  04  :::  Pearl and Brine                                      :::  03:26
█▓█  05  :::  Hummingbird                                          :::  02:10
█▓█  06  :::  Another Blue Frisbee                                 :::  04:08
█▓█  07  :::  Come and Get it                                      :::  00:53
█▓█  08  :::  Dont Look Down (at Everyone)                         :::  03:51
█▓█  09  :::  Goodnight                                            :::  02:47
█▓█  10  :::  Twenty Minutes of the Day                            :::  05:14
█▓█  11  :::  Tiptoe Breaker                                       :::  03:41
█▓█  12  :::  Sun to Sun                                           :::  04:12
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█▓█  The cover art for Sugar & Feathered takes you right into a forest, one
█▓█  with beautiful butterflies and birds circling your head ... but also
█▓█  with strange men with animal heads lurking in the background. That mix
█▓█  of a certain mystical sense of beauty with an uneasiness about what's
█▓█  around perfectly fits the music on Aspera's latest album (their first
█▓█  since shortening their name from Aspera Ad Astra). Their dreamy
█▓█  pop-rock is filled with whimsy and fantasy, but also darkness and
█▓█  fear.
█▓█  "If a hummingbird floated past your face again, would he be your only
█▓█  friend, with no one else around?" lead singer Drew Mills intones with
█▓█  his deep, mysterious voice on the track "Hummingbird". He describes
█▓█  what sounds like a magical "Disney moment", where animals gather
█▓█  around to be your friends, but then gets to the heart of the matter:
█▓█  "It's your disease to be the master of the beast". All the while, the
█▓█  band uses keyboards, percussion and who knows what else to create a
█▓█  spooky, shimmering atmosphere, with haunting voices and unexplained
█▓█  sounds surrounding you. It's one of the least-rock songs on the album,
█▓█  but the musical mood is one that exists throughout the album. Aspera
█▓█  blend melodic guitar rock with a multi-layered sonic atmosphere
█▓█  somewhat reminiscent of that on the Flaming Lips' Soft Bulletin and
█▓█  Zaireeka, but darker, with more spaces for the evil side of the
█▓█  universe to emerge.
█▓█  Aspera's sound has come quite far since their debut Peace and their
█▓█  attention-getting contribution to the mostly punk-rock Post Marked
█▓█  Stamps series. Their two Insound/ Tiger Style EPs between then and now
█▓█  gave listeners a sense of their evolution, but neither had the depth
█▓█  of style and sound they confidently display on Sugar & Feathered.
█▓█  Their songs rock as much as ever, but with a majestic sense of
█▓█  openness; they have an absolute grasp on using a variety of noises and
█▓█  instruments and blending them into a lush sound that isn't easily
█▓█  broken down into its component parts. Tracks like "Peace + Brine" have
█▓█  a ferocity about them, without moving away from the fantasy- like mood
█▓█  of the album.
█▓█  Other songs, like "Goodnight" and "Sun to Sun", have a weird
█▓█  nursery-song feel to them, like Mills is your warped uncle singing you
█▓█  a lullaby that keeps going in more bizarre directions. These tracks
█▓█  help illuminate part of the territory Aspera is working in here: fairy
█▓█  tales. Their songs have the mix of youthful dreaming, scary reality
█▓█  and absolute otherworldliness that comes straight from all of the
█▓█  classic fairy tales. Like the Brothers Grimm and all other imaginative
█▓█  weirdos, Aspera are pulling you into an unusual world of their own
█▓█  creation. On Sugar & Feathered, they're leading you into the most
█▓█  shadowy and the brightest forests in their brains, then leaving you
█▓█  there to explore what's lurking behind the trees.
█▓█  [ review by Dave Heaton @ http://www.popmatters.com ]
█▓█
█▓█
█▓█
█▓█  I'm about to reinvent the wheel. Seriously, it'll be awesome. Check
█▓█  this out. You know that round, circular shape? Gone! Totally
█▓█  unnecessary. What the wheel needs is a corner. Who would have ever
█▓█  thought of that? I'm, like, a genius! And I'll tell you what inspired
█▓█  me. There was this band, see, and they were called Aspera Ad Astra.
█▓█  They made this really cool, spacy, shoegazer music, sometimes
█▓█  recalling a less bombastic My Bloody Valentine, other times a simpler
█▓█  Spiritualized. They made an album of this music called Peace in 1998,
█▓█  a highly recommended record if you are so inclined to occasionally
█▓█  bask in such sound.
█▓█  But Aspera Ad Astra lost a member-- namely, their lead singer, Michael
█▓█  Robinson. That's when they got the bright idea to reinvent their sound
█▓█  and themselves. So what was their remarkable change, their
█▓█  reinvention? To what did it amount exactly? Sugar & Feathered,
█▓█  released under the truncated name Aspera, holds the answer: They took
█▓█  their spacy, hypnotic sound, sped it up a bit, added Drew Mills'
█▓█  shaky, whiny lead vocals to the mix, and augmented the tunes with
█▓█  Fridmann-esque orchestral arrangements and production techniques.
█▓█  So in order to reinvent themselves, they decided to sound more like
█▓█  Mercury Rev, or at least a faux-Fridmann production. Yeah, I thought
█▓█  it was a brilliant idea at first, too. But then I realized it just
█▓█  didn't hold up. They didn't make it better, like my new and improved
█▓█  wheel has done. Granted, they've got a couple enchanting moments on
█▓█  this release. But a couple out of 42 doesn't quite cut it. They use
█▓█  flashy, modern, psychedelic layers and vocal effects whenever they can
█▓█  now, but it feels unsubstantial, and sometimes just out of place. And
█▓█  Drew Mills' slightly taxing vocals don't complement the new sound
█▓█  nearly as much as Robinson's silky, dulcet tones would, and as they
█▓█  once did for Ad Astra.
█▓█  My biggest complaint, when it comes to production and engineering
█▓█  decisions, is in the drum sound. At least three of the songs here have
█▓█  drum tracks that prominently feature a distracting fuzz tone. It
█▓█  doesn't sound like a conscious decision; more like the engineer didn't
█▓█  know how to get rid of it in noise reduction. Songs like "Another Blue
█▓█  Frisbee," a pop song which features a dull-edged but dreamy melody and
█▓█  heavenly Shields- ish guitars, would be entirely effective if it
█▓█  weren't for the abrasive, misplaced hissing static on the otherwise
█▓█  complimentary beat.
█▓█  "Another Blue Frisbee" is also the culprit of another crime Aspera
█▓█  commits more than once on Sugar & Feathered. Since their more
█▓█  blatantly shoegazer days, they seem to have forgotten how to flesh
█▓█  their ideas out before moving on to the next. At the end of "Frisbee,"
█▓█  a gently plucking acoustic guitar begins, a strategically placed
█▓█  kickdrum hits, and bass notes seem to indicate the introduction to a
█▓█  new, exciting groove. Yet, it simply fizzles out, and changes into
█▓█  "Come and Get It," a minute-long instrumental interlude featuring more
█▓█  of the same booming, echo-laden, contrived psychedelia that still
█▓█  doesn't work here.
█▓█  In fact, the only time Aspera truly succeed on this outing is with the
█▓█  penultimate track, "Tiptoe Breaker." The song opens with a wall of
█▓█  crashing cymbals, pounding floor toms, and a searing, melodic electric
█▓█  guitar lead, before suddenly changing completely into a trippy,
█▓█  bombastic pop song somewhat suggestive of Eno's early 80's work on the
█▓█  Talking Heads' Fear of Music. It's an unexpected, pleasant surprise,
█▓█  and it finally turns the otherwise boring and ineffective psychedelia
█▓█  into something exciting by simply drawing from different sources.
█▓█  Perhaps Aspera should take this as a clue for the future, in order to
█▓█  instill some of my genius into their potential. Hell, maybe Aspera
█▓█  should have given me a shot at reinventing them in the first place. I
█▓█  mean, I reinvented the wheel, for Christ's sake. You saw it. What more
█▓█  evidence do you need?
█▓█  [ Spencer Owen @ http://www.pitchforkmedia.com ]
█▓█
█▓█
█▓█
█▓█  Aspera, formerly Aspera Ad Astra, hail from Philadelphia, though it
█▓█  would be more appropriate to call it Psychedelphia considering the
█▓█  psyche- pop contemporaries - the Lilys and Bardo Pond, among others -
█▓█  with which Aspera share a hometown.
█▓█  But while the Lilys play more along the lines of the hazy British
█▓█  shoegazer movement on a power pop sugar rush, and Bardo Pond
█▓█  occasionally find themselves crossing into Sonic Youth and noisy
█▓█  no-wave hood, Aspera find their inspiration in the rolling, open
█▓█  fields of Oklahoma. Yes, indeed, Aspera share a whimsical affinity
█▓█  with the Flaming Lips for shuddery, thin, almost off-key falsetto
█▓█  vocals and fuzzy, gently detuning guitars.
█▓█  Sugar & Feathered is much more concise and less suffocating than
█▓█  previous Aspera releases. Dense, dreamy space- rock is toned down for
█▓█  more accessible, folkier melodies. Like the Flaming Lips, drums are
█▓█  punchy and resounding as keyboard warble and guitar chime share
█▓█  shifting space, though Aspera can't come close to the Lips in
█▓█  emotional vulnerability. Instead, Aspera make breezy pop nuggets with
█▓█  an undated retro feel. It's like they're attempting to recreate
█▓█  fleeting memories of what radio sounded like 30 years ago, but making
█▓█  it with today's production standards and a taste for Syd Barret- era
█▓█  Pink Floyd.
█▓█  On Sugar & Feathered, Aspera's martial rhythm holds tight, placing
█▓█  them among their Philadelphia cohorts (and along with the Elephant 6
█▓█  collective) as one of the bands leading the march of indie rock
█▓█  psychedelic revivalism.
█▓█  [ Tony Ware @ http://atlanta.creativeloafing.com ]
█▓█  
█▓█  
█▓█  
█▓█  uuuh ... you did read till 'ere? woooaaa. whatta guy! merry x-mas! :)
█▓█  lil late, i know. take care, grrls and guys.
█▒█
█░█
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         [ best viewed in jane with lucida console ansi (size 8) ]
     __       __             __         __
   _/ /____ _/ /____ _____ _/ /____ ____\ \_ ____________ .
  .)  _/  (.)  _/  (.  __ .) /_   (.)   _\ (.        ._ /_|_
  |   \    |   \    | /_/ |   /    |    \   |        |/_  |
  |________|________|     |________|________|             |
  .                                                       .
  | Dir  : Aspera_-_Sugar_and_Feathered-2002-CMG/
  | Date : 12-26-2002 23:50                                        
 _|__                                                   bn|e
  | /_____________________________________________________|

Files

PathSize
[BMW]-[Indie-2002]-(58.8 MB in 12 files of 192kbps Stereo)-[bender@rec0 B
00_aspera_-_sugar_and_feathered-2002-cmg-front.jpg211,00 KB
01_great_leaps-cmg.mp36,59 MB
02_say_say_good_bye_bye-cmg.mp35,80 MB
03_sugar_walls-cmg.mp34,82 MB
04_pearl_and_brine-cmg.mp34,70 MB
05_hummingbird-cmg.mp32,97 MB
06_another_blue_frisbee-cmg.mp35,68 MB
07_come_and_get_it-cmg.mp31,21 MB
08_dont_look_down_(at_everyone)-cmg.mp35,28 MB
09_goodnight-cmg.mp33,81 MB
10_twenty_minutes_of_the_day-cmg.mp37,17 MB
11_tiptoe_breaker-cmg.mp35,05 MB
12_sun_to_sun-cmg.mp35,75 MB