Charlemange_Palestine-Strumming_Music-2003-DGN

Section
MP3/FLAC
Group
DGN
Size
66,13 MB
Files
1
Date
2007-05-13

NFO

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                                                            [dmc]




                          Doom    Generation    Noises                      

────[rlsnfo]────────────────────────────────────────────────────────────────────

     Artist   : Charlemange Palestine
     Title    : Strumming Music
     Year     : 2003
     Label    : Dunya
     Genre    : Avantgarde
     Type     : Album

────[ripnfo]────────────────────────────────────────────────────────────────────

     Ripped on: 05/12/2007
     Ripper   : DGN ROXX
     Quality  : VBR kbps
     Size     : 66,1 MB
     Playtime : 52:14 min
     Grabber  : EAC
     Encoder  : Dibrom's LAME 3.90.3

────[trax]──────────────────────────────────────────────────────────────────────

     01.  Strumming Music                                           52:14

────[Release Note]──────────────────────────────────────────────────────────────

     gain yes this is one of the few remaining high points for(what
     was)Hardcore minimalism,(as opposed to Softcore, or No-Core, or
     Opportunist-Core, or Wish-I-had-A-Core Minimalism)where did it
     go wrong?
     What's suppose to happen with Minimal Music,or Rpertitive
     Patternings-Music is that either you are interested in
     listening, and what timbre or sound does, what is noise,what is
     a beautiful sound and then when something, a sound may
     transform itself; or you are not, you are more interested in
     associating this process of listening with other objects for
     contemplation and those which may render, put you in a position
     to sell minimalism within the lifeworld,And I guess there
     wouldn;t be much music I suspect if composers followed this
     latter quip;, but I cannot help but agree with Palestine's
     conviction that the "other" minimalists simply went by way of
     making money,popularizing, homogenizing, now digitalizing,and
     globalizing the cause the process anyway possible, and this
     brings to mind Charles Ives(he was successful in insurance)
     that if your music is dependant upon you putting food on the
     table, well it is better, and we are better off if you sell
     pizzas instead or derivative securities or real estate. I
     suspect the other minimalist composers as Reich, and Adams,
     Riley and Glass would have in fact done thatl but they had no
     skills as such, and no academic degrees for such business.

     So here you listen and the performing is incredible to sustain
     fairly a steady tempo throughout, an endurance test really;
     there are large wavering if you follow or care to follow a
     metronome. The piece begins somewheres around 90-92-96 to the
     Quarter note value for about the first 15 minutes, then
     gradually increases, to 120-122-128 and you have an incredible
     sense of time if you can tell the difference between 120 and
     122 on the metronome, still there are music games I;m sure this
     music encourages, you are also encouraged to sing or hum of you
     want to, minor sevenths are gorgeous sounding against the open
     E and B here below Middle C. A and G are also good tones to get
     out of yourself and enter new realms. As you work your way
     through this canvas of timbre, the piano seems to sound
     harsher,at about 45 minutes at about 34 minutes is where like a
     break occurs and you return to lesser tones, the diminution of
     density not ugly, perhaps the piano is tired itself of all this
     pummeling although Palestine plays with a gentle demeanor,
     never really striking an un-beautiful tone, it is the
     resounding reverberations that come to sound harsh the
     repetition. Another interesting aspect is that the piece limits
     itself to one register more-or-less the octave below Middle C,
     the tones E,G,A,B,D; for the tones that are struck, of course
     if you can hear it the entire keyboard is brought into the
     field of play with the pedal being left down throughout. So
     minimalism is about listening first about how timbre is suppose
     to work and what it may do in and by-itself without reference
     to nothing outside itself; other cultures have been practicing
     this kind of listening for centuries, here we had to wait and
     only if you lived in New York City were you the first in the
     Seventies to be able to practice this listening,Where?, at The
     Idea Warehouse 22 Reade Street in New York where this was
     recorded. Joan La Barbara in the sleevebox notes gives a good
     summary of her experience of this with Palestine and his usual
     accoutrements of stuffed fluffy animals, bunnies and bears
     sitting on top of the Bosendorfer Piano,it must get lonely
     playing this music and there is nothing to watch;Bosendorfer is
     the only one Palestine (Charles Martin) cares to use; then,
     then I suspect minimalism became popular within underground
     avant-garde then art galleries and then the globe;and large
     cities in the USA followed.
     The piece does actually sound or suggests like a banjo
     strumming away, very Americana.Terry Riley's "The Harp of New
     Albion, and La Monte Young's "Well=Tuned Piano" are the other
     piano solo seminal works with this one. Goodbye to Minimalism
     we will miss you very much.

     http://www.amazon.com/Strumming-Music-Charlemange-Palestine/dp/
     B00008S81O/ref=sr_1_1/002-2961370-4556020?ie=UTF8&s=music&qid=1
     178951404&sr=8-1

────[Group Notes]───────────────────────────────────────────────────────────────

     Dgn is around since 1998...

     After a few years, a few rippers who left, a few who joined, people
     greeting,people yelling, people threatening, people helping, people
     watching, we're still enjoying our aime: Let ppl listen to what they
     are gonna buy b4 they pay a single penny.


     There have been also some people and groups that helped out during the
     last few years, maybe it's because of them that (against all odds) we
     are still releasing and doing well, those know who they are, and we'll
     thank forever.


     We remind our beloved public, we're against all kind of distrubution,
     don't search our rips neither in your preferred XDcc channel, nor in
     your local 127.0.0.1 p2p program, We do not distribute ! But it's not
     nice to buy when you do not know what you're buying.
     As a matter of fact, DGN is a private group, and do not need rippers,
     fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
     suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
     in the Caribbean sea where to listen to some chillout music.
     If you can supply any of those, for free, feel free to contact us for
     an application form.


     Remember to support the artists.

                                                                  DGN Crew, 2003

                                                                                
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                         Nfo file by [dmc]/DGN using Elton's and Morgoth's tools

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01-charlemange_palestine-strumming_music-dgn.mp366,13 MB