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█ - d e e p h o u s e -
30.04.2026
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artist : Severin Black
title . Country Music
type : LP
year . 2026
genre : Electronic
subgenre . Experimental, Ambient / Drone
label : Archaic Vaults
cat . AV015LP
URL : https://www.discogs.com/release/34193971
ShopURL : https://archaicvaults.bandcamp.com/album/country-music
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encoder . FLAC 1.3.2
quality : VBRkbps / 48.0 kHz / 2 channels
source . WEB FLAC
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01.March 3:27
02.Tithe 4:08
03.Pilgrim Wine 3:35
04.Fitou (Feat. Vanessa Bedoret) 3:13
05.Lament (Feat. Pavel Milyakov) 3:57
06.Theaster Gat 3:22
07.Yield 7:57
08.Dirge 3:24
33:03 min 379.80Mb
·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·
Composed on the cityÆs periphery, the albumÆs material was continually
dismantled and reassembled, reflecting a process of both artistic and
personal reconstruction. The album marks a shift in production methodology,
moving away from the immediacy of summed live takes toward a more
deliberate, stratified multitrack approach. Sparse yet hypnotic, the record
distills layers of sound formed by constant relocation, recurrent solitude,
and a recalibration of instinct. In many ways, it echoes the experience of
exile, not in a political sense but in the quieter, more insidious form of
displacement that alters oneÆs perception of time and self. The music
drifts between structure and dissolution, a reflection of existing at the
threshold of different spacesùboth physically and sonically.
The shedding of the previously used Nape moniker signaled a decisive sonic
transformation, informed by extended time spent in the Pyrenees and a
renewed engagement with folkloric material. Severin began playing the
clarinet while making this record, and though its presence is minimal, it
reveals itself as an interest in acoustic simulation, particularly the
digital approximations of classical instruments that emerged within 1990s
synthesizer technology. This interrogation of authenticity and mediation
parallels the albumÆs thematic engagement with memory, where recollection
functions not as a retrieval of fixed experience but as an iterative
process of distortion and reconstruction. The relocation to Berlin
reignited an affinity for grime music, evident in the syncopated brass of
Pilgrim Wine and the fractured vocal layers of March, while memories of
childhood in rural Wales permeate the recordÆs atmospheric spaces. The
album includes contributions from longtime collaborator Vanessa Bedoret and
Berlin-based artist Pavel Milyakov (Buttechno).
Country Music situates itself within an unresolved dialogueùbetween past
and speculative futures, between folk lineage and digital fragmentation,
between place and its embodied and sonic traces. What emerges is not a
fixed statement but a process, an ongoing negotiation between what is left
behind and what is brought forward.
enjoy!
remember to support artists.
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shoutouts to the groups that love the music they promote..
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If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling.. then drop us a line d33phouse@pm.me
keep the feeling real. .∙· d e e p h o u s e 2 0 2 6 ·∙.
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