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cdr|m's
.:: a klangwerk release ..................................................::.
artist :: atjazz
release :: labresults
year :: 2002
genre :: house
label :: mantis
website :: www.mantis-recordings.com
ripper :: soulfiction
date :: 16-mar-2002
quality :: 192kbps/44,1khz
source :: compact disc
.::.......................................................................::.
01 touch the sun (dzihan & kamien remix) 5:47
02 witchbender 6:52
03 day 2001 (brooks floot remix) 5:31
04 04 - rain angel 6:17
05 harmony (little big bee remix) 8:49
06 it's complete (chateau flight remix) 5:06
07 the walk home 6:33
08 it's complete (phil parnell remix) 5:30
09 touch the sun (king britt remix) 8:52
10 harmony (dixon remix) 5:34
11 wrong type of day 5:45
playtime :: 01h 10m 36s
.::.......................................................................::.
in the mid æ90Æs, uk artist martin iveson aka atjazz found himself
in the middle of a burgeoning midlands dance scene quite by
accident. drawn to derby from the north east for his day job
(iveson produces music and sound effects for some of the worlds
leading computer games including tomb raider) he soon started to
look to dance music as another creative outlet. he began
recording under the atjazz guise in 1996 (named after an episode
of the cartoon topcat), and released his first ep "story" that
same year on mantis recordings (www.mantis-recordings.com), a
label iveson set up with record shop manager andy mccandless.
this downbeat gem (story) brought him to the attention of
nottinghamÆs diy who went on to release several atjazz twelves
over the next few years, including his debut album that something.
the album was picked up by sony japan and hit a nerve with music
lovers across the globe. this attention brought iveson/atjazz
remix work from labels such as naked music, and japanÆs flower
records, as well as artists charles webster, miguel migs, and bob
sinclair for yellow productions.
after atjazzÆs successful work with diy, partners iveson and
mccandless resurrected mantis recordings in 1998 for atjazzÆs
musical output and that of their friends. the first track to be
released in two years was atjazzÆs "fifth quarter", which found
itÆs way into the hefty boxes of terry francis, kenny hawkes, and
luke solomon.
working with various local musicians on his productions, he found
he was linking up with one guy in particular, pete wraight. pete
had been writing and playing live with charles websterÆs presence
project and more recently on herbertÆs new album. pete, a pure
jazzman, was the perfect collaborator for atjazz and as labfunk
took shape it became clear that he was firmly on board for the
duration.
.::.......................................................................::.
greetings :: sb, qdp, sour, dps, it, rac, dh, sfe, hbz, igr and mgc
.::.......................................................................::.
Files
Path
Size
[BMW]-[House-2002]-(97.0 MB in 11 files of 192kbps Stereo)-[bender@rec