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█▓█ General Info :
█▓█ Title .........: La Nouvelle Pauvrete
█▓█ Artist ........: Jan Jelinek Avec the Exposures
█▓█ Music Style ...: Electronic
█▓█ Type ..........: Album
█▓█ Release Date ..: Jan-03-2003
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█▓█ Used Tools :
█▓█ Grabber .......: Dbpoweramp
█▓█ Encoder .......: Lame 3.93
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█▓█ Additional Info:
█▓█ Source ........: CDDA
█▓█ No. Of Songs ..: 09
█▓█ Size ..........: 58,1 MB
█▓█ Playtime ......: 42:15 min
█▓█ Label .........: ~scape
█▓█ Quality .......: 192kbps / 44,1kHz / HQ / Full Stereo
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█▓█ 01 ::: Introducing ::: 01:51
█▓█ 02 ::: Music to Interrogate by ::: 06:08
█▓█ 03 ::: Facelift ::: 05:36
█▓█ 04 ::: There Are Other Words (They Have Not Told You of) ::: 04:13
█▓█ 05 ::: My Favorite Shop ::: 04:54
█▓█ 06 ::: Trust the Words of Stevie ::: 03:57
█▓█ 07 ::: If's, And's and But's ::: 06:16
█▓█ 08 ::: Davos S (Trio 'round Midnight) ::: 06:46
█▓█ 09 ::: A Waste Land ::: 02:34
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█▓█ Jan Jelinek has always enjoyed the play with concept and consistency -
█▓█ in the reassessment of soul music phrases (as Farben), reduced
█▓█ flirtations with the dancefloor (as Gramm) or by shifting linear loop
█▓█ fragments on his first scape album "Loop-Finding-Jazz-Records" (Jan
█▓█ Jelinek).
█▓█
█▓█ But the safe haven of abstraction is not one Jelinek feels compelled
█▓█ to seek shelter in - after a number of consistent and concept based
█▓█ works, a productive urge to create a heterogeneous album, with equally
█▓█ varied references and tracks, has now resulted in "La Nouvelle
█▓█ PauvretΘ". Borrowed from a Belgian anti-fashion movement (who once
█▓█ countered the overladen 80s pompousness with deliberately angular,
█▓█ prudish creations) this term at the same time offers a consciously
█▓█ ambivalent description of the current state of electronic music, now
█▓█ that the ambition to create seamless albums around specific sounds or
█▓█ ideas has become both the corner stone and weak spot of a scene which,
█▓█ in this voluntary self-restriction, runs risk of maneouvring its own
█▓█ genre into an evolutionary cul-de-sac, a musical "Nouvelle PauvretΘ"
█▓█ between critical reflection and positive re-invention or
█▓█ impoverishment and decline.
█▓█
█▓█ In the search for depth and true pathos Jelinek turns his production
█▓█ tools into pure means - centre stage is again taken by the actual
█▓█ material. And for the first time in his musical career this substance
█▓█ is deliberately laid open: sources are no longer blurred, encoded or
█▓█ retouched, samples may betray their heritage,and even Jelinek's voice
█▓█ is allowed the part of an additional instrument. These sporadically
█▓█ interspersed vocal passages are without exception references to
█▓█ existing songs (by Stevie Wonder, Brian Ferry, Sun Ra and Throbbing
█▓█ Gristle) and to the pervasive banality of song lyrics - in this new
█▓█ context Jelinek turns these quotes into haunting formulae.
█▓█
█▓█ While Jelinek's previous explorative and sampling excercises were
█▓█ based on black music, house or dub, he now supplements these with a
█▓█ segment of musical history new to his compositions - classic white
█▓█ rock, pop and folk. Playing with the means and structures of
█▓█ traditional music The Exposures act as his fictitious backing band,
█▓█ Jan Jelinek's Alter Ego and extended self, bolstered by the new,
█▓█ carefully introduced rock references.
█▓█
█▓█ Very, very subtly the unheard is allowed to approach and slink to the
█▓█ front - almost orchestral in nature it sneaks up on us, this new
█▓█ poverty, and settles into the sexy jazz basement. Suffused with funky
█▓█ pelvic beats it then glides from a comfortable womb-like heat into
█▓█ sweaty hypnosis... to be released into fake live applause.
█▓█
█▓█ Jan Jelinek stays true to himself. And moves towards us - with a
█▓█ light, easy spring in his step.
█▓█
█▓█ rel. date 07.02.03
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[ best viewed in jane with lucida console ansi (size 8) ]
Files
Path
Size
[BMW]-[Electronic-2003]-(58.1 MB in 9 files of 192kbps Stereo)-[bender