▄▄▄▄▄▄▄▄▄▄▄▄
▄▄▄████████████████████████▄▄▄
▄▄████████████████████████████████████▄▄▄▄▄
▄██████████████████████████████████████████████▄
██████████████████████████████████████████████████▄ ░
█████████████████████████████████████████████████████
███████████████████████████████████████████████████████
█████████████████████████████████████████████████████████ ░
███████████████████████████████████████████████████████████
█████████████████████████████████████████████████████████████ ░
▐██████████████████████████████████████████████████████████████
███████████████████████████████████████████████████████████████ ░ ░
▐███████████████████████████████████████████████████████████████▌ ░
█████████████████████████████████████████████████████████████████ ░░░ ░
█████████████████████████████████████████████████████████████████ ░░ ░
██████████████████████████████████████████████████████████████████▌ ░░░░
▄▄▄███████████████████████████████████████████████████████████████████▌░ ░░
▄█████████████████████████████████████████████████████████████████████████ ░░░░
▀█████████████████████████████████████████████████████████████████████████ ░ ░░
▀▀▀▀▀▀██████████████████████████████████████████████████████████████████░░░░░
███████████████████████████████████████████████████████████████ ░░░░
██▓▓▓▓███████████████████████████████████████████████████████████▄▄░
▄▄████▓▒░░░▒▓▓██████████████████████████████████████████████████████████
███▓▓▒░░░░░░░░░▒▒▓▓████████████████████████████████████████████████████▀░
██▓▓▒▒░░░░░ ░░░░░▒▒▓▓███████████████████████████████████████████ ░░░░░
▐██▓▓▒▒░░░ ░░░▒▒▓▓████████▀▀▀▀▀▀▀▀▀██████████████████▀▀▀▀▀▀█▌ ░ ░ ░
██▓▓▒▒░░ ░░░▒▒▓▓██▄▄ ██ ▄▄█████████▀▀ ██ █ ░░░
██▓▓▒▒░░░ ░░░▒▒▓▓██████▄▄▄▄▄▄██████████████████▄▄▄▄▄▄▄█▌ ░░░░░
██▓▓▒▒░░░ ░░░▒▒▓▓▓█████████████▓▓▒▒▓▓██▓▓▓███████████ ░░░░
███▓▓▒░░░░░░░ ░░░░▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒░░▒▒▓▓██▓▒▒▒▓▓███████▌ ░░
▀███████▓▒▒░░ ░░░░▒▒▒▒▒▒▒▒▒▒▒▒░░░░░▒▒▓▓██▓▒░░▒▒▓▓█████ ░ ░
████▓▓▒▒░░ ░░░░░░░░░░░░░░░░░░░▒▒▓▓██▓▒░░░▒▒▓▓███ ░░
█████▓▓▒▒░░ ░░░░░░░░░░░░▒▒▓▓██▓▒ ░░▒▒▓▓█ ░ ░
██████▓▓▒▒░░ ▄░░░▒▓▓███▓▒░░▒▒▓▓█ ░
▐██████▓▓▒▒░░ ▀▀█████▀ ░░▒▒▓▓█ ░
▐███████▓▓▒▒░░ ░░▒▒▓▓█ ░
██████████▓▓▒░░ ░░▒▒▓▓█ ░
████████████▓▒░░░ ░░▒▒▓▓█
▐█████████████▓▒░░░░ █░▒▒▓▓█ ░
▐███████████████▓▒▒░░░░░░ ▄▀▀████████████▄
████████████████████▓▓▓▒▒░░░░ ░░▒▒▓▓█ ▀▀▀▀▀▀
████████████████████████▓▓▓▒▒░░░░░░░ ░░░░▒▒▓▓█
▐█████████████████████████████▓▓▓▓▓▒▒░░░░░░░░░░░░░▒▒▓▓██
█████████████████████████████████████▓▓▓▓▒▒░░░░░▒▒▓▓██▀
████████████████████████████████████████████▓▒░▒▒▓██▀
███████████████████████████████████████████████████████
▄██████████████████████████████████████████████████████████▄▄
█▀▀ ▄▄▄▄ ▀██████████████████████████████████████████████████████▄▄
██ ███████ ▀██████████████████████████████████████████████████████████▄▄▄
██▄ ███████ ▀ ▄▄▄▄▄▄▄ ▀▀▀██████████████████████████████████████████████████▄▄
███ ███████████████████▄ ▀█████████████████████▀▀▀▀▀██████████████▀▀▀▀▀██████
█ ▄▄█████████▀▀ ▀▀▀██████ ▀████████████████▀▀ ▄▄███▄▄ ▀▀██████▀▀ ▄▄███▄▄ ▀▀███
█▄▄▄▄ ██████ ▄█████▄▄ ▀████ ██████████████▀ ▄███████████ ▀███▀ ▄███████████ ▀██
█████ ██████ █████████▄ ███▌▀████████████▀ ██████████████ ██▀ ██████████████ ██
█████ ██████ ██████████ ▐███ ███████████▀ █████▀▀▀███████ █▀ █████▀▀▀███████ ██
█████▄ █████ ████████▀ ▄███▌▄███████████ █████ ▄█▄ ▀█████ █ █████ ▄█▄ ▀█████ ██
████ ▄▄█████▄▄▄▄▄▄▄▄▄▄████▀ ████████████ ████ ▄████ ▀███▀ █ ████ ▄████ ▀███▀ ██
████▄▄ ███████▀▀▀▀ ▄▄ ▀▀███▄ █▀▀ ▄▄▄▄ ▀▀▄ ███ ▀███▀▀ ▀ ▄██▌ ███ ▀███▀▀ ▀ ▄███
██████ █████ ▄▄████████▄ ███▌ ▄████████▄ ▀██▄ ▄▄████▄▄ ▀█▄ ▀██▄ ▄▄████▄▄ ▀█
██████ █████ ███████████▄ ███████▀ ▄ ▀███▄ ▄ ▀▀███████████▄ ▀█▄ ▀▀███████████▄
█████▀ █████ ███████████▀ ██████ ▄███▄ ███▄ ▄█▄ ▄▄▄ ▀▀█████▄ ▄█▄ ▄▄▄ ▀▀████▄
█████ ██████ ██████████▀ ███████ ▀████ ████████ ▀████▄ ▀████▄█████ ▀████▄ ▀███
█████▄▄ ████ ███▀▀▀▀▀ ▄▄█████████▄ ▀ ▄▄███▀██████▄ ▀▀█▀ ▄████▀██████▄ ▀▀█▀ ▄███
███████▄ ██ ▄▄▄▄▄█████████▀ ▀████████████▀ ▀▀██████▄▄▄████▀ ▄ ▀▀██████▄▄▄████
█ ██████▄▄▄▄▄▄▄▄▄▄▄▄ ▀▀▀ ▄▄▀▄▄ ▀▀█████▀▀ ▄▀▀▀▄▄ ▀▀███████▀ ▄▀ ▀▀▄▄ ▀▀▀██████▀ ▄
█ █▐█ ▀▀▀▀▀ ▀▀▄▄▄▄▄▄▄▄▀ ▀▀▄▄ ▀▀▀ ▄▄▀ ▀▀▀▄▄▄▄▄▄▄▄ █
█ ▀███ ▀▀▀▀▀ █ ██ █
███ █ ▐ T H A B O S S I S P R O U D T O P R E S E N T █ ██ █
█ █ ▐ ********************************************************** ▌██████
█ █ █ artist: Two Cities size: 17,9 MB ▌ ██ █
█▄█ █ █ album: Tech Has Taken Over Me label: Phunkateck █████ █
▀▀█ █ █ genre: Drum & Bass str.date: Jul-30-2002 ▄▄▄█
███▄▄▄█ time: 13:01 min rip.date: Jan-14-2003 ▌█ ███
█ █▀▀ █ bitrate: 192 kbit ripper: Team BOSS ███ ███
█ █ ▌ source: Vinyl ▌ ███
█▀▀▀▌ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▀█▀▀█
█████████████████▀▀▀▀▀▀▀▀██▀▀▀▀▀▀▀▀▀▀▀▀▀▀████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄███████ ██
██▄▄▄▄▄▄▄▄▄▄ ▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▄▄▄▄██ ▄▄▄▄▄▄▄▄▄▄▄ █ ██ █
██ █ █▀██▀████
█ █▐ ▄▄▄▄ ▄▄ ▄▄▄▄▄ ▄▄ ▄▄▄ ▄▄ ▄▄▄▄ ▄▄▄▄ ██ █ █
█ ███ ██ █ ██ █▄▄▄▄ ██ ███ ██ ██ ██ █ ██ █ █
█ █ █▀█▀ ██ ▄▄▄▄█ ██ ██ ███ ██▀▀ ██▄█ ██ ▀ █
██ ███ █ ▀ ▀▀ ▀▀▀▀▀ ▀ ▀▀ ▀▀ ▀▀▀ ▀▀ ▀▀▀▀ ██ █ █
█ █ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀ ▀ ▀ █ █▀▀
██ █ █ █ █▀▀█
█ █ █ Widely regarded as one of the US's pioneering drum █ ████
█ █ █ and bass artists and DJs, UFO! continues to edge █ ████
█ █ █ forward, staking a position on the outward perimeter █ ████
█ █ █ of the music. Inertia and momentum are things he's █ ████
█ █ █ had little use for in the past, and 2002 has seen █ ████
█ █ █ him sharply accelerate his progression away from the █ ████
█ █ █ center of drum and bass. Drawing on iconic pictures █ ████
█ █ █ like Blade Runner, UFO!'s oft-stated vision of the █ ████
█ █ █ future is unsettling, stark, and convoluted. In his █ ████
█ █ █ eyes-and his music-it's a place where the tendrils █ ████
█ █ █ of data and digital logic reach deep into the █ ████
█ █ █ fissures of decaying concrete and collapsed steel; █ ████
█ █ █ an imagined place and time that is the true forge of █ ████
█ █ █ his brand of mechanistic funk. █ ████
█ █ █ █ ████
█ █ █ A San Francisco native, UFO!-born Ed Garro-was █ ████
█ █ █ musically baptized by hip hop. Quickly aspiring to █ ████
█ █ █ the status of battle DJ, he proceeded to learn the █ ████
█ █ █ skills and exercise them every chance he had. An █ ████
█ █ █ intensely visual person, Ed's love for the visual █ ████
█ █ █ component of art had him drawing at an early age, a █ ████
█ █ █ skill that morphed into graffiti. Later on, rather █ ████
█ █ █ than repress his graphic work, he found the world of █ ████
█ █ █ music a perfect place to utilize it. His hand drawn █ ████
█ █ █ record labels, sleeves and posters are coveted by █ ████
█ █ █ collectors. He's designed limited edition prints for █ ████
█ █ █ the clothing label LB-426 in San Francisco and true █ ████
█ █ █ to the futurist B-Boy ethos, you might see his █ ████
█ █ █ improvised riffs sketched over bills and bus-side █ ████
█ █ █ ads in New York and San Francisco. █ ████
█ █ █ █ ████
█ █ █ Between his youthful days in hip hop and the █ ████
█ █ █ present, Ed found himself enthralled with the new █ ████
█ █ █ urban sound of London: hardcore...jungle...drum and █ ████
█ █ █ bass. In it he saw a portal into the future, wider █ ████
█ █ █ than any before. He stepped through. Soon after he █ ████
█ █ █ formed the Phunckateck collective, and since has █ ████
█ █ █ released over two dozen singles on labels such as █ ████
█ █ █ Thermal, Position Chrome, Phylum, Vortex, Commercial █ ████
█ █ █ Suicide, Green and Phunckateck Communications. He █ ████
█ █ █ also released his first album The Future is █ ████
█ █ █ Listening on Thermal in 2001, one of the first █ ████
█ █ █ full-length albums by any US drum and bass artist. █ ████
█ █ █ █ ████
█ █ █ His forthcoming album Defrag Life..... on █ ████
█ █ █ Phunckateck Communications provides far-reaching █ ████
█ █ █ evidence of how much he's developed as an artist, █ ████
█ █ █ including a surprise track that finds him venturing █ ████
█ █ █ into the role of vocalist for the first time. The █ ████
█ █ █ album traces an arc that incorporates a myriad of █ ████
█ █ █ other forms and genres, each deconstructed and █ ████
█ █ █ refabricated in the forge of his imagination. It's █ ████
█ █ █ an intense, sometimes jarring excursion through a █ ████
█ █ █ dystopian landscape; urban but not urbane. It's also █ ████
█ █ █ an intensely honest and personal collection of █ ████
█ █ █ music. Every note and wash of color bears the █ ████
█ █ █ imprint of an artist trying to communicate something █ ████
█ █ █ bigger than himself █ ████
█ █ █ █ ████
█ █ █ Recently relocated, Ed's move to the less forgiving █ ████
█ █ █ environment of New York was a personal challenge to █ ████
█ █ █ himself, mirroring the uncompromising demands he █ ████
█ █ █ makes of his music. He's busier than ever, traveling █ ████
█ █ █ often. True to form, his DJing-and his idea of █ ████
█ █ █ it-has evolved. Seldom appearing without a laptop █ ████
█ █ █ now, he incorporates live digital processes into his █ ████
█ █ █ sets, seamlessly switching from vinyl to live █ ████
█ █ █ pieces. Even if his sets appear unsettling or █ ████
█ █ █ unpredictable, his facility for creating larger █ ████
█ █ █ contexts out of the music makes it work. To Ed, the █ ████
█ █ █ computer is a whole instrument, not merely a █ ████
█ █ █ sequencer or emulator of existing sounds. Not █ ████
█ █ █ content to exploit it as a mere tool, Ed's music █ ████
█ █ █ embodies the very notion of the human-computer █ ████
█ █ █ interface, tapping into the essence of the machine █ ████
█ █ █ which in turn is driven to reflect the vision of the █ ████
█ █ █ man. █ ████
█ █ █ █ ████
█ █ █ The consummate urban artist, UFO!'s world is one █ ████
█ █ █ where music, painting, graffiti and DJing are not █ ████
█ █ █ easily separated. Championing an idiosyncratic form █ ████
█ █ █ of urban futurism, his work in all forms is █ ████
█ █ █ defiantly rooted in the industrial shadows of San █ ████
█ █ █ Francisco bridges and New York high-rises, honed by █ ████
█ █ █ the warrens of London's tube and the mechanistic █ ████
█ █ █ biology of Los Angeles' concrete arteries and veins, █ ████
█ █ █ while envisioning places where the grid of city █ ████
█ █ █ blocks gives way to the grid of nanotechnology...a █ ████
█ █ █ rupture that UFO!'s art rides with committed █ ████
█ █ █ abandon, joyriding through the crumbling detritus of █ ████
█ █ █ an industrialized society colonized by data and █ ████
█ █ █ information...a place where the man is no longer █ ████
█ █ █ easily distinct from the machine. █ ████
█▀██ ▀ █▄▄▄▄█
█ ██ █ █ █
█ ██▐ █
▄█ ██ █ █▄
██ ██▐ ▀▀▀▀▀▀
██▐ ▀█████
█▐███ ......................... █ █
██ █ ████ █
▀█ █ [Track Information] ██▄▄▄
██ █ ▀▀█
█ ▌█ 01. Tech Has Taken Over Me 06:19 ▀▀▀▀█
█ ▌█ 02. City Mission 06:42 ▀▀▀▀█
█ ▌█ █ █ ██
██▀▀ ▌ █ █▄▄▄
███ █ ▌ █ █
█▄█▄▌ █ █ ▄
▀▀▀▀█ ▌ █▄▄█▄█
▀██ █ █ ▀ █
██ █ ▀▀▀███
███▄█ ██▀▀██
▄▄ █ ▀▀ ██
█▀ █ ▀█▀▀▀█
█ ██ ██ █
█ ██ █▀█▀▀█
█▀▀▀▀ ▀ ▀▀▀▀
█████ ██▀▀▀█
█▄▄▄ ▐ ██ █
█▄▄▄ ▐ 17,9 MB ██ █
█ █ ▐ 13:01 min ██ ██
█ █ █ █▀
██████ ██ ███
█▄▄▄ █ █
▄▄▄█ ███▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀███████▀▀█▄▄▄▄█▄▄████████████▄▄▄▄▄▄▄ ▄▄▄▄▄▄█████▀▀█
██████▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█ █▄▄▄▄█ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄▄██ ▄▄▄▄▄█ ▀▀█
██ █ █ ██▀████
█ █▐ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▄▄ ▄▄▄ ▄▄ ▄▄▄▄ ▄▄▄▄ ██ █ █
█ ███ ██ █ ██ █ ██ █ ██ ███ ██ ██ ██ █ ██ █ █
█ █ ▀▀██ █▀█▀ ██▀▀ ██ ██ ███ ██▀▀ ██▄█ ██ ▀ █
██ ███ █▀▀▀ ▀ ▀ ▀▀ ▀ ▀▀ ▀▀ ▀▀▀ ▀▀ ▀▀▀▀ ██ █ █
█ █ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀ ▀ ▀ █ █▀▀
██ █ █ █ █▀▀█
█ █ █ Hello there, obviously you are reading this because BOSS has █ ████
█▀██ ▀ caught your attention in one way or another, most likely from █▄▄▄▄█
█ ██ this great release. In fact, we have many great releases coming █▄▄▄██
█ █ out all the time you just have to look for them. Our team started █▄▄▄██
██ █ to release internationally in 2000 and is now releasing █ ▀ █
█ █▐ worldwide. In our group news we always inform you with what we ▀▀▀███
█ ███ are looking for. Currently, we are looking for a few key ██▀▀██
█ █ positions that must be filled soon, so read carefully and see if ▀▀ ██
██ ███ you can help us out: 1)An automatic pre-bot 2)BNC's (eu/us) ▀█▀▀▀█
█ █ █ 3)Non-Commercial Shells (10mb+/1gig+) 4)New vinyl suppliers ██ █
██ █ █ previous group news. Greetz, The BOSS Crew. ██ ███
████ ██ ███
█▄▄▄ ██▀▀▀██▄▄▄█▀▀▀▀▀▀▀▀▀▀▀▀▀█▀ ███▄▄▄▄▄▄▄▄▄▄ ▀▀▀█▀██▀▀▀▀▀▀ ██████▄▄▄▄▄▄▄██▄▄▄█
▄▄▄█▄▄▄▄▄▄█▄▄▄▄█▀▀▀▀██████████▄▄▄▄▄█ ▄▄▄▄▄██▀▀▀▀▀█ ████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▀▀█
▄▄██ ASCII BY CACIQ^CRO ▄▄█ ▄▄▄▄▄██▄▄▄▄▄ █ █████ █ ▄▄▄▄██▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄█
Files
Path
Size
[BMW]-[Drum&Bass-2002]-(17.9 MB in 2 files of 192kbps Joint stereo)-[b