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[dmc]
Doom Generation Noises
────[rlsnfo]────────────────────────────────────────────────────────────────────
Artist : Christian Marclay & Otomo Yoshihide
Title : Moving Parts
Year : 2000
Label : Asphodel Records
Genre : Avantgarde
Type : Album
────[ripnfo]────────────────────────────────────────────────────────────────────
Ripped on: 05/12/2007
Ripper : DGN ROXX
Quality : VBR kbps
Size : 67,3 MB
Playtime : 61:27 min
Grabber : EAC
Encoder : Dibrom's LAME 3.90.3
────[trax]──────────────────────────────────────────────────────────────────────
01. Sliced And Diced 03:58
02. Derailment 07:06
03. Deep Down Under 04:03
04. Elephant Memories 03:13
05. Blood Eddy 04:03
06. Suburbia 03:16
07. Hyoushi 04:14
08. Fanfare 03:46
09. Lucky Seven 02:50
10. Distant Trip 09:04
11. [bonus Track] 15:54
────[Release Note]──────────────────────────────────────────────────────────────
Christian Marclay's name should be well known to any
connoisseur of experimental music. Although his use of the
turntable as an instrument started in the late '70s--around the
same time as the rise to prominence of the pioneer hip-hop
DJs--Marclay has always seemed much more rooted in the
mid-century development of "musique concrΦte," which is created
by manipulating pre-existing sound sources (as opposed to
electronic music, which is created with synthesizers).
Yoshihide Otomo followed a similar path, starting with a
youthful hobby of building electronic sound-generating devices
and making tape collages. He then immersed himself in free jazz
and experimental rock, becoming best known in the '90s through
his group Ground Zero. On Moving Parts, the two create an
intense, noisy tapestry of sound, encompassing a wide range of
sources--from the baroque-sounding flute and harpsichord
snippet that opens the CD to squalls of Hendrix-flavored
guitar, opera, flamenco, movie soundtrack music, purely
electronic sound, and so on. Marclay firmly favors the analog,
intentionally letting his records get scratched and even gluing
pieces of vinyl together, while Yoshihide employs mainly
digital methods. The combination helps keep the sound from
getting homogenous. Unlike a lot of the people identified with
turntablist world, they never go for laughs with sharply
contrasting stylistic juxtapositions or the ironic use of
spoken-word records. Sometimes the source materials are
pummeled and entirely reshaped, and other times a melodic
quotation will stand out untreated; the results are at times
reminiscent of Stockhausen's "Hymnen" or Eric Salzman's "Nude
Paper Sermon."
http://www.amazon.com/Moving-Parts-Christian-Marclay-Yoshihide/
dp/B00004W5LN/ref=sr_1_1/002-2961370-4556020?ie=UTF8&s=music&qi
d=1178951251&sr=1-1
────[Group Notes]───────────────────────────────────────────────────────────────
Dgn is around since 1998...
After a few years, a few rippers who left, a few who joined, people
greeting,people yelling, people threatening, people helping, people
watching, we're still enjoying our aime: Let ppl listen to what they
are gonna buy b4 they pay a single penny.
There have been also some people and groups that helped out during the
last few years, maybe it's because of them that (against all odds) we
are still releasing and doing well, those know who they are, and we'll
thank forever.
We remind our beloved public, we're against all kind of distrubution,
don't search our rips neither in your preferred XDcc channel, nor in
your local 127.0.0.1 p2p program, We do not distribute ! But it's not
nice to buy when you do not know what you're buying.
As a matter of fact, DGN is a private group, and do not need rippers,
fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
in the Caribbean sea where to listen to some chillout music.
If you can supply any of those, for free, feel free to contact us for
an application form.
Remember to support the artists.
DGN Crew, 2003
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Nfo file by [dmc]/DGN using Elton's and Morgoth's tools