Xalpen-Wowk_Otrr-EP-CD-2018-GRAVEWISH
- Section
-
MP3/FLAC
- Group
- GRAVEWISH
- Size
- 49,40 MB
- Files
- 11
- Date
- 2026-03-25
NFO
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██▌ Artist...: Xalpen ░▐██▌
░▐██ Album....: Wowk Otrr ░██▌░
▓▐██ Year.....: 2018 ▓▐██▓
▓▐██ Rel. Date: 2026-03-22 ░▐██▓
▐██ Genre....: Black Metal ██▌░
░ ██▌ Label....: Morbid Skull Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: EP ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Intro 0:22
2. KayÆtaw Hawrr ShoÆon Palakaw-msh - A Cold Rain Under 4:20
a Cloudless Sky
3. Ten Hashpen - In Darkness Remains 7:28
4. KÆterrnenqßr Shwaken - The Vengeance of K┤tΘrnen 3:40
5. Xosh Kassek - Chant to Xosh 4:36
6. Wowk Otrr - Oculus Australis 2:18
7. SΦyta - (The Barn Owl) / Piano Suite 1:42
24:26
This Chilean horde is following up their 2016 debut EP, Black Rites,
with a new EP entitled Wowk Otrr which is once again firmly in the
second-wave Norwegian style though the rawer production encountered on
Black Rites has given way to a more balanced, yet no-less-aggressive
production. Vocalist and bassist Alvaro Lillo, who has also offered his
services to Watain and others as well as guitarist Juan Pablo Nunez who
also supports on vocals are the driving force behind the project. I was
Impressed with the overall record. Every song is well paced and
stirring, particularly "Ten Hashpen (In Darkness Remains)" and the
sublime "Xosh Kassek (Chant To Hosh)," both the highlights of the album
for me. With "In Darkness Remains," Xalpen drag the listener through
myriad fast and slower movements and subtle melodic shifts. The
repetitive nature of "Chant To Hosh" proves the band is capable of
working with different compositional structures, both exploratory,
threaded and linear, as well as the timeless black metal structural
motif of repetitive and minimalist. This minimalism is also worth noting
in terms of the melodic usage on the record with several songs hinging
on two-note melodic structures which interestingly produce a primitive
memorability via simplicity. Also worth noting is "K'terrnenqar Shwaken
(The Vengeance of K┤tΘrnen)" which is the most urgent and pressing aided
by multiple huge short-lived driving bass bridges. Lillo's bass tone is
a key presence on the record, taking up a large amount of mix-space with
a gravely and booming strength. I did feel that the overall album could
have been paced slightly differently, with "In Darkness Remains" later
on the EP, as the final two tracks don't do much overall for the record
- a track of growls and rasps for two minutes followed by a piano-only
outro. I also thought that there were too many vocals at times that
didn't give enough leeway for the music to tell it's story as equally.
Xalpen is putting out a three song EP shortly. I'd be vigilant for that.
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Files
| Path | Size |
|---|
| 00-xalpen-wowk_otrr-ep-cd-2018.jpg | 1,37 MB |
| 00-xalpen-wowk_otrr-ep-cd-2018.m3u | 346 B |
| 00-xalpen-wowk_otrr-ep-cd-2018.sfv | 416 B |
| 01-xalpen-intro.mp3 | 596,87 KB |
| 02-xalpen-kaytaw_hawrr_shoon_palakaw-msh_-_a_cold_rain_under_a_cloudle | 8,61 MB |
| 03-xalpen-ten_hashpen_-_in_darkness_remains.mp3 | 14,79 MB |
| 04-xalpen-kterrnenqar_shwaken_-_the_vengeance_of_kternen.mp3 | 7,38 MB |
| 05-xalpen-xosh_kassek_-_chant_to_xosh.mp3 | 8,82 MB |
| 06-xalpen-wowk_otrr_-_oculus_australis.mp3 | 4,85 MB |
| 07-xalpen-seyta_-_(the_barn_owl)_-_piano_suite.mp3 | 2,99 MB |
| xalpen-wowk_otrr-ep-cd-2018.nfo | 17,03 KB |