UDEMY.Music.Production.in.Logic.Pro.The.Complete.Course.2026.BOOKWARE-MiMiR

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eBooks/Audiobooks

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MiMiR

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Date

2026-04-22

NFO

Mimir, Keeper of the Well of Wisdom
  
  Music Production in Logic Pro - The Complete Course!

  https://www.udemy.com/course/thecompletelogicprox/

  Year         : 2026
  Language     : English
  Level        : All Levels
  Category     : Music
  Subcategory  : Music Production
  Duration     : 52h 58m
  Lectures     : 497
  Rating       : 4.7/5 (14,753 reviews)
  Students     : 78,882

  INSTRUCTOR(S)


  HEADLINE
    Join Successful Music Production + Logic Pro students in
    Creating, Recording, Mixing Music + Mastering in Logic Pro


  WHAT YOU'LL LEARN
  * Learn how to set-up and navigate around Logic Pro so you can
    learn to use this amazing piece of software
  * Import and search Apple Loops to easily help you create you
    own music
  * Be able to record and edit MIDI Information easily and
    Quickly
    in Logic Pro
  * Record your own audio in Logic Pro
  * Avoid common pitfalls and mistakes in Music Production which
    other Logic Pro users make
  * Understand mixing and mastering to help you make your songs
    sound professional
  * Learn how to build your own track from nothing
  * Improve your general skills in Music Production


  REQUIREMENTS
  * Basic Music Skills
  * A Working Mac or MacBook
  * Logic Pro Mac Software
  * Basic Music Production Skills is desirable, but not
    necessary


  WHO IS THIS COURSE FOR
  * Those with basic music production skills who wish to improve
  * Experienced music performers who want to know how to record
    their ideas
  * New and experienced Logic users who want to deepen their
    knowledge
  * Those interested in creating their own music or being better
    at music production
  * You're a band member who wants to learn about Music
    Production
    in Logic Pro
  * You've been writing a few songs, but now you want to learn
    more about music production
  * You want to learn how to mix the tracks you've been writing
  * You might be completely new to music (you've had no formal
    training in music)


  DESCRIPTION
  Start Creating and Producing Music with Logic Pro! This course
  is all about Music Production in Logic Pro, which is software
  for music composition and production for macOS. With over 50
  hours of video, this music course is JAM PACKED with
    information
  to help you learn Logic Pro and help you improve at Music
  Production. Logic Pro is the leading Digital Audio Workstation
  for Apple Mac users, and it's used across professional studios
  and bedrooms worldwide. Learning how to use your DAW
  correctly will dramatically improve the quality of your music
  and the speed you create it. BROUGHT TO BY BEST-
  SELLING MUSIC PRODUCTION INSTRUCTOR TOMAS GEORGE If you are
  looking for a course that will show you Music Production in
  Logic Pro then this is the course for you! What makes me
  qualified to teach you? My name is Tomas, and I have an MMus
  Masters Degree in Music Production and a BA(Hons) Degree in
  Music Composition. I?m also the creator of some of the world's
  most popular music production courses - with over 360,000
  students and thousands of 5-star reviews like these ones:
    Quick
  efficient, to the point. Solid information fed fast. Good
    work!
  - Mark C. This is an amazing course that provided much-needed
  clarification on what production is all about. The
    instructions
  were clear and Tomas is very engaging. Thank you - Catherine
    P.
  Tomas was clear and concise, really useful information for me
    to
  write down before I buy Logic Pro so now I feel a lot less
  intimidated when opening logic for the first time tomorrow -
  Simon B. Very clear and concise, exactly what I was looking
    for.
  I also appreciate that I can watch things being done while
  they're being explained. - Nikki G. My Promise to You I am
  a full-time Music Producer and Educator. If you have any
  questions about the content or Music Production in general,
    then
  myself or a member of the Digital Music Masters team will get
  back to you as soon as possible. NOTE: This course is for Mac
  users only, and you must have either Logic Pro 10 or 11 and an
  Apple Mac to use it What is this Logic Pro Course all about?
    In
  this course, you will gain a deep understanding of Logic Pro
    and
  how to use it to create your own music. You'll learn the
    beauty
  and the power of this software that's used by professional
  producers today This course will cover such topics as:
    ? Setting
  up Logic Pro ? Making music with Apple Loops ? How to use the
  New Session Player Instruments and Chord Track (Logic Pro 11)
  ? Making music with Live Loops (Logic Pro 10.5 and above)
  ? Making music with MIDI and software instruments ? How to
    write
  your own Beats in Logic Pro ? How to use the Step Sequencer
  (Logic Pro 10.5 and above) ? Learn how to use Different Synths
  and Samplers, such as Alchemy, Ultrabeat, Sculpture, Retro
    Synth
  and ES2 ? Flex Time and Pitch ? Recording audio ? AI Mastering
  with Logic Pro's Mastering Assistant (Logic Pro 10.8 and
    above)
  ? How to use the Sampler and Quick Sampler Instrument (Logic
    Pro
  10.5 and above) ? The Best Free 3rd Party Plugins and how to
    use
  them ? Behind the Scenes Vocal Recording Workshops
    ? Interviews
  with music industry professionals ? and much more. We'll take
    a
  deep dive into mixing such as: Using Automation, Channel EQ,
  Compression, Space Designer Reverb, Aux Sends and Groups,
    Delay
  Designer, Echo, Amp Designer, Pedalboard, Modulation Plugins,
  Flex Time, Flex Pitch and Bouncing. You can follow this course
  in Logic Pro versions 10 or 11. This course also includes new
  Logic Pro 11 update videos for anyone who's updated Logic Pro
    to
  version 11 Finally, you'll learn the foundations of how to
  master your own track. What you'll learn in this course will
  make you a better music producer and improve your
  songwriting abilities in Logic Pro and all other Digital Audio
  Workstations! Learn to love Logic Pro and make music with it.
    Go
  ahead and click the enroll button, and I'll see you in lesson
    1!
  Cheers, Tomas.


  COURSE CONTENT

  Chapter 1: Introduction
    1. Introduction and Meet your Lead Instructor
    2. Getting the Most from this Course
    3. Before we get Started

  Chapter 2: A Brief Overview of Logic Pro
    4. Introduction to This Section
    5. How to Create a New Project + Choosing a Track Type
    6. A Brief Overview of the Interface in Logic Pro
    7. Part 1: Recording Software Instruments
    8. Part 2: A Brief Overview of Recording and Editing Synths
       in Logic Pro
    9. Part 3: Recording Audio + a Brief Overview of Audio
       Preferences
    10. Part 4: Apple Loops Brief Overview - Adding Drum Loops
        to our Song
    11. Part 5: A Brief Overview of Saving and Bouncing

  Chapter 3: Setting Up and Getting Started
    12. Introduction to This Section
    13. How to Download the Sound Library in Logic Pro
    14. Preferences - Part 1: Essential Audio Preferences
    15. Preferences - Part 2: Startup Action
    16. Control Bar - Part 1: Views
    17. Control Bar - Part 2: Transport + Modes and Functions
    18. LCD Display
    19. Saving and Opening
    20. Templates
    21. Tracks
    22. Musical Typing
    23. Keyboard shortcuts and Key Commands
    24. Screensets
    25. Global Tracks and Markers - Brief Overview

  Chapter 4: Making Music with Apple Loops
    26. Introduction to This Section
    27. Apple Loops - Part 1
    28. Apple Loops - Part 2: Navigation
    29. Apple Loops - Part 3: Importing
    30. Apple Loops - Part 4: Create a Groove

  Chapter 5: Live Loops (Logic Pro 10.5 and Above Only)
    31. Introduction to This Section
    32. Introduction and Overview of Live Loops
    33. Navigation and Playing Back a Loop
    34. Triggering Scenes and Quantize Start
    35. Queuing and Dequeuing
    36. Importing Content into a Cell - Part 1
    37. Importing Content into a Cell - Part 2
    38. Cell Inspector - Cell Length + Loop Length
    39. Play Modes
    40. Cell Editor
    41. Recording and Copying the Live Loops to the Tracks Area

  Chapter 6: Making Music with MIDI and Software instruments
    42. Introduction to This Section
    43. Software Instruments
    44. Piano Roll Editor
    45. Tool Bars for MIDI
    46. Quantizing
    47. Making a beat - The Drums
    48. Making a beat - The Bass
    49. Making a beat - The keyboard or keys
    50. ES2 Synth Overview
    51. Ultrabeat Part 1
    52. Ultrabeat Part 2
    53. Score Editor

  Chapter 7: Session Player - Drummers and Percussionist (Logic
    Pro 11 and 12 Only)
    54. Overview of Session Players
    55. Drummer Playing Styles
    56. Complexity, Intensity and the Perform Again Button
    57. Creating a New Session Player Region and Drum Selection
    58. Drum Patterns
    59. Fill and Swing
    60. Details - Part 1
    61. Details - Part 2
    62. Converting to a MIDI Region
    63. Electronic Drummer Session Player
    64. Percussionist

  Chapter 8: Session Bass Player (Logic Pro 11 and 12 Only)
    65. Session Bass Player - Part 1: Main Tab
    66. Session Bass Player - Part 2: Details and Manual Tab

  Chapter 9: Session Keyboard Player (Logic Pro 11 and 12 Only)
    67. Session Keyboard Player - Part 1: Playing Styles
    68. Session Keyboard Player - Part 2: Main Controls
    69. Session Keyboard Player - Part 3: Details and Manual Tab

  Chapter 10: The Chord ID and Chord Track (Logic Pro 11 and 12
    Only)
    70. Chord ID (Logic Pro 12 Only)
    71. Chord Track - Part 1: Basic Features
    72. Chord Track - Part 2: Major and Minor Chords
    73. Chord Track - Part 3: Sus, Augmented and Diminished
        Chords
    74. Chord Track - Part 4: 7th Chords
    75. Chord Track - Part 5: Extended Chords
    76. Chord Track - Part 6: Other Settings

  Chapter 11: Synth Session Players (Logic Pro 12 Only)
    77. Synth Session Players - Part 1
    78. LFO - Part 1
    79. LFO - Part 2
    80. LFO - Part 3
    81. Envelope Tab
    82. Slide Tab
    83. Details Tab
    84. Convert to MIDI

  Chapter 12: Recording Audio
    85. Introduction to This Section
    86. Settings up Recording Audio Preferences
    87. Punch In Record
    88. What type of microphone to use?
    89. Recording performers to get the best out of them
    90. Multitrack Recording
    91. Recording External Synths

  Chapter 13: Step Sequencer (Logic Pro 10.5 and Above Only)
    92. Introduction to This Section
    93. Introduction and Brief Overview of the Step Sequencer
    94. Drum, Bass and Melodic Pattern Presets
    95. Velocity Subrow
    96. Gate and Tie Subrow
    97. Note Repeat Subrow
    98. Chance Subrow
    99. Loops Start/End and Start Offset Subrows
    100. Playback Modes and Octave + Skip Subrows
    101. Step Rate, Pattern Length and Triplets
    102. Scale Quantize, Templates and Swing
    103. Step Automation - Part 1
    104. Step Automation - Part 2

  Chapter 14: Automation
    105. Introduction to This Section
    106. Automation
    107. Multiple Automated Parameters
    108. MIDI Draw and MIDI Automation
    109. MIDI Sustain Pedal Automation

  Chapter 15: Mixing Essentials - Levels, Panning, and EQ
    110. Basic Mixing
    111. Channel EQ
    112. Panning

  Chapter 16: Mixing Essentials - Compression and DeEsser
    113. Compressor - Part 1: Main Interface
    114. Compressor - Part 2: Different Circuit Types
    115. De-Esser 2
    116. Sidechain Compression

  Chapter 17: Mixing Essentials - Aux Sends and Reverb
    117. Using Aux Sends
    118. Using Aux Groups
    119. Space Designer Reverb
    120. Space Designer - Part 2: Create your own Impulse
         Responses
    121. ChromaVerb Reverb - Part 1: Main Window
    122. ChromaVerb Reverb - Part 2: Room Types
    123. ChromaVerb Reverb - Part 3: Details Window

  Chapter 18: More Mixing Essentials
    124. Delay Designer
    125. Echo
    126. Amp Designer and Pedalboard
    127. Modulation Plugins
    128. Bouncing
    129. Mastering

  Chapter 19: Flex Time and Flex Pitch
    130. Flex Time
    131. Flex Pitch

  Chapter 20: Mastering Assistant (Logic Pro 10.8 and Above
    Only)
    132. Part 1 - Bypass, Loudness Compensation and Reanalyze
    133. Part 2 - EQ Section
    134. Part 3 - Character
    135. Part 4 - Dynamics Section
    136. Part 5 - Spread Section

  Chapter 21: More Advanced Mastering Techniques
    137. Introduction to This Section
    138. Introduction to this Section
    139. Reference Tracks
    140. Loudness Normalization
    141. Loudness Units (LUFS)
    142. True Peak

  Chapter 22: ChromaGlow Saturation Effect (Logic Pro 11 Only)
    143. Part 1 - An Introduction to Saturation
    144. Part 2 - Let's Explore Some Presets
    145. Part 3 - Drive, Model and Style
    146. Part 4 - Bypass, Level and Mix
    147. Part 5 - Low and High Cut Filters

  Chapter 23: Vintage EQ (Version 10.4 and Above Only)
    148. Vintage Console EQ
    149. Vintage Tube EQ
    150. Vintage Graphic EQ

  Chapter 24: Studio Strings, Studio Horns, Effects, and Smart
    Tempo
    151. Studio Strings
    152. Studio Horns
    153. Vintage Mellotron
    154. Phat FX
    155. Step FX
    156. Smart Tempo - Part 1: Overview
    157. Smart Tempo - Part 2: The Editor and Recording Audio

  Chapter 25: Logic Pro 10.7.5 Update Videos
    158. How to use the Gain Tool
    159. How to Record MIDI Effects
    160. Free Tempo Recording - MIDI
    161. Free Tempo Recording - Audio
    162. Nested Track Stacks
    163. How to use Individual Stompbox Effects
    164. Preferences is Now Called Settings

  Chapter 26: Logic Pro Update Videos - Effects
    165. Space Designer FX
    166. Arpeggiator

  Chapter 27: Logic Pro Update Videos - Making a Beat
    167. Apple Loops
    168. Making a Beat - The Drums
    169. Making a Beat - The Bass
    170. Making a Beat - The Keyboards or Synths

  Chapter 28: Sampler Instrument (Logic Pro 10.5 and Above Only)
    171. Welcome to this Section
    172. Sampler Introduction
    173. Importing Audio into the Sampler
    174. Mapping Window
    175. Zone Tab
    176. Synth Tab
    177. Modulation - Part 1 : Amp Envelope
    178. Modulation - Part 2 : Using Multiple Envelopes
    179. Sampler LFO's
    180. Modulation Matrix

  Chapter 29: Quick Sampler Instrument (Logic Pro 10.5 and Above
    Only)
    181. Quick Sampler Introduction
    182. Recorder Function
    183. Classic + One Shot Modes
    184. Slice Mode
    185. Synth Controls and Envelopes
    186. LFO's and Modulation Matrix

  Chapter 30: Alchemy and Sculpture Synthesizers
    187. Alchemy Part 1
    188. Alchemy Part 2 - The Advanced Tab
    189. Alchemy Part 3 - Envelopes, Modulation and Effects
    190. Alchemy Part 4 - The MSEG Envelope
    191. Alchemy Part 5 - Mod Map and Show Target
    192. Alchemy Part 6 - The Arpeggiator
    193. Alchemy Part 7 - Morph
    194. Alchemy Part 8 - Sampling
    195. Alchemy Part 9 - Custom Performance Controls
    196. Alchemy Part 10 - Velocity Layers
    197. Alchemy Part 11 - Round Robin
    198. Sculpture Synth

  Chapter 31: How to use the Vintage B3 Organ in Logic Pro
    199. Vintage B3 Introduction
    200. Brief Overview
    201. Main Windows - Controls
    202. Main Window - Presets
    203. Main Window - Split
    204. Rotor Cabinet Window
    205. Options Window
    206. Effects Window
    207. Expert Window - Essentials

  Chapter 32: How to use the Vintage Electric Piano in Logic Pro
    208. Part 1 - Brief Overview
    209. Part 2 - Effects
    210. Part 3 - Details

  Chapter 33: How to use the Vintage Clav in Logic Pro
    211. Part 1 - Main Window
    212. Part 2 - Effects Window
    213. Part 3 - Details Window

  Chapter 34: Logic Pro Update Videos - Recording Audio
    214. Audio Interface
    215. How to Mix a Voiceover Overview

  Chapter 35: Mixing Audio - EQ + Compression
    216. Welcome to the EQ + Compression Section of the Course
    217. EQ Introduction
    218. Graphic EQ Overview
    219. Parametric EQ Overview
    220. Compression Introduction
    221. Threshold and Ratio
    222. Make up Gain
    223. Attack and Release
    224. Knee
    225. Limiter, Distortion + Parallel Compression
    226. Sidechain Compression

  Chapter 36: EQ + Compression Mixing Project
    227. Introduction
    228. EQ Introduction
    229. EQing Vocals
    230. EQ in More Detail
    231. More EQ Examples
    232. Compressing a Vocal
    233. Guitar Compression and EQ
    234. Attack and Release - Part 1
    235. Attack and Release - Part 2
    236. Ratio and Knee
    237. Compressor Sidechain

  Chapter 37: Advanced EQ + Compression Techniques
    238. Introduction
    239. Part 1
    240. Part 2 - Dynamic EQ
    241. Part 3 - Mixbus EQ
    242. Part 4 - Parallel Drum Bus Compression

  Chapter 38: Compression + EQ FAQs
    243. EQ Before or After Compression
    244. Parallel Compression and the Benefits of Using it
    245. Additive or Subtractive EQ

  Chapter 39: Sound Design and Synthesis
    246. Introduction and an Overview of this Mini Course

  Chapter 40: Retro Synth
    247. Retro Synth - A Synth Primer
    248. Retro Synth - Oscillator
    249. Retro Synth - Vibrato
    250. Retro Synth - LFO
    251. Retro Synth - Filters
    252. Retro Synth - Filter Modulation
    253. Retro Synth - Envelopes
    254. Retro Synth - Glide
    255. Retro Synth - Amp Module
    256. Retro Synth - Effects : Chorus and Flanger
    257. Retro Synth - Global Settings
    258. Retro Synth - Controller Parameters
    259. Retro Synth - Sync
    260. Retro Synth - Table
    261. Retro Synth - Table (Create Your Own)
    262. Retro Synth - FM
    263. Retro Synth - Outro

  Chapter 41: ES2 Synthesizer
    264. ES2 Synth - Introduction
    265. ES2 Synth - Part 1
    266. ES2 Synth - Oscillators 1 and 2
    267. ES2 Synth - Oscillator 3
    268. ES2 Synth - CBD
    269. ES2 Synth - Voicing
    270. ES2 Synth - Glide (Portamento)
    271. ES2 Synth - Filter
    272. ES2 Synth - Amp Stage
    273. ES2 Synth - Modulation 1 : LFO
    274. ES2 Synth - Modulation 2 : Envelopes
    275. ES2 Synth - Modulation : Vector Envelopes
    276. ES2 Synth - Macros
    277. ES2 Synth - MIDI Control
    278. ES2 Synth - Outro

  Chapter 42: Sound Design Theory and Terminology
    279. Introduction
    280. Waveform Analysis
    281. Oscillator
    282. Filters
    283. Envelopes
    284. Modulation
    285. Distortion
    286. Voices
    287. Glide
    288. MIDI

  Chapter 43: ESM Synthesizer
    289. ESM Synthesizer

  Chapter 44: Waves and Tones
    290. Tones, Overtones and Harmonics
    291. Complex Tones
    292. Subtractive and Additive Synthesis
    293. What is Sound?

  Chapter 45: FAQ (Frequently Asked Questions)
    294. Welcome to This Section
    295. FAQ Intro
    296. FAQ Monitors
    297. FAQ Drum Sample Packs
    298. FAQ 3rd Party Synths
    299. FAQ Should someone else master your music?
    300. FAQ Which MIDI keyboard should I get?
    301. FAQ Which Microphone Should I Get?
    302. FAQ How to Download more Apple Loops
    303. Which Headphones do you use and why?

  Chapter 46: Logic Pro Quiz and AI Role Play

  Chapter 47: EVOC 20 PolySynth - Logic Pro Vocoder
    304. Vocoder - Part 1 (Setup)
    305. Vocoder - Formant Filter
    306. Vocoder - Formant Stretch
    307. Vocoder - Attack and Release
    308. Vocoder - Freeze
    309. Vocoder - Outro

  Chapter 48: MIDI Modulator
    310. MIDI Modulator - Part 1
    311. MIDI Modulator - Part 2
    312. MIDI Modulator - Part 3

  Chapter 49: Subtractive Synth, Wavetable, and Sound Synthesis
    313. Sound Synthesis Introduction
    314. Why Learn Sound Synthesis
    315. Subtractive Synth - Part 1
    316. Subtractive Synth - Part 2
    317. Subtractive Synth - ADSR
    318. Subtractive Synth - LFO
    319. Subtractive Synth - Voices
    320. Wavetable
    321. FM Synthesis
    322. Sync Synthesis
    323. Tones and Harmonics

  Chapter 50: Audio Mixing for Podcasts
    324. Noise Gate
    325. Equalizer
    326. De-Esser
    327. Compressor
    328. Another De-Esser after the Compressor
    329. Gain
    330. Limiter and Loudness Meter
    331. Automation
    332. Export Settings
    333. Before you Mix, you must have good Audio
    334. The Plugins I'm using for my Voice right now (Stock +
         3rd Party Plugins)
    335. Outboard Gear - The DBX 286s
    336. The Equipment I'm using for my Voice right now

  Chapter 51: Free 3rd Party Plugins
    337. macOS Catalina and Above Incompatibility with 32bit
         Plugins
    338. Introduction to this Section
    339. How to get these plugins
    340. Vintage Style Saturator
    341. Analog Style EQ
    342. Delay
    343. Basic Compressor
    344. Basic Algorithmic Reverb
    345. Basic Compressor 2
    346. Algorithmic Reverb
    347. Dynamic EQ
    348. Basic Chorus
    349. Panning Effect
    350. Tube Pre Amp Saturation
    351. Digital Compressor
    352. Basic Limiter
    353. Limiter
    354. Bitcrusher
    355. Experimental Reverb
    356. Advanced Chorus
    357. Plugin Bundle - Brief Overview

  Chapter 52: Mixing fundamentals with these Free 3rd Party
    Plugins
    358. REMINDER: macOS Catalina Incompatibility with 32bit
         Plugins
    359. Compression
    360. EQ Introduction

  Chapter 53: Mixing with Free 3rd Party Plugins - In-depth
    tutorials
    361. Vocal Mixing - Basic EQ
    362. Mixing Vocals - Dynamics
    363. Mixing Vocals - De-Esser and Saturator
    364. Mixing Vocals - Reverb and Delay Sends
    365. Backing Vocals - Effects and Sends
    366. Bass and Drum Processing
    367. Guitar FX
    368. Synth Lead FX
    369. Guitar Mixing and Effects
    370. Mixing Synths - Part 1
    371. Mixing Synths - Part 2

  Chapter 54: The Mastering Chain - With Free 3rd Party Plugins
    372. Mastering Free Plugins

  Chapter 55: Installing the Free 3rd Party Plugins
    373. Installing the Plugins from their Official Sites
    374. Loading the Plugins in Logic Pro
    375. Component Files and Folder

  Chapter 56: Recording Vocals at Home Workshop
    376. Introduction to this Recording Vocals Section
    377. Part 1 - Microphones and Audio Interface
    378. Part 2 - Polar Patterns and Mic Cables
    379. Part 3 - Microphone Position
    380. Part 4 - Reflection Filter

  Chapter 57: Recording a Male Singer-Songwriter : James Cairns
    381. Male Singer-Songwriter Introduction
    382. Microphone Placement Techniques
    383. Guitar and Vocal Levels
    384. Take 1 and Challenges
    385. Take 2 and Mic Positioning
    386. Take 3 and Repositioning the Mic
    387. Navigating Computer Fan Noise
    388. Pitch Shifter for Singing Harmonies
    389. Project Set Up : James Cairns - Out Of Mind

  Chapter 58: Male Singer-Songwriter Post Production
    390. Reducing Hum and Noise
    391. Parallel Compression
    392. Project Deconstruct

  Chapter 59: Writing and Recording Vocals  : Peter Darling
    393. Peter Darling Introduction
    394. Lyrical Themes
    395. Microphones and Placement
    396. Chorus Melody
    397. Chorus Harmonies
    398. Verse Melody
    399. Writing and Recording Verse 1 and 2
    400. Recording and Writing Verse 3 and 4 and Ad-libs

  Chapter 60: Recording Female Pop Vocals : Jess Rose
    401. Pop Vocals Introduction
    402. Setting up Levels
    403. Mic Placement
    404. Fixing Latency Issues (Freezing Tracks)
    405. Fixing Latency Issues (Plugins)
    406. Recording the First Take
    407. Recording Takes
    408. Recording the First Chorus
    409. Recording the Bridge and Last Chorus
    410. Song 2 - Recording an Acoustic Guitar
    411. Song 2 - Recording Vocals

  Chapter 61: Female Pop Vocals Post Production
    412. Flex Pitch Gain
    413. Thickening Vocals
    414. Project Deconstruct - Part 1
    415. Project Deconstruct - Part 2

  Chapter 62: Recording Rap Vocals : No Fixed IDentity
    416. Rap Vocals Introduction
    417. Headphone Monitoring
    418. Setting Up the Headphone Mix
    419. Fixing Latency Issues
    420. Mic Placement and Distance
    421. Singer Preferences
    422. Recording Takes
    423. Recording Rap Ad-Libs

  Chapter 63: Rap Vocals Post Production
    424. Flex Time - Vocal Timing Fixes
    425. Bussed Mixing
    426. Hiding Tracks
    427. Varispeed

  Chapter 64: Creative Harmonizing
    428. Creative Harmonizing - Part 1
    429. Creative Harmonizing - Part 2
    430. Creative Harmonizing - Part 3

  Chapter 65: Creative Harmonies and Choir
    431. Creating Vocal Harmonies with Flex Pitch - Part 1
    432. Creating Vocal Harmonies with Flex Pitch - Part 2
    433. Choral Folk Vocals - Introduction
    434. Choral Folk Vocals - Post Production
    435. Choir Recording Introduction
    436. Choir Mix Setup (Bussing)
    437. Choir Bus Processing

  Chapter 66: Mixing with Paid 3rd Party Plugins
    438. How to Start Mixing a Vocal with Waves NS1, Channel EQ,
         Waves Doubler and More

  Chapter 67: Audio Concepts + Engineering - Commonly used Terms
    439. Introduction to the Audio Concepts + Engineering
         Sections
    440. Commonly used Terms
    441. Technology
    442. Processes
    443. Digital Audio Formats

  Chapter 68: Audio Concepts + Engineering - Technical
    Demonstration of Concepts in Action
    444. Decibels
    445. Peak vs RMS
    446. Gain - Part 1
    447. Gain - Part 2
    448. Dynamics - Part 1
    449. Dynamics - Part 2
    450. Dynamics - Part 3
    451. Frequencies - Part 1
    452. Frequencies - Part 2 (Distortion)
    453. Frequencies - Part 3 (Noise)
    454. Phase
    455. Stereo - Part 1
    456. Stereo - Part 2 : Phase Sum Difference
    457. Stereo - Part 3 : Stereo vs Mono
    458. Samples Rates
    459. Bit Depths

  Chapter 69: Audio Concepts + Engineering - Frequently Asked
    Questions about Digital Audio
    460. Introduction to FAQ
    461. How Loud Should my Track be?
    462. Should Frequencies be Flat?
    463. Is it okay to Compress more than Once?
    464. Outboard vs Plugins
    465. What Sample Rates Should I Use?
    466. What Bit Depth Should I Use?
    467. What Formats Should I Export to?
    468. When Should I Dither?
    469. Do I Need To Treat My Room?
    470. How Do I Get Wider Mixes?

  Chapter 70: Audio Concepts + Engineering - Paul Baily Q&A
    471. Paul Baily Introduction
    472. What?s the difference between Analogue and Digital?
    473. Do you need Analogue Gear?
    474. Common Misconceptions about Analogue Audio
    475. Exciting Developments around Audio
    476. Has the role of Engineer changed and top tips for
         getting hired
    477. What are the Traits of a Good Audio Engineer?
    478. Main Piece of Advice about Making a Career in Audio
         Engineering

  Chapter 71: Creating a Song Live in Logic Pro
    479. Creating a Song Live in Logic Pro with Tomas George

  Chapter 72: Interview and Talks with Industry Professionals
    480. Paul Baily Interview Part 1
    481. Paul Baily Interview Part 2
    482. Paul Baily Interview Part 3
    483. Sean Genockey Interview Part 1
    484. Sean Genockey Interview Part 2
    485. Sean Genockey Interview Part 3
    486. Charlie Barnes Interview Part 1
    487. Charlie Barnes Interview Part 2
    488. Paul Statham Interview Part 1
    489. Paul Statham Interview Part 2
    490. Peter Darling Talks to Tomas George Part 1
    491. Peter Darling Talks to Tomas George Part 2
    492. Tomas George Interview
    493. Andrew Potterton Interview Part 1
    494. Andrew Potterton Interview Part 2
    495. Andrew Potterton Interview Part 3

  Chapter 73: Last Section
    496. Thanks and Bye
    497. BONUS: What's Next?


  DATES
  Published    : 2016-08-03
  Last Updated : 2026-03-18

If you fear the truth, dont come to my well.

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