Guitar--Dealin_With_Signal_And_Noise-2007-1way

Section
MP3/FLAC
Group
1way
Size
69,68 MB
Files
13
Date
2007-05-11

NFO

      a r t i s t : Guitar
        t i t l e : Dealin with Signal and Noise
          d a t e : 2007
        l a b e l : Onitor
        g e n r e : Lo-Fi
  r l s.  d a t e : May/2007
      t r a c k s : 13
    b i t r a t e : VBRkbps
          s i z e : 69,7 MB

   _______________________________________________________________________

     The Projetct Guitar is dedicated to the sound of the guitar.
     Until now Lueckner released: ôSunkissedö (My Bloody Valentine-
     Hommage on Morr Music, 2003), the Japan-only-album "Honeysky"
     (Interpretation of Country guitars and Bluegrass Banjo
     Hilibilly attacks, Third Ear 2004), "Saltykisses" (even more
     shoegazer, Third Ear 2006) and "Tokyo" (with the sound of Koto
     and Pipa guitars û a homage to Tokyo, onitor 2006).

     And now "Dealin with Signal + Noise". Lueckner keeps on going
     with his recently, new open working attitude. On 4 tracks of
     the album he cooperates with the Japanese Singer Ayako
     Akashiba (who also worked with him on all recent Guitar
     albums), and on 3 tracks he worked with the American guitar
     band Voyager One (Seattle). Its obvious what this means: With
     his new album, Guitar is going back more in the direction of
     psychdelic guitar-sound. Or better said: This is a Sea of
     Sound. The Sound-Sea is wilder again, something really heavy û
     but between the storm of noise and feedback you could always
     hear the sirenes. But don┤t be afraid, the fishers around will
     not be killed and nobody will get fixed to the boat. This
     storm will end in a good way. And this message is coming from
     someone who knows very well that life without storms is not
     worth a penny.

     But back to present. These words were sent to us directly from
     the Guitar-Hauptquartier:
     "This time I tried to find out what I do with Guitar. What is
     possible with a project like Guitar nowadays. And the answers
     I found are on the album. As a rockmusician I deal with
     Signals (different impulses, chords, words and timings and
     biographical feelings) and Noise (indifferentimpulses, chords,
     words, nature-sounds and timings and really difficult
     feelings, feelings I don┤t understand, feelings I considered
     as Kitsch as I was still an unexperienced teen and twen who
     was imagining his own world).
     After all: You are not allowed to believe a rockdealer under
     30 years, cause they produce and communicate irritating music
     out of Signals (f.e. "she loves you - yeah yeah yeah") and
     Noise (twΣng-zerr-distort-bingbong) - music which will bring
     young people in the worst case to acts like suicide, cause
     they are unable to know their own feelings and also to
     dechiffre this sound. This means: Anybody who really
     "understands" rockmusic is under 30 or disorientated or he/she
     feels better buying sonic waves instead of flowers and gifts."

     This said, Lueckner continues to say that it is impossible to
     write something like that in an info. But touched from what I
     heard, I have to ask: Why? Cause all the writers out there
     will take it as pretentious? Cause it opens a far too deep
     view into the artistical process of writing music? Cause the
     people out there only care about the surface? Ah, fuck it, we
     at onitor beliebe in you all, that's why we say: Lets give it
     a try.

     Which brings us back to Guitar and his words: "With technical
     words like Signal/ Noise you are able to dechiffre the whole
     rockmusic analog to Luhmanns Systemtheorie - open the view for
     a new perspective, a perspective Thomas Pynchon would love.
     But having this said you have to realize that from this
     perspective Jimi Hendrix never made music, cause as a fresh
     made Vietnam Veteran he changed his machine gun with an
     electric guitar - just as half of the rockcommunity did, by
     listening to Led Zeppelin, Nirvana, Muse and Co at war. And
     nobody is realizing. And peaceful Ex-Social-Workers like me,
     Daniel Lanois and the electric Bob Dylan are still doing our
     social work (instead of going to the military) and keep on
     talking the people into stopping to go to the military and
     touch guns."


   _______________________________________________________________________

      01-Flowers look up into the sky                           [03:40]
      02-Sine waves                                             [05:14]
      03-Ballad of the tremoloser                               [07:51]
      04-Just like honey                                        [04:37]
      05-Song without signal                                    [02:25]
      06-I kissed the dirt + she kissed her bobtail             [03:40]
      07-Watch the white bird                                   [02:37]
      08-Guitardelays                                           [01:08]
      09-Here                                                   [04:09]
      10-Live at Hotel Palestine                                [03:28]
      11-What is love?                                          [05:17]
      12-Guitardelays 2                                         [00:36]
      13-Sign waves                                             [02:45]
                                                                -------
                                                                 47:27 min



Files

PathSize
01-guitar--flowers_look_up_into_the_sky.mp34,90 MB
02-guitar--sine_waves.mp38,09 MB
03-guitar--ballad_of_the_tremoloser.mp313,83 MB
04-guitar--just_like_honey.mp36,70 MB
05-guitar--song_without_signal.mp33,34 MB
06-guitar--i_kissed_the_dirt_and_she_kissed_her_bobtail.mp34,66 MB
07-guitar--watch_the_white_bird.mp33,67 MB
08-guitar--guitardelays.mp31,46 MB
09-guitar--here.mp36,39 MB
10-guitar--live_at_hotel_palestine.mp34,51 MB
11-guitar--what_is_love.mp37,20 MB
12-guitar--guitardelays_2.mp3853,45 KB
13-guitar--sign_waves.mp34,10 MB