WW#WWWggg8gWWWEZ#@@@@@@@@@@@@MMMM@MMMMMMMMMMMMM@MM@@@W8G9SSz22SSEg#@@@MMMMMMMMMMM#MMMM@@@@@@@@@@@@@S
W8GgWW#W#gWWE9W@@@@@@@@@@@M@M@MMMMMM@M@MMMMM###MMMMMM@@@@@@@@@@@@@MM###MMMMMMMMMMMM@@@@g7::;YYr: @@@
8#WWg8gWW#88E@@@@@@@@@M@@M@MM@MMMMM@MMMM##M##MW##MMM#############M######MM##M##MM@@@a ZM@@@@@@@@@ G
WgWWWMW###88@@@@@@@@@@@@M@MM@MM@MM@MMMMMMMMMM#MMMMMM##M#M#MMMMMMMMMMMMMM#MMMMMMM@@9XE@@@@@@@@@@@@#s@
WMM###gWESG@@@@@@@@@@@@@@MM@M@@@MMM@@@@@@@@@@@@@@@@MMMMMMMM###MMMMMMMMM#MMMMMM#MMZG@@@g.gEG2z22SGgGZ
W##g8EGEE@@@@@@@@M@@@M@MM@MMM###M@@@@s s Y9@@@@@@@@8MMMMMM##MM#MMMM@@@@MMMEg@@@@WEGEEgg889aXY2
gEG8WWgWG@@@@@@@@@@@MM@MM#M@M@M@@@7 .:;:. s@@@@@@@@@@@@@@@@@@@@@@@@@@Wg@@@@99gE aXY7zSG8gG
#Wg#gEMM@@@@@@@M@@@M@MMM@@@@@@@@@ r rrrr;::;rrrrr; X@E@@@@@@@@#9c. @@W@@M@ZSaY777#@@W#GEEE
WWWg8@@@@@@@@@@@@@@@MMM@@@@@WE8#@@@ rYr;,a7:rrr;;; @G.,, r .@@@@@@zXZW@@@Mg#WsMgggE
WWWG#@8@@@@@@@MMM@MMMM@@@@E 2GEcMEg r;::ra9 ;;:;;; 7 c.;:,,:,;: G . , , s@@@@@@@M@@@@@@@@M@M@#@WM
WgGG@ZM@@@@@M@M@MMMMMM@a @@SZ8Ma9sz zXX:@ 9:7777cYrg.a;cc77cc7YrcZ 2@E@@S@7S7 Z z Z, rX G S Z
8GE@Mg@@@@@@@@MMM@MM@@@a @2s,@@G#@Z sX s2YX;YccYr:S8.z;ccXr7rcr,cG 2 gY,@ M; @.,@ .@,:g7: M,cYM;c;G
8E@@9@@@@@@MMMMMMMMMM@@:GM#M9@as9@ zr @,S XsccY;,@Yc:rcc 7rYr:2G :@ 9GZ9,@aa@.r@Ez@.;@:@.@;7aE:rsS
g@@Gg@@@@@@MMMMMMMMMM@@;#@9 Z@S@E@ rz WYc: . :rr;@ 9.c Xr Yr;,Y2 a@2@a#X @:r@,;@: @ ,@ 7.@:;92cYGX
@@#G@@@@@MMM@@MMMMMMM@S @@s##@2g@M S 9YE ssa 2c7. ,G. ;cY7 X;;:S G @:.@ Y#,zW ;@ .@ rX#.,@7r,@c
@E9Y@@@@@M@@MMM@@MMM@@a:@GzsM@aM#z . .: .Y:7 z. Sr: ,sccs 7;YY: ,@Ea# W .g s7 z7 cs 8 7: Z a
EGE@@@MMMMMMMMM@MMMM@@ r@:s7Sa#W@ :c2@ 2r7cYX :s2z s 7 ;, r7:: : ; 9zzGz22XSSzZaaZZZ9#gM@@@@#E@@@8
ggG@@M@M@@MMMM@MMMMM@@@@@@@M@WG@@ : zS,::r;rcss;.:#rY . . . 2Z #,s@@@M#@@MM@@@@@@@@@#WgZscGWgGs72
gWE@@@MMMMMM@MMMMMMMMMM@@EMrSg@@2 r @r rrrrc, r; ccXc;77cY;z,;. gG@@9E@@@@@@@@@@@G27cs9@gZa2zGW9
W8M@MM@MMMMM@MMMMMMMMMMM@@@@@cz ;z.ssr Y;Yc Y7 sr r rr;:::;. @@@@M@MZ98Easc:: ;zSE#MGaza9aSZZZ
gS@@MMMMMMM@MM@MM@@@@@@@MMM@@ 9 .9ca9;; c;7 ;;77YYX s cY7 ,r;;;:; r@E@W@ESs :Ys99EEaSz2ZZ888WggGGG
8Z@@M@MMMMMMMMM@@@M#MEs@MM@@# ,::;r;Y:r 7r7 XYrrrYX 7r;Y ,r;:;;; 7@8@EEcs7SGE8W@MGSS9G99GEEGZ9Z9Saa
WZ@@M@MMMM@MM@@@GW@@@@##M@@@ :,,rY: ; 7:: rrrrYY ,.c;;c :r;:;:: ;@@@gW9a8gWW99999E8EGgWEgZZZ9SGS2a
8a@@MMMMMM@M@@@.7@ZS@@g@@@@ ,cGYY ,Y7, Y,Z@,cYc. c; c;r7 crYYc7cr @@@EZWgEZGaSZggEZZG9a9Eg89Zsz9#W
g9@@@MMMMMM@@X,@@@aZs @@@@ Yz.ZY7 rc7 YE,: c, :,r ,cr G@@@a22zsaGEE2XaWEGEE9aasXa98Ez2
gE@@MMMMM@@@#a@W:@@g@@@@ rGs2X:rr :S@, .,r : ,rc7 : @@@@@@@#ZX;X@MaZaZZaSGWEGG9a2z
888@MMMMM@aaZ 7M9GW@@@S .;:,;,:,;;zgc :Z#@@W@@@@@@@@@a 7G : X@@@@@@@@GZ9EZE9EGZ9SzX729G
8g9@@MMM@@@@M@@ss@@@@ Zc:;r::,,,..r G@@M8G@@@@@@@@@@@@@@@E @@@MSG9EgEG2zzz2gE#E8
88Sg@@M@M@S2MES@@@@7 z:S2c;r;.cY z@@@g8@@@@@@@@@@MM#@@@@@@@@@@@W2: ;zM@7;@@@W8GSzzXX29EE8E8ZG
##@@@@@MM@@@@@@@M@c 2Zs2X .s#@@WG@@@@@@@@Mg9S9Z2aSaXzEW@@@@@@@@@@@@@@MES9@@@W@W7;YXZ9#Wg8GZ99aG
MM8ZSG@@@MMMMMMMM@S , E@@@@W@@@@@@@@@gaz29Ga2#G79GS2z7X2Zg@@@@@@@@@@@@@@@@gaZa8W@MWEEG9SG2sGgg
GEE98EZM@@@M#W###@@@gG#@@@@@@@@@@@@@@@@@@ YaGE89ZZ2X9ZaaGgWZ2a2zY;sEWM@@@@@@M#89SGWgZS9999SZS29E8gEG
gWW8ggE99W@@@@@@MMM@@@@@@@@@@@@@@@M#9z @SG897s2aaaa2GEggGZ2S9GEGE2E9, ;,::csaaGWG2c2sSaazzZ9EgWM@#W
gg8EE88gGEaS9W@@@@@@@@@@@@@@@@g88aZEG8GY@2.Y2ZEE8#@#GgGaS98MgES2cY;cSaZEW9SZZZ8GaaGGE9aZ9E9g#WMWa7XS
gG8EEGE8GE9Za2zSSGG99GGE99ZaaZZS999SaZa;@ME#gg99ZGZZ9Z9999Za2X2aE##2EgG9EGW#8EG999SSS9999GEZ2zss9gW8
Wyse Kicks Ass in 2003
____________________________________________________________________________________________________
Album Info
Artist : Shania Twain
Album : Come on Over
Tracks : 16
Time : 60:00 min
Bitrate : 256kbps
Size : 110,1 MB
Label : Mercury
Str.date: 11/04/1997
Rip.date: 10/14/2003
Ripper : AoW: SuperWyse
=============================================================================================================================
Album Notes
Born Aug 28, 1965 in Timmins, Ontario, Canada
Emerging in the mid-'90s, Shania Twain (pronounced shu-NYE-uh) became
the most popular country music artist since Garth Brooks. Skillfully
fusing mainstream, AOR rock production with country-pop, Twain and her
producer/husband Robert John "Mutt" Lange created a commercial
juggernaut with her second album, The Woman in Me. The record became a
multi-platinum phenomenon, peaking at number five on the pop charts and
eventually selling over nine million copies in America alone. Twain
might have sold a lot of records, but like other mega-selling acts
before her, she earned few good reviews ù most critics accused her of
diluting country with bland, anthemic hard rock techniques and of
shamelessly selling her records with sexy videos. Fans ignored such
complaints, mainly because her audience was comprised of many listeners
that had grown accustomed to such marketing strategies by constant
exposure to MTV. And Twain, in many ways, was the first country artist
to fully exploit MTV's style. She created a sexy, video-oriented image
ù she didn't even tour during the year when The Woman in Me was on the
top of the country charts ù that appealed not only to the country
audience, but also to pop fans. In turn, she became a country music
phenomenon.
Twain was born in Windsor, Ontario, and raised in the small, rural town
of Timmins, Ontario. As a child, she learned to play guitar at an early
age and would spend much of her time singing, writing, and playing.
Early on in her musical development, her parents pushed her on stage,
making her perform frequently around their little town; often, she
would be pulled out of bed around one in the morning to sing at local
bars, since as a child she could only appear in the clubs after they
had stopped serving alcohol. In addition to bars, she sang on local
radio and television stations and community events. When she was 21
years old, both of her parents died in a car crash, forcing her to take
responsibility for her four younger brothers. In order to pay the bills
and keep food on the table, she took a job singing at a resort in
Deerhurst. With the money she earned at the resort, she bought a house
and had the family settle down.
At the resort, she sang show tunes, from George Gershwin to Andrew
Lloyd Webber, as well as a little country. Twain stayed there for three
years, at the end of which all of her siblings had begun lives of their
own. When she was finally independent again, she assembled a demo tape
of her songs, and her manager set up a showcase concert in Canada.
Twain caught the attention of a few insiders with the concert, and
within a few months, Mercury Nashville had signed her to their roster.
Her eponymous debut album was released in 1993, and although it wasn't
a major hit, it performed respectably in the United States, launching
two minor hit singles, "What Made You Say That" and "Dance With the One
That Brought You"; in Europe, the album was more successful and Country
Music Television Europe named her Rising Video Star of the Year.
Shortly after the release of Shania Twain, the singer met and fell in
love with Robert John "Mutt" Lange, a hard rock producer known for his
work with AC/DC, Def Leppard, Foreigner, and the Cars. Lange had been
wanting to move into country music for a while, and after hearing
Twain's debut album, he decided to get in contact with her with the
intention of working on an album. By the end of the year, the pair had
married and begun working on her second record. The two either wrote or
co-wrote the material that eventually formed The Woman in Me.
The Woman in Me was released in the spring of 1995. Its first single,
"Whose Bed Have Your Boots Been Under?," went to number 11 early in the
year, quickly followed by "Any Man of Mine," which became her first
number one single in the spring. The album's title track went to number
14 in the fall, while the fourth single, "(If You're Not in It for
Love) I'm Outta Here!," rocketed to number one toward the end of the
year; early in 1996, "No One Needs to Know" became her third number one
hit. By the beginning of 1996, The Woman in Me had sold over six
million copies and broken the record for the most weeks spent at number
one on the country charts. During the course of 1996, it would rack
another three million in sales. Come On Over followed in 1997. She
spent the next two years touring the globe in support of the album; by
the end of 1999, Come On Over had sold 36 million copies.
Twain took a sabbatical and returned to her Swiss home for some down
time with her husband. The next summer, she and Lange welcomed their
first child. A son, whom they named Eja, arrived August 21, 2001.
During this time, Twain brainstormed for a fourth album. While
balancing a domestic life and a career, the end result was Up!, which
appeared in November 2002.
Shania Twain's second record, The Woman in Me, became a blockbuster,
appealing as much to a pop audience as it did to the country audience.
Part of the reason for its success was how producer Robert John "Mutt"
Lange ù best-known for his work with Def Leppard, the Cars, and AC/DC ù
steered Twain toward the big choruses and instrumentation that always
was a signature of his speciality, AOR radio. Come on Over, the sequel
to The Woman in Me, continues that approach, breaking from contemporary
country conventions in a number of ways. Not only does the music lean
toward rock, but its 16 songs and, as the cover proudly claims, "Hour
of Music," break from the country tradition of cheap, short albums of
ten songs that last about a half-hour. Furthermore, all 16 songs and
Lange-Twain originals and Shania's sleek, sexy photos suggest a New
York fashion model, not a honky tonker. And there isn't any honky tonk
here, which is just as well, since the fiddles are processed to sound
like synthesizers and talk boxes never sound good on down-home, gritty
rave-ups. No, Shania sticks to what she does best, which is countrified
mainstream pop. Purists will complain that there's little country here,
and there really isn't. However, what is here is professionally crafted
country-pop ù even the filler (which there is, unfortunately, too much
of) sounds good ù which is delivered with conviction, if not style, by
Shania, and that is enough to make it a thoroughly successful follow-up
to the most successful country album by a female in history.
Brian White - Vocals
Joe Chemay - Bass (Electric), Fretless Bass
Shania Twain - Vocals, Vocals (bckgr)
Bryan White - Vocals
Jeff Balding - Engineer
Bruce Bouton - Pedal Steel, Guitar (Steel), Lap Steel Guitar
Bob Bullock - Engineer
Larry Byrom - Slide Guitar
Stuart Duncan - Fiddle
Larry Franklin - Fiddle
Paul Franklin - Pedal Steel, Guitar (Steel)
Rob Hajacos - Fiddle
John Hobbs - Piano, Wurlitzer
Dann Huff - Guitar, Guitar (Electric), Guitar (Rhythm), Organ
(Hammond), Guitar (12 String), Sitar (Electric), Talk Box, Wah Wah
Guitars
John Hughey - Pedal Steel
John Jarvis - Piano, Wurlitzer
Robert John "Mutt" Lange - Vocals (bckgr), Producer
Paul Leim - Drums
Carl Marsh - Strings, Arranger
Brent Mason - Guitar (Electric)
Glenn Meadows - Mastering
Joey Miskulin - Accordion
Michael Omartian - Piano
Olle Romo - Programming, Sequencing, Editing
Eric Silver - Mandolin
Joe Spivey - Fiddle
Arthur Stead - Organ, Synthesizer, Piano
Bjorn Thorsrud - Pre-Production Programming
Bill Watson - Guitar (Acoustic), Guitar, Guitar (Electric), Guitar
(Rhythm)
Aubrey Haynie - Fiddle
George Holz - Photography
David Hamilton - Strings, Arranger
Gus Phillipas - Photography
James Somberg - Programming
Jay Alverez - Programming
White Broadway - Performer
___________________________________________________________________________________________________________________________________________
Track Listing
01 Man! I Feel Like A Woman! [03:54]
02 I'm Holdin' on to Love (to Save My Life) [03:27]
03 Love Gets Me Every Time [03:33]
04 Don't Be Stupid (You Know I Love You) [03:34]
05 Form this Moment on [04:41]
06 Come on Over [02:54]
07 When [03:39]
08 Whatever You Do! Don't! [03:49]
09 If You Wanna Touch Her, Ask! [04:04]
10 You're Still the One [03:32]
11 Honey, I'm Home [03:35]
12 That Don't Impress Me Much [03:39]
13 Black Eyes, Blue Tears [03:39]
14 I Won't Leave You Lonely [04:12]
15 Rock this Country! [04:22]
16 You've Got A Way [03:26]